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Narratology beyond the Human: Storytelling and Animal Life PDF

417 Pages·2018·21.51 MB·English
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n Narratology beyond the Human Narratology beyond the Human Storytelling and Animal Life David Herman 3 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978– 0– 19– 085040– 1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books Inc., United States of America For Susan, lover of moth, moorhen, and manatee, of dogwood, cactus flower, and live oak, of coastal path, desert riverbed, and Plaza Andalusia n CONTENTS Preface  ix Introduction  1 PART I n  Storytelling and Selfhood beyond the Human  1 Self- Narratives and Nonhuman Selves  25 2 Boundary Conditions: Identification and Transformation across Species Lines  51 3 Entangled Selves, Transhuman Families  87 PART II n  Narrative Engagements with More- Than- Human Worlds  4 Multispecies Storyworlds in Graphic Narratives  117 5 Life Narratives beyond the Human  157 6 Animal Minds across Discourse Domains  202 7 Explanation and Understanding in Animal Narratives  233 Coda: Toward a Bionarratology; or, Storytelling at Species Scale  249 Notes  295 Glossary  335 Bibliography  341 Index  375 vii n PREFACE This book aims to develop a cross- disciplinary approach to post- Darwinian narra- tives concerned with animals and human- animal relationships, and in the process open new lines of communication between the two domains of research at whose intersection it is situated.1 One domain is narratology, the study of the structures, meanings, and uses of narratives of all sorts. The other domain is research on cultural understandings of animals that postdate Darwin’s groundbreaking work in evolu- tionary biology, and in particular his hypothesis that humans are subject to the same evolutionary processes that bear on other forms of creatural life. Research in this second area examines how attitudes toward other animals and the broader environ- ment that we share with them take shape in— and in turn put their stamp on— a variety of cultural institutions, practices, and artifacts. What has been largely absent from such sociocultural approaches to creatural life, and what thus sets my study apart from previous work in the field, is an emphasis on the distinctive structures and functions of narratively organized discourse centering on animals and human- animal relationships. Analysis of these structures and functions can, I argue, clarify the role played by fictional as well as nonfictional narratives in consolidating, chal- lenging, or reconfiguring more or less dominant understandings of the nonhuman world. At the same time, I explore how a fuller, more sustained consideration of animal narratives sheds new light on the nature of storytelling itself. The chapters that follow thus suggest how the study of fictional as well as non- fictional narratives that include but extend beyond the realm of the human can pro- mote dialogue and exchange among the arts, sciences, and humanities. Conversely, approaching these narratives from a cross- disciplinary perspective can foster new ways of imagining and responding to trans- species entanglements in the larger bio- sphere. Because so many encounters with animals are mediated through narratively organized discourse, there is pressing need for a comprehensive model of what sto- rytelling practices reveal about (human attitudes toward) the nonhuman world and its inhabitants. A model that integrates structural and contextual analysis, combin- ing the technical methods of narratology with research on cultural understandings of animals and human- animal interactions, can achieve such comprehensiveness, allowing for a step change in this area of inquiry. Indeed, a guiding assumption of the book is that it is impossible to come fully to terms with the narratives under study without engaging in the new ways of thinking that emerge from and also contribute to cross- or rather transdisciplinary dialogue of this sort.2 For that matter the root question “What is an animal?” cannot be answered in the absence of sustained collaboration across different areas of inquiry. The very notion animal carries mythopoetic, biological- ecological, sociohistorical, and legal- political resonances that are multiplied when trans- species relationships ix

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To what extent, and in what manner, do storytelling practices accommodate nonhuman subjects and their modalities of experience, and how can contemporary narrative study shed light on interspecies interactions and entanglements? In Narratology beyond the Human, David Herman addresses these questions
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