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My Father's Paradise: A Son's Search for His Family's Past PDF

327 Pages·2009·2.87 MB·English
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MY FATHER’S PARADISE A Son’s Search for His Family’s Past ARIEL SABAR ALGONQUIN BOOKS OF CHAPEL HILL 2009 “I searched to discover which was the first of all languages. Many have said that the Aramaic is most ancient, and that it is in the nature of man to speak it without having been taught by anyone. Further, that if a newborn child were placed in the desert with no one but a mute wet nurse, he would speak Aramaic.” —ABRAHAM IBN-EZRA, twelfth-century commentator and linguist CONTENTS A Note on Method Introduction ZAKHO 1. What’s in a Name 2. An Island in a River 3. A Book with Shining Pages 4. Rotten Corn 5. A Surprise 6. The Dyer’s Son 7. Little Thumb Girl 8. A Woman’s Purpose 9. A Prayer to the Prophet 10. No Wasted Steps 11. Lost in the Land of Assyria 12. Speaking with Angels 13. Arabs Before Jews 14. Plus and Minus 15. The Mountains Are Our Only Friends 16. Freezing in Baghdad 17. Hanging 18. Let the Hajji Speak 19. Can’t Help This Time 20. To Hell with Books 21. Let My People Go 22. A Suitable Level of Civilization 23. God Will Provide 24. Iraqi Stamps ISRAEL 25. Kissing the Ground 26. Where Are the Jewish Synagogues? 27. Herzl’s Beard 28. Ana Kurdi 29. Some of the Best in Zakho 30. John Savage 31. Sleepwalking out Windows 32. The Brotherhood of Man 33. Gold ARAMAIC 34. Lishana Deni 35. Cleft Sentences 36. It’s All God’s World 37. Hets and ‘Ayins 38. Abandoning the Fountainhead 39. Exiled and Redeemed 40. Systematic Description of a Living Dialect 41. Getting Lost YALE 42. Aramaic for Dirges 43. To a Deep Well 44. Missions 45. A Memorial Candle 46. Are They Kings? 47. Some Enchanted Place FATHER AND SON 48. Speechless 49. Hollywood on the Habur 50. Coming of the Messiah 51. Covenants THE RETURN 52. River Keeps Flowing 53. Time Travel 54. Habur 55. Kiss the Eyes of Your Sons 56. Turkish Delights or Jordan Almonds 57. Heaven Sent 58. Chasing Phantoms 59. A Disaster, God Forbid 60. Kind of a Problem 61. Breakdown 62. “The girl, the Jew, is alive.” 63. Convenient Truths CONCLUSION 64. Paradise Lost 65. Ice-Blended Mocha 66. Saba’s Music Acknowledgments Selected Bibliography Reader’s Guide A Note on Method To RESEARCH THIS BOOK, I interviewed nearly one hundred relatives, family friends and acquaintances, scholars, and others. I conducted research at libraries, special collections, and government archives in the United States, Israel, and the United Kingdom. I traveled to Iraq, Israel, and cities across the United States to see crucial settings with my own eyes. I collected family letters, diaries, photographs, and official documents. I read transcripts of my grandmother’s recorded oral histories. And I spent untold hours harrying my father with questions. I took pains to find every living relative and acquaintance in a position to shed light on my family’s story. But while this book is by and large a work of nonfiction, it is not formal history or biography. Nor is it journalism. In parts of this story where key sources had died or where memories had faded, I built on the framework of known facts and let myself imagine how the particulars of a scene or dialogue would be likely to have unfolded. A book on one’s family is by its nature a subjective exercise. But I have tried in every instance to keep faith with the larger emotional truth of my family’s saga. I changed the names of people who were involved in a family controversy in Israel, because they are dead and did not have a chance to defend themselves. I created a few minor composite characters in an effort to streamline the narrative. Also, in the scenes in modern-day Kurdish Iraq, I changed the names of the people who helped me, out of concern for their security. My Father’s Paradise

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In a remote corner of the world, forgotten for nearly three thousand years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Mu
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