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NAKED TRUTHS NAKED TRUTHS Women, sexuality, and gender in classical art and archaeology Edited by Ann Olga Koloski-Ostrow Claire L. Lyons London and New York First published 1997 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 2000 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1997 Ann Olga Koloski-Ostrow and Claire L. Lyons All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data Naked Truths: Women, Sexuality and Gender in Classical Art and Archaeology. Edited by Ann Koloski-Ostrow and Claire L. Lyons. p. cm. Includes bibliographical references and index. 1. Women in art. 2. Sexuality in art. 3. Gender identity in art. 4. Art, Classical. I. Koloski-Ostrow, Ann Olga II. Lyons, Claire L. N7630.N36 1997 704.9‘424’0938–dc20 96–41228 ISBN 0-203-03771-5 Master e-book ISBN ISBN 0-203-18274-X (Adobe eReader Format) ISBN 0–415–15995–4 (hbk) ISBN 0–415–21752–0 (pbk) CONTENTS List of Figures and Tables vii Notes on Contributors ix Acknowledgements xii 1 NAKED TRUTHS ABOUT CLASSICAL ART: AN INTRODUCTION 1 Claire L. Lyons and Ann Olga Koloski-Ostrow 2 “WAYS OF SEEING” WOMEN IN ANTIQUITY: AN INTRODUCTION TO FEMINISM IN CLASSICAL ARCHAEOLOGY AND ANCIENT ART HISTORY 12 Shelby Brown 3 FEMALE BEAUTY AND MALE VIOLENCE IN EARLY ITALIAN SOCIETY 43 John Robb 4 DIVESTING THE FEMALE BREAST OF CLOTHES IN CLASSICAL SCULPTURE 66 Beth Cohen 5 WHEN PAINTERS EXECUTE A MURDERESS: THE REPRESENTATION OF CLYTEMNESTRA ON ATTIC VASES 93 Francine Viret Bernal 6 SAPPHO IN ATTIC VASE PAINTING 108 Jane McIntosh Snyder 7 GENDER AND SEXUALITY IN THE PARTHENON FRIEZE 120 John G. Younger 8 NAKED AND LIMBLESS: LEARNING ABOUT THE FEMININE BODY IN ANCIENT ATHENS 154 Joan Reilly CONTENTS 9 NURSING MOTHERS IN CLASSICAL ART 174 Larissa Bonfante 10 MAKING A WORLD OF DIFFERENCE: GENDER, ASYMMETRY, AND THE GREEK NUDE 197 Nanette Salomon 11 THE ONLY HAPPY COUPLE: HERMAPHRODITES AND GENDER 220 Aileen Ajootian 12 VIOLENT STAGES IN TWO POMPEIAN HOUSES: IMPERIAL TASTE, ARISTOCRATIC RESPONSE, AND MESSAGES OF MALE CONTROL 243 Ann Olga Koloski-Ostrow 13 EPILOGUE: GENDER AND DESIRE 267 Natalie Boymel Kampen Glossary 279 Selected Bibliography 287 Index 306 vi FIGURES AND TABLES FIGURES 1 Prehistoric art in post-Pleistocene Italy 47 2 The evolution of gender symbols in prehistoric Italy 52 3 The Barberini Suppliant, Louvre MA 3433 (Photo: Museum) 67 4 Leda and the Swan, Boston, Museum of Fine Arts 04.14 (Photo: Museum) 71 5 Maiden and Centaur from West Pediment of the Temple of Zeus, Olympia, Museum (Photo: from B. Ashmole and N. Yalouris, Olympia. The Sculptures of the Temple of Zeus, Phaidon 1967, pl. 130) 73 6 Amazonomachy, Attic red-figure volute-krater, attributed to the Painter of the Woolly Satyrs, New York, Metropolitan Museum of Art 07.286.84 (Photo: Museum) 75 7 Side view of volute-krater in Fig. 6 (Photo: Museum) 76 8 Lansdowne Amazon, New York, Metropolitan Museum of Art 32.11.14 (Photo: Museum) 78 9 Rape of Kassandra, Attic red-figure Nolan amphora, attributed to the Ethiop Painter, New York, Metropolitan Museum of Art 56.171.41 (Photo: Museum) 81 10 Red-figure krater by the Dokimasia Painter, Boston, Museum of Fine Arts 63.1246 (Photo: Museum) 95 11 Red-figure cup by the Marlay Painter, Ferrara, Museo Archeologico T264 (Drawing: F. Viret Bernal) 98 12 Red-figure krater by the Dokimasia Painter, reverse (Photo: Museum) 100 13 Black-figure hydria in Warsaw, Warsaw, National Museum 142333 (Photo: Schwabe and Co., Basel) 110 14 Red-figure kalathoid krater by the Brygos Painter, Munich, Antikensammlung 2416 (Photo: Museum) 111 FIGURES AND TABLES 15 Red-figure calyx-krater by the Tithonos Painter, Wuppertal, von de Heydt-Museum 49 (Photo: from Antike Kunst aus Wuppertaler Privatbesitz, Von der Heydt-Museum, 1971) 112 16 Red-figure hydria, Athens, National Museum inv. 1260 (Photo: Museum) 113 17 Sir Lawrence Alma-Tadema, Sappho and Alcaeus, Baltimore, Walters Art Gallery (Photo: Museum) 116 18 Judy Chicago, Sappho dinner plate from The Dinner Party, 1979 (Photo: courtesy of Judy Chicago) 117 19 Parthenon East frieze block V, central peplos-folding scene, (Photo: J. Younger) 121 20 Parthenon East frieze block V, the child/v. 35 (Photo: J. Younger) 123 21 Parthenon North frieze block XLII (Photo: J. Younger) 124 22 Parthenon West frieze block XII (cast) (Photo: J. Younger) 125 23 Parthenon West frieze block III (cast) (Photo: J. Younger) 125 24 Parthenon East frieze block IV (“Eponymous Heroes”) (Photo: J. Younger) 126 25 Parthenon East frieze block III (parthenoi) (Photo: J. Younger) 127 26 Parthenon East frieze block VI (Artemis, Aphrodite, Eros) (Photo: J. Younger) 127 27 Parthenon North frieze block VI (hydriaphoroi) (Photo: J. Younger) 128 28 Parthenon West frieze block XII (Drawing: J. Younger) 129 29 Parthenon West frieze block III over a silhouette of W XII (Drawing: J. Younger) 130 30 Parthenon North frieze block XLII over a silhouette of W XII (Drawing: J. Younger) 131 31 Parthenon East frieze block V, central figures over silhouette of W XII (Drawing: J. Younger) 131 32 Attic grave relief, Athens, National Museum inv. 1993 (Photo: after A. Conze, Die attischen Grabreliefs, Berlin 1893–1922) 155 33 Attic grave relief, Avignon, Musée Calvet inv. E31 (Photo: after A. Conze, Die attischen Grabreliefs, Berlin 1893–1922) 156 34 Early style terracotta doll, Princeton University Art Museum inv. 47–205 (Photo: Museum) 157 35 Later style terracotta doll, Bowdoin College Museum of Art inv. 1913–28 (Photo: Museum) 157 36 Attic grave relief, Arthur M. Sackler Museum inv. 1961–86 (Photo: Museum) 158 37 Terracotta figure, truncated type, New York, Metropolitan Museum of Art 20.205 (Photo: Museum) 161 38 Marble votive plaque, Athens, Acropolis Museum inv. 7232 (Photo: Museum) 162 viii FIGURES AND TABLES 39 Thessalian grave stele from Larisa showing a woman nursing a child, Larisa, Archaeological Museum (Photo: DAI, Athens, Inst. neg. 87.131) 176 40 South Italian red-figure pyxis by the Lipari Painter, goddess suckling the baby Eros, Lipari, Museo Archeologico Eoliano (Photo: Museum) 177 41 Bronze horse trapping, from a female burial in Decima (Latium), woman nursing a child, Rome, Museo Nazionale (Photo: Museum) 178 42 Etruscan bronze mirror, with Hera nursing the grown Herakles, Tarquinia, Museo Archeologico Nazionale (Drawing: Museum) 181 43 Terracotta statuette of Pero and Micon from Pompeii, Naples Museo Archeologico Nazionale (Photo: Museum) 182 44 Aphrodite Knidia, Vatican 812 (Photo: Art Resource, New York) 198 45 Hermes and the infant Dionysos, from the Heraion at Olympia, Olympia Museum (Photo: Art Resource, New York) 205 46 Bronze statuette of Aphrodite, New York, Metropolitan Museum of Art (Photo: Museum) 209 47 Hermaphrodite Borghese, Paris, Musée du Louvre (Photo: Art Resource, New York) 221 48 Hermaphrodite statuette, Rome art market (Photo: DAI, Rome, Inst. Neg. 35.1956) 222 49 Terracotta figurine, Gela, Museo Archeologico Nazionale, inv. 13859 (Photo: A. Ajootian) 223 50 Satyr and hermaphrodite group, Dresden, Staatliche Kunstsammlungen 155 (Photo: DAI, Rome, Inst. Neg. 36.1385) 232 51 Satyr and hermaphrodite group, Rome, Torlonia Collection (Photo: DAI, Rome, Inst. Neg. 55.723) 234 52 Plan of the Casa del Menandro (I.10.4), Pompeii (Photo: from E. La Rocca, et al., Guida archeologica di Pompei, Verona, 1976, p. 178) 247 53 Wall-painting, rape of Cassandra with return of Helen to Menelaus, Casa del Menandro (I.10.4), room 4, Pompeii (Photo: A. Koloski-Ostrow) 248 54 Wall-painting, death of Laocoon, Casa del Menandro (I.10.4), room 4, Pompeii (Photo: A. Koloski-Ostrow) 249 55 Wall-painting, Actaeon, Casa del Menandro (I.10.4), apse 22 in back wall of peristyle, Pompeii (Photo: A. Koloski-Ostrow) 250 56 Plan, Casa degli Amorini dorati (VI. 16.7.38), Pompeii (Photo: from E. La Rocca, et al., Guida archeologica di Pompei, Verona, 1976, p. 283) 250 57 Wall-painting, Agamemnon with Achilles and Briseis, Casa degli Amorini dorati (VI. 16.7.38), exedra G, Pompeii (Photo: A. Koloski-Ostrow) 251 ix

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The articles in Naked Truths demonstrate the application of feminist theory to a diverse repertory of classical art: they offer topical and controversial readings on the material culture of the ancient Mediterranean. This volume presents a timely, provocative and beautifully illustrated re-evaluatio
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