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Music, Sound, and Architecture in Islam THIS PAGE INTENTIONALLY LEFT BLANK Music, Sound, and Architecture in Islam Edited by Michael Frishkopf and Federico Spinetti Foreword by Ali S. Asani The University of Texas Press    Austin Copyright © 2018 by the University of Texas Press All rights reserved Printed in the United States of America First edition, 2018 This research was supported by the Social Sciences and Humanities Research Council of Canada. Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713- 7819 http://utpress.utexas.edu/index.php/rp- form ♾ The paper used in this book meets the minimum requirements of ANSI/NISO Z39.48- 1992 (R1997) (Permanence of Paper). Library of Congress Cataloging- in- Publication Data Names: Frishkopf, Michael Aaron, editor. | Spinetti, Federico, editor. Title: Music, sound, and architecture in Islam / edited by Michael Frishkopf and Federico Spinetti. Description: First edition. | Austin : University of Texas Press, 2018. | Includes bibliographical references and index. Identifiers: LCCN 2017036820| ISBN 978-1-4773-1245-2 (cloth : alk. paper) | ISBN 978-1-4773-1246-9 (pbk. : alk. paper) | ISBN 978-1-4773-1247-6 (library e-book) | ISBN 978-1-4773-1248-3 (nonlibrary e-book) Subjects: LCSH: Music and architecture—Islamic countries. | Art and architecture— Islamic countries. | Music—Social aspects—Islamic countries. | Music—Islamic countries—History and criticism. | Architecture—Islamic countries—History and criticism. Classification: LCC ML3849 .M9393 2018 | DDC 700.917/67—dc23 LC record available at https://lccn.loc.gov/2017036820 doi:10.7560/312452 CONTENTS List of Figures, Plates, Charts, and Tables vii Foreword xiii Ali S. Asani Acknowledgments xix Introduction: Music, Sound, and Architecture in Islam 1 Michael Frishkopf and Federico Spinetti PARt ONe: Transregional 1. Listening to Islamic Gardens and Landscapes 19 D. Fairchild Ruggles PARt twO: The Ottoman Empire and Turkey 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth- Century Istanbul Mosques and Their Recitation Programs 37 Nina Ergin 3. A Concert Platform: A Space for a Style in Turkish Music 59 John Morgan O’Connell 4. Articulating Otherness in the Construction of Alevi- Bektaşi Rituals and Ritual Space in a Transnational Perspective 85 Irene Markoff PARt tHRee: The Arab World 5. Venerating Cairo’s Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext 111 Michael Frishkopf 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song 146 Jonathan H. Shannon vi Contents 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition 166 Samer Akkach PARt FOuR: Andalusia and Europe 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra 199 Cynthia Robinson 9. Aristocratic Residences and the Majlis in Umayyad Córdoba 228 Glaire D. Anderson 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery 255 Paul A. Silverstein PARt FIve: Central and South Asia 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit 283 Kamil Khan Mumtaz 12. The Social and Sacred Microcosm of the Kiiz Üi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia 308 Saida Daukeyeva PARt SIx: Iran 13. Listening to Pictures in Iran 339 Anthony Welch 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian Zūrkhāneh 356 Federico Spinetti References  385   Contributors  422   Index  426 Image and sound files to accompany this volume are available at https://archnet.org ILLUSTRATIONS FIguReS 1.1. Court of the Lions and the Patio de la Acequia in 2007 25 1.2. Bayad plays the ʿūd to the lady, in the Bayad wa Riyad 28 1.3. Chihil Situn in 2011 31 2.1. Mimar Sinan, Kara Ahmed Paşa Mosque, and ground plan of the mosque 46 2.2. Mimar Sinan, Hadım İbrahim Paşa Mosque, and ground plan of the mosque 49 2.3. Mimar Sinan, Ferruh Kethüda Mosque 51 3.1. Münir Nurettin Selçuk (c. 1939) 60 3.2. The Darüttalimi musical ensemble (c. 1930) 64 3.3. Fransız Tiyatrosu, interior (2006) 67 3.4. Program of the “first” concert in the Fransız Tiyatrosu 70 4.1. Interior of the Nurtepe Cemevi congregational hall 92 4.2. Ziyaret töreni (visitation service) at the tomb of the Bektaşi saint Deniz Ali Baba, Denizli, northeastern Bulgaria, 2012 99 4.3. Interior of the cemevi next to the tomb of Deniz Ali Baba, Denizli, northeastern Bulgaria, 2012 100 5.1. Most prominent figures of the Ahl al- Bayt in Cairo 128 5.2. Ziyāra day at the maqām of Sayyida Zaynab; visitors reciting prayers and touching the maqṣūra (lattice) 129 5.3. Location of Sidi ʿAli Zayn al- ʿAbidin’s mosque- shrine in Cairo 130 5.4. Saturday ziyāra and ḥaḍra at the mosque- shrine of Sidi ʿAli in 1998; ziyāra and ḥaḍra schematic 135 5.5. The mosque- shrine of Sidi ʿAli in 2015 136 5.6. The mosque- shrine of Sidi ʿAli in 2015 (cont.) 137 vii viii Illustrations 5.7. A munshid and his ensemble perform for his café audience; the munshid turns to perform for aḥbāb (zuwwār) on the other side of the gate; ziyāra and ḥaḍra schematic 138 6.1. Old City, Aleppo, 1997 151 6.2. New City, Damascus, 1997 152 6.3. Aleppo Citadel amphitheater, 2004 153 7.1. Folios from Safi al- Din al- Urmawi al- Baghdadi’s Kitab al- Adwar fi al- Musiqa (Book of modes), thirteenth century 169 7.2. Spatial representation of a poem showing the recurrence of a threefold prosodic circle 183 7.3. Spatial (two- and three- dimensional) expressions of the rotational symmetry of regular geometry  184 7.4. Two folios from Safi al- Din al- Urmawi al- Baghdadi’s Kitab al- Adwar fi al- Musiqa (Book of modes) 189 8.1. Plan, Alhambra Palace, Granada 200 8.2. Esplanade leading to the Cuarto Dorado and the Palace of Comares, Alhambra Palace 201 9.1. Remains of the Central Pavilion opposite the Hall of ʿAbd al- Rahman III, Madinat al- Zahraʾ 231 9.2. Triple- arched façade, House of the Pool, Madinat al- Zahraʾ 232 9.3. Garden scene, Bayad wa Riyad 233 9.4. Plan, al- Rummaniyya 234 9.5. Hypothetical visualization, al- Rummaniyya, western reception hall 235 9.6. Imaginative visualization, al- Rummaniyya 237 9.7. Interior view, Dar al- Mulk 238 9.8. Tapestry, dyed wool and undyed linen, Egypt, ninth– tenth century 241 9.9. Pyxis of al- Mughira, seated figures with musician; Davillier Pyxis, late tenth Ce 242 9.10. Detail with musicians, Pamplona (aka Leyre) casket; Musicians Capital, ʿūd player 243 Illustrations ix 9.11. Ivory, carved and inlaid with quartz and pigment, probably Córdoba, tenth to early eleventh century 244 9.12. Musicians Capital, female (?) figure; marble tombstone of Umayyad jariya ʿUqar 247 10.1. Housing project in the Parisian suburb of Clichy- sous- Bois, 2007 258 10.2. The former Masjid El Fath on rue Polonceau, Paris, future site of a branch of the Institut des Cultures d’Islam, 2014 267 10.3. Future site of the main branch of the Institut des Cultures d’Islam on rue Stéphenson, Paris, 2014 268 11.1. Wazir Khan Mosque, Lahore, and parapets with mudakhil and eight- pointed star 285 11.2. Dome medallions and quotations from Sufi masters, Wazir Khan Mosque, Lahore 286 11.3. Banyan tree and clouds; cypresses in a garden signifying the Lovers in Paradise, Wazir Khan Mosque, Lahore 287 11.4. Cypress with intertwined vine, signifying the Lover and the Beloved, Wazir Khan Mosque, Lahore; muqarnas inside the mosque 288 11.5. Calligraphy with “Allah” and “Muhammad,” the Beloved and the Lover, Wazir Khan Mosque; Persian inscription above the mosque’s exit 289 11.6. Jalāl, Jamāl, and Kamāl, Badshahi Mosque, Lahore; interior of mosque 295 11.7. Taj Mahal, Agra, elevation and plan 297 11.8. Tomb of Hazrat Dawood Bandagi, Shergarh, Pakistan 299 11.9. Pak Wigah Mosque, Gujrat, Pakistan 303 11.10. Volunteers working at the Pak Wigah Mosque 304 12.1. Yurts (kiiz üi), Tsengel sum, Bayan- Ölgii, August 2015 311 12.2. Wooden structure of a yurt, Ulaankhus sum, Bayan- Ölgii, August 2015 312 12.3. Ring at the top of a yurt, Ulaankhus sum, Bayan-Ö lgii, August 2015 313 12.4. A mourning kiiz üi next to a mud- and- brick house, Ölgii, Bayan- Ölgii, August 2004 315

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Tracing the connections between music making and built space in both historical and contemporary times,Music, Sound, and Architecture in Islambrings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production
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