MYTHOLOGY, MADNESS, AND LAUGHTER Also available from Continuum: Interrogating the Real, Slavoj Žižek The Universal Exception, Slavoj Žižek MYTHOLOGY, MADNESS, AND LAUGHTER Subjectivity in German Idealism Markus Gabriel and Slavoj Žižek Continuum International Publishing Group The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York NY 10038 www.continuumbooks.com © Markus Gabriel and Slavoj Žižek 2009 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4411-9105-2 Library of Congress Cataloging-in-Publication Data Gabriel, Markus, 1980- Mythology, madness, and laughter: subjectivity in german idealism/Markus Gabriel and Slavoj Zizek. p. cm. ISBN-13: 978-1-4411-9105-2 (HB) ISBN-10: 1-4411-9105-4 (HB) 1. Idealism, German. 2. Hegel, Georg Wilhelm Friedrich, 1770-1831. 3. Schelling, Friedrich Wilhelm Joseph von, 1775-1854. 4. Fichte, Johann Gottlieb, 1762-1814. I. Žižek, Slavoj. II. Title. B2745.G33 2009 141.0943–dc22 2009008265 Typeset by Newgen Imaging Systems Pvt Ltd, Chennai, India Printed and bound in Great Britain by the MPG Books Group Contents Introduction: A Plea for a Return to Post-Kantian Idealism 1 Markus Gabriel and Slavoj Žižek 1. The Mythological Being of Refl ection – An Essay on Hegel, Schelling, and the Contingency of Necessity 15 Markus Gabriel 1. The Appearances – Hegel on Refl ection 27 2. The Unprethinkable Being of Mythology – Schelling on the Limits of Refl ection 50 3. The Contingency of Necessity 81 2. Discipline between Two Freedoms – Madness and Habit in German Idealism 95 Slavoj Žižek 1. The Hegelian Habit 99 2. The Auto-poiesis of the Self 104 3. Expressions that Signify Nothing 112 4. Habits, Animal and Human 118 3. Fichte’s Laughter 122 Slavoj Žižek 1. From Fichte’s Ich to Hegel’s Subject 123 2. Absolute and Appearance 130 3. The Fichtean Wager 137 4. Anstoß and Tat-Handlung 146 CONTENTS 5. Division and Limitation 151 6. The Finite Absolute 154 7. The Posited Presupposition 164 Notes 168 Bibliography 190 Index 199 vi Introduction: A Plea for a Return to Post-Kantian Idealism Markus Gabriel and Slavoj Žižek Although an insurmountable abyss seems to separate Kant’s critical philosophy from his great idealist successors (Fichte, Schelling, Hegel), the basic coordinates which render Post-Kantian Idealism possible are already clearly discernible in Kant’s Critique of Pure Reason. The original motivation for doing philosophy is a metaphysical one, to provide an explanation of the totality of noumenal reality; as such, this motivation is illusory, it prescribes an impossible task.1 This is why Kant’s explicit motivation is a critique of all possible metaphysics (which is not yet science). Kant’s endeavor thus necessarily comes after the fact of meta- physics: in order for there to be a critique of metaphysics, there fi rst has to be an original metaphysics; in order to denounce the metaphysical ‘transcendental illusion,’ this illusion fi rst has to occur. In this precise sense, Kant was ‘the inventor of the philosophical history of philoso- phy’2: there are necessary stages in the development of philosophy, i.e., one cannot directly get at truth, one cannot begin with it, philosophy neces- sarily began with metaphysical illusions.3 Post-Kantian Idealists share Kant’s preoccupation with transcendental illusion but argue that illusion (appearance) is constitutive of the truth (being). This is what this whole book is about.4 According to Post-Kantian Idealists, the path from illusion to its critical denunciation is the very movement of philosophy, which means that the 1 MYTHOLOGY, MADNESS, AND LAUGHTER successful (‘true’) philosophy is no longer defi ned by its truth-apt discursive explanation (or representation) of the totality of being, but by successfully accounting for illusions, i.e., by explaining not only why illusions are illusions, but also why they are structurally necessary, unavoidable, why they are not just accidents. The occurrence of illusions is necessary for the eventual emergence of truth, an idea Fichte, Schelling, and Hegel inherited from Kant.5 The ‘system’ of philosophy thus no longer represents the alleged ontological structure of reality, but becomes a complete system of all metaphysical statements. The proof of the illusory nature of metaphysical propositions in the traditional sense consists in an argument to the effect that they necessarily engender antinomies (contradictory conclusions). Since metaphysics attempts to avoid the very antimonies which emerge when we make our metaphy- sical commitments downright explicit, the ‘system’ of critical philosophy is the complete – and therefore self-contradictory, ‘antinomic’ – series of metaphysical notions and propositions: ‘Only the one who can look through the illusion of metaphysics can develop the most coherent, con- sistent system of metaphysics, because the consistent system of meta- physics is also contradictory’6 – that is to say, precisely, inconsistent.7 The critical ‘system’ amounts to a presentation (Darstellung) of the systematic a priori structure of all possible/thinkable ‘errors’ in their immanent necessity, thus preparing the ground for Hegel’s ‘presentation of appearing knowledge (Darstellung des erscheinenden Wissens)’8: what we get at the end is not the Truth that overcomes/sublates the preceding illusions – the only truth is the inconsistent edifi ce of the logical inter- connection of all possible illusions . . . This shift from the representation of metaphysical Truth to the truth of the shift from error to error is exactly what Hegel presented in his Phenomenology (and, at a different level, in his Logic). The only (but crucial) difference is that, for Kant, this ‘dialogic’ process of truth emerging as the critical denouncing of the preceding illusion is restricted to the sphere of our knowledge, i.e. to epistemology, and does not concern the noumenal reality which remains external and indifferent to it, while, for Hegel, the proper locus of this process is the Thing itself. Like Hegel, the later Fichte and Schelling ultimately locate the necessary displacement of truth, the necessity of error, in the noumenal itself.9 In other words, the relative occurs within the absolute. The absolute is not distinguished from its contingent mani- festations. It loses the status of a substance underlying the illusory 2 INTRODUCTION appearances and becomes the movement of a self-othering without which the illusion of a substance could not take place. The traditional hierarchy of substance and accident is thus completely inverted. The accidents take over and dissolve substance into a misleading appearance. In our view, the reason for this ontological overcoming of epistemo- logical dichotomies (appearances vs. the thing in itself; necessity vs. freedom etc.) can indeed be motivated by the Post-Kantian insight that the very mode of appearance occurs within the noumenal. If we oppose the noumenal and the phenomenal in terms of an account of the fi nitude of knowledge we blind ourselves to the fact that this opposition ex hypothesi occurs within the noumenal itself. Otherwise put, the whole domain of the representation of the world (call it mind, spirit, language, consciousness, or whatever medium you prefer) needs to be understood as an event within and of the world itself. Thought is not at all opposed to being, it is rather being’s replication within itself. In what, then, does the break between Kant and Post-Kantians consist? Kant sets out with our cognitive capacities. The apparatus of our cognitive capacities is affected by (noumenal) things and, through its active synthesis, organizes affections into phenomenal reality. However, once Kant arrives at the ontological result of his critique of knowledge (the distinction between phenomenal reality and the noumenal world of Things-in-themselves), ‘there can be no return to the self. There is no plausible interpretation of the self as a member of one of the two worlds.’10 This is where practical reason enters the picture: the only way to return from ontology back to the domain of the Self is freedom. Freedom unites the two worlds, and it provides the ultimate maxim of the Self: ‘subordi- nate everything to freedom.’11 Yet, at this point a gap between Kant and his followers is opened up. For Kant, freedom is an ‘irrational,’ i.e. unexplainable ‘fact of reason,’ it is simply and inexplicably given, something like the umbilical cord inex- plicably rooting our experience in the unknown noumenal reality. While Kant would refuse to regard freedom as the fi rst theoretical principle out of which one can develop a systematic notion of reality, Post-Kantian Idealists from Fichte onwards transgress the limit constitutive of noume- nal freedom in Kant’s sense and endeavor to provide the systematic account of freedom itself. Freedom’s self-explication assumes a different shape. Freedom is no longer opposed to necessity, it does not remain a transcendent postulate, but becomes an inherent feature of being as 3
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