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NARRATIVES OF WOUNDED KNEE by BETH ANN KREHBIEL A REPORT submitted in partial ... PDF

252 Pages·2016·30.78 MB·English
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NARRATIVES OF WOUNDED KNEE by BETH ANN KREHBIEL A REPORT submitted in partial fulfi llment of the requirements for the degree MASTER OF LANDSCAPE ARCHITECTURE Department of Landscape Architecture and Regional & Community Planning College of Architecture, Planning and Design KANSAS STATE UNIVERSITY Manhattan, Kansas 2016 Approved by: Major Professor Laurence A. Clement Jr. Copyright Beth Ann Krehbiel 2016 Abstract Research suggests that Native Americans, Chicanos, and African Americans are groups underrepresented in the North Amer- ican memorial landscape. The fl uid nature of a group and individual’s identity (and the memory that shapes it) contributes to the underrepresentation in commemoration and memorials. As communities and the associated identities continue to blend and overlap moments of positive cultural exchange can take place, but at times the outcomes are in the realm of contention and confl ict. The collaborative nature of landscape architecture together with the profession’s ability to understand and inter- pret complex systems and narratives can fully engage and bring form to the morally imaginative, creative act of peacebuilding. The concept of shifting and variant meaning led to this study that considered the question- How might memorials be designed as reconciliatory agents in cultural landscapes with confl icting histories? This study engaged the concept of memory and identity with Oglala Lakota, on the Pine Ridge Reservation, regarding the tragedy of Wounded Knee, through adapted ethnographic approaches in interviewing, site visits, extensive literature review, mapping and design inquiry. The design inquiry responds to social, economic, and ecological narratives to inform the design of the reconciliatory-minded memorial. The initial premise of the project was situated in the understanding that events with contested meaning are diffi cult to memo- rialize because there are so many differing voices; irreconcilable in the built form. While that is true in some contexts, initial fi ndings suggest these groups are underrepresented because it is diffi cult to memorialize that which is a contemporary social justice or inter-demographic issue. In light of this and further research, the author believes that memorials seeking to honor demographics or events that directly affect contemporary groups might be contextually more appropriate, and act as media- tors, if they focus forward rather than solely and solemnly refl ect the past. Conceptual sketches conclude this study, offering possibilities for design expression, which might be realized with community participation. Note This document is intended to be viewed as a two-page spread layout and printed double-sided. To view as a two-page spread layout in Adobe Acrobat, select the following: View > Page Display > Two Page View + Show Cover Page in Two Page View Narratives of Wounded Knee Beth Ann Krehbiel Copyright 2016 Masters Report submitted in partial fulfi llment of the requirements for the degree of: Master of Landscape Architecture (MLA) Major Professor: Laurence A. Clement Jr. Committee Members: Dr. Anne Beamish Dr. Jessica Marie Falcone Department of Landscape Architecture and Regional & Community Planning College of Architecture, Planning and Design Kansas State University Image on jacket courtesy of Bethany Walk (Adapted by Author) ooofff atives Wounded Knee By Beth Ann Krehbiel Research suggests that Native Americans, Chicanos, and African Americans are groups underrepresented in the North American memorial landscape. The fl uid nature of a group and individual’s identity (and the memory that shapes it) contributes to the underrepresentation in commemoration and memorials. As communities and the associated identities continue to blend and overlap moments of positive cultural exchange can take place, but at times the outcomes are in the realm of contention and confl ict. The collaborative nature of landscape architecture together with the profession’s ability to understand and interpret complex systems and narratives can fully engage and bring form to the morally imaginative, creative act of peacebuilding. The concept of shifting and variant meaning led to this study that considered the ques- tion- How might memorials be designed as reconciliatory agents in cultural landscapes with confl icting histories? This study engaged the concept of memory and identity with Oglala Lakota, on the Pine Ridge Reservation, regarding the tragedy of Wounded Knee, through adapted ethnographic ap- proaches in interviewing, site visits, extensive literature review, mapping and design inquiry. The design inquiry responds to social, economic, and ecological narratives to inform the design of the reconciliatory-minded memorial. The initial premise of the project was situated in the under- standing that events with contested meaning are diffi cult to memorialize because there are so many differing voices; irreconcilable in the built form. While that is true in some contexts, initial fi ndings suggests these groups are under- represented because it is diffi cult to memorialize that which is a contemporary social justice or inter-demographic issue. In light of this and further research, the author believes that memorials seeking to honor demographics or events that directly affect contemporary groups might be contextually Abstract more appropriate, and act as mediators, if they focus forward rather than solely and solemnly refl ect the past. Conceptual sketches conclude this study, offering possibilities for design expression, which might be realized with communi- ty participation. Figure 00.01 Pine Ridge Badlands (by Author) Table of Contents 01 02 03 Introduction 01 Literature Review 18 Methodology 70 Figure 00.02 Wounded Knee Panorama (by Author) ix List of Figures xi Key Terms xv Acknowledgments xvii Dedications xix 04 05 06 Findings 88 Design Inquiry 144 Conclusions 170 References 182 Appendix 188 x

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Massacre (Adapted by Author) Adapted in Photoshop with permission from . longer-term process of overcoming hostility and mistrust between divided . ently creative in that theory is not a truth but rather a flexible understanding
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