Table Of Content

Index of Contributors, Volume 14 Clarke, Eric F., An Ergonomic Model of Keyboard Fingering for Melodic Fragments, 341-382 Cohen, Annabel J., Using the Krumhansl and Schmuckler Key-Finding Algorithm to Quantify the Effects of Tonality in the Interpolated-Tone Pitch-Comparison Task, 57-83 Cross, Ian, Musical Schemata in Real-Time Listening to a Piece of Music, 117-159 Deliége, Irene, Musical Schemata in Real-Time Listening to a Piece of Music, 117-159 Desain, Peter, An Ergonomic Model of Keyboard Fingering for Melodic Fragments, 341- 382 Edlund, Bengt, Review of The Practice of Performance: Studies in Musical Interpretation edited by John Rink, 326-332 Frankland, B. W., Using the Krumhansl and Schmuckler Key-Finding Algorithm to Quantify the Effects of Tonality in the Interpolated-Tone Pitch-Comparison Task, 57-83 HaCohen, Ruth, The Communicative Force of Wagner’s Leitmotifs: Complementary Relations Between Their Connotations and Denotations, 445-476 Hill, David S., Relations Among Text, Mode, and Medium: Historical and Empirical Perspectives, 3-21 Juslin, Patrik N., Emotional Communication in Music Performance: A Functional Perspective and Some Data, 383-418 Kamenetsky, Stuart B., Relations Among Text, Mode, and Medium: Historical and Empirical Perspectives, 3-21 Karl, Gregory, Review of Selected Theories of Music Perception by Harold E, Fiske, 332- 338 Krumhansl, Carol L., An Experimental Study of Internal Interval Standards in Javanese and Western Musicians, 95-116 Large, Edward W., Review of Music and Schema Theory: Cognitive Foundation of Systematic Musicology by Marc Leman, 319-326 Levinson, Jerrold, Review of Music and Conceptualization by Mark DeBellis, 85-91 Mélen, Marc, Musical Schemata in Real-Time Listening to a Piece of Music, 117-159 Palmer, Caroline, On the Assignment of Structure in Music Performance, 23-56 Parncutt, Richard, Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model, 263-280, An Ergonomic Model of Keyboard Fingering for Melodic Fragments, 341-382 Perlman, Marc, An Experimental Study of Internal Interval Standards in Javanese and Western Musicians, 95-116 Raekallio, Matti, An Ergonomic Model of Keyboard Fingering for Melodic Fragments, 341-382 Repp, Bruno H., The Art of Inaccuracy: Why Pianists’ Errors Are Difficult to Hear, 161- 183, The Aesthetic Quality of aQ uantitatively Average Music Performance: Two Preliminary Experiments, 419-444, Review of Melodic Intonation, Psychoacoustics, and the Violin by Janina Fyk, 477-486 489 Schellenberg, E. Glenn, Simplifying the Implication-Realization Model of Musical Expectancy, 295-318 Sloboda, John A., An Ergonomic Model of Keyboard Fingering for Melodic Fragments, 341-382 Smith, J. David, The Place of Musical Novices in Music Science, 227-262 Stammers, Diana, Musical Schemata in Real-Time Listening to a Piece of Music, 117-159 Tekman, Hasan Giirkan, Interactions of Perceived Intensity, Duration, and Pitch in Pure Tone Sequences, 281-294 Terhardt, Ernst, Review of Artificial Perception and Music Recognition by A. S. Tanguiane, 91-93 Thompson, William Forde, Perceptual Judgments of Triads and Dyads: Assessment of a Psychoacoustic Model, 263-280 Trehub, Sandra E., Relations Among Text, Mode, and Medium: Historical and Empirical Perspectives, 3-21 Van Geenan, Erwin W., A Parallel-Processing Key-Finding Model, 185-223 Vos, Piet G., A Parallel-Processing Key-Finding Model, 185-223 Wagner, Naphtali, The Communicative Force of Wagner’s Leitmotifs: Complementary Relations Between Their Connotations and Denotations, 445-476