Table Of Content

CONTENTS, Vol. 92 February DAVID BRETHERTON: The Shadow of Midnight in Schubert's ‘Gondelfahrer’ Settings JULIAN HORTON: John Field and the Alternative History of Concerto First- Movement Form KEVIN SALFEN: lowards a Mechanics of Voice for Plomer and Britten’s Gloriana May DAVID CHUNG: Revisiting ‘Le bon gott: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650-1730 JEFFREY S. SPOSATO: “The joyous light of day’: New Year’s Day Music in Leipzig, 1781 -1847 MATTHEW GELBART: A Cohesive Shambles: The Clash’s ‘London Calli iogO -and the Normalization of Punk JANN PASLER: Re-Reading Saint-Saéns August RENATA PIERAGOSTINI Rediscovering Lost Evidence: Little-Known Fragments with English Polyphony in Bologna KEITH CHAPIN: Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition GRAHAM FREEMAN: ‘It wants all the creases ironing out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive RICHARD SHERR: Laudat autem David: Fallows on Josquin Novembert BRYAN WHITE: ‘Brothers of the String’: Henry Purcell and the Letter-Books of Rowland Sherman DREW MASSEY: Imagining the Infinite in Carl Ruggies’s Evocations KEITH NEGUS; Authorship and the Popular Song February—Novembet Reviews (for index, see pp. iii- Recipients of ‘Music & Letters’ Awards Che Westrup Prize Corresponden ¢ CONTENTS, Vol. 92 February DAVID BRETHERTON: The Shadow of Midnight in Schubert's ‘Gondelfahrer’ Settings JULIAN HORTON: John Field and the Alternative History of Concerto First- Movement Form KEVIN SALFEN: lowards a Mechanics of Voice for Plomer and Britten’s Gloriana May DAVID CHUNG: Revisiting ‘Le bon gott: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650-1730 JEFFREY S. SPOSATO: “The joyous light of day’: New Year’s Day Music in Leipzig, 1781 -1847 MATTHEW GELBART: A Cohesive Shambles: The Clash’s ‘London Calli iogO -and the Normalization of Punk JANN PASLER: Re-Reading Saint-Saéns August RENATA PIERAGOSTINI Rediscovering Lost Evidence: Little-Known Fragments with English Polyphony in Bologna KEITH CHAPIN: Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition GRAHAM FREEMAN: ‘It wants all the creases ironing out’: Percy Grainger, the Folk Song Society, and the Ideology of the Archive RICHARD SHERR: Laudat autem David: Fallows on Josquin Novembert BRYAN WHITE: ‘Brothers of the String’: Henry Purcell and the Letter-Books of Rowland Sherman DREW MASSEY: Imagining the Infinite in Carl Ruggies’s Evocations KEITH NEGUS; Authorship and the Popular Song February—Novembet Reviews (for index, see pp. iii- Recipients of ‘Music & Letters’ Awards Che Westrup Prize Corresponden ¢ REVIEWS: INDEX ( Reviewers’ names in parentheses ) Albright, Daniel, Mu Candelaria, Lorenzo, The Rosary Cantoral Langu 126 f Opera. Ritual and Social Design in a Chantbook from Cormac Newark Early Renaissance T less Knighton \legant, Brian, The Twelve-Tone Mus arl, Robert, Jerry Riley’ In ¢ Keith Potter 17] Arnold Whittall hase, Stephen, and Thomas, Philip (eds), \lexejew, Alexander, and Delson, Wiktor Changing the System: The Music of Christian E nftihrung in die hAlaviermusih n Serge Wolff |D avid Nicholls 690 Prokofjew (David Fanning ode, David J., Debussy (Arnold Whittall 667 Colas, Damien, and Di Profio, Alessandro sar, Ute ed.), Schumann-Studien ( 9 (James Euedrso.p)e, Du(nFer ancsecsencea a Pllaacutarne:i caL opéra italien en Garratt Cooper, David, The Musical Traditions of Beghin, Tom, and Goldberg, Sander M Northern Ireland and it Diaspora Community Haydn and the Performance of Rhetori W.D ind Conflict (David A. Wilson Sutcliffe Cross, Jonathan, Harrison Birtwistle: The sellman, Jonathan D., Chopin’ Polish Ballad Mask of Orpheus (Edward Venn Op. 38 as Narrative of National Martyrdon Crump, Michael, Martini and the Symphony Matthew Gelbart David Fanning Bisaro, Xavier, and Hameline, Jean-Yves, A? Cunningham, John, The Consort Musi Musica et naissance d'une chrétienté moderne William Lawes 1602-1645 |A ndrew Ashbee Histoire musicale des _ réformes religieuses AVI -XVIF siécles) (David Burn Bisaro, Xavier, Une .Nation de fideles: LEe ise el Davis, Mary E., Erik Satie (Arnold Whittall 667 la liturgie au XVII siécle (Jean-Paul Dayan, Peter, Music Writing Literature, from Montagniet Sand via Debussy to Derrida Anthony Black, Leo, BBC Music in the Glock Era and Gritten fler: A Memoir, ed. Christopher Wintk Deathridge, John, Wagner: Beyond Good and with Kate Hopkins (Arnold Whittall Evil (Nicholas Baragwanath Blevins, Pamela, Jvor Gurney and Marion Scott DelDonna, Anthony R., and_ Polzonetti, Song of Pain and Beauty (Byron Adams Pierpaolo eds.), The Cambridge Companion Bozarth, George S., Johannes Brahms and to Eighteenth-Centur) Opera Julian George Henschel: An Enduring Friendshif Rushton Styra Avins Dering, Richard, Motets for One, Two or Three Brackett, John, John Zorn: Tradition Voices and Basso Continuo, ed. Jonathan P. Transgression (Kenneth Gloag Wainwright (Peter Leech Bradley, [an, Water Music: Music Making in the Dickinson, Peter, Samuel Barber Remembered: Spas of Europe and North America (Stephen 1 Centenar) Tribute ( hristopher M. Banfield Scheet Britten, Benjamin, Journeying Boy: The Diarie of the Young Benjamin Britten, 1928-1938. Selected and edited by John Evans Eatock, Colin Timothy, Mendelssohn and Christopher Mark Victorian England Sinéad Dempsey- Bulloc k, Philip Ross, R Sa Neu march ind Garratt Russian Music in Late Nineteenth- and Earl) Eden, David, and Saremba, Meinhard (eds.), Twentieth-Century En o land Pauline The Cambridge Companion to Gilbert and Sullivan (Paul Rodmell Fairclough Butt, John, Bachs Dialogue with Modernity Eggebrecht, Hans Heinrich, Understanding Perspectives on the Passions Robin \ Music: The Nature and Limits of Musical Cognition (Arnold Whittall Leave I Emslic arry chard Wagner Jones, Evan ed Intimate Voice The Centra é ger Allen Twentieth-Centur String Uuartet, 1 Debuss) to Villa-Lob ii: Shostakovich to the Avant- Garde (Robert P. Morgan Fallows, David, Josquin |R ichard Sherr Julien, Olivier (ed.), Sgt. Peppaendr t he Beatle Faucett, Bill F., and Budds, Michael J. (eds.), It Was Forty Year 1go0 ‘lod Gordon Mu n America, 1860-1918: Essays, Revieu Thompson ind Remarks on Critical Issues (Deniz Ertan Favier, Thierry, Le Motet a grand choeur (1660 1792 Gloria in Gallia De Jean-Paul Kahan, Silvia, / Montagniet Edmond de Pi Field, Christopher D. S., and Wardhaugh Philip Purvis Benjamin John hersha: Writir Kim, Hyun-Ah umanism and the Re n Mu Sacred Mu n far Vlodern Engl ind ( Fontijyn, Claire Verbect | rator ind The Booke | Musicali: I Common Praier Noted (1550 Lionel David Ledbetter Pike Frevhan, Michael, The Aut Kinderman, William and Jones, Joseph E Vozarts Autograpl eds.), Genet Criticism und the ¢ realive Nicholas rill Py Essays from Music, Literature ind Karnes Ke vin ¢ eds Theatre | Arnold Whittall It rld revised edition Kirnaskaya, Dina, The .Natural Musician: On fhilities, Giftedness and Talent, trans. Mark H leeter John Sloboda Knaus, Herwig, and Leibnitz, Thomas (eds uilu nd SS iltenberg | cuckerkandl: Briefe an Albar n [ ge 1gne Mark Berry Berg, Liebesbrief n Alban Berg: aus der Giroud, Vincent, French Opera: A Short History Bestdnder ler Osterreichischen National- Sarah Hibberd bibliothek |N ick Chadwick Gloag, Kenneth, and Jone Nicholas (eds Knaus, Herwig, and Sinkovicz, Wilhelm Peter Maxwe Davies Stud Michael t/ban Berg: Zeitumstande, Lebenslinien (Nick Hooper Chadwick Goss, Glenda Dawn, Sibelius: A Composer’ Lif Kuhn, Judith, Shostakovich in Dialogue: Form ind the Awakening of Finland (Tim Howell Imagery and Ide n Quartets 1-7 (Ivana Grey, Thomas S. (ed.), Richard Wagner and fits Medi World (Mark Berry Lambert, Sterling, Re-reading Poetry: Schubert’ Haines, John, Satire in the Songs of Renart I Multip!. Settings of Goethe David Nouvel (ElizabeEvtah Leach Schroeder Heartz Daniel Ve rarl, Haydn and Earl Leary, James P., Polkabilly. How the Goo Beethoven 1781-1802 (Julian Rushton Island Rambler Redefined American Folk ading Mi al Interpretation Musi George Revill 5 Pian er formance Levin, David J.,. Unsettling Opera: Staging Elaine ing Viozart, Verd Wagner, and <Xemlinsk) Hiley David, Gregoria unt Richard Andrew Eggert Crocket Lowerre, Kathryn, Music and Musicians on thé Hirs« h Marjori R manti Lie 7éey and ft London S 1695-1705. By Kathryn Sear for I Paradise Jame s P.a rsons Lowerre (Robert D. Hume Holbrook usa 1 Dilworth, Thomas The Lette f ertrude Stetr i | 7 , , Maloy. Rebecca. Inside the Offertor) Aspect if Deniz Ertan Chronology and Transmission Alejandro Hornby yma. and Maw Enrique Planchart Mannaerts, Pieter, Beghinae in cantu instructae Musical Patrimony from Flemish Beguinages Viddle Age Late [8th ( Barbara Eichner Mirka, Danuta, Metric Manipulations in Haydr ind Moza ( mber Music for Strings, 1787 1791 (Mark Anson-Cartwright Moisala, Pirkko, Aaya Saariaho (James Munk Myers Robin, Harris, Michael Saunders, James (ed), The Ashgate Research Mandelbrote, Giles (eds... Musi Companion to Experimental Music (Clemens Book Trade from the Sixteenth to the Gresser Century ( Peter Ward Jones Simeone, Nigel, Leonard Bernstein: West Side Story (Tim Carter Neef, Sigrid, Die Oper ladday, Ulrich | sla Vartini Simon Morrison Larson Powell Neubacher, Jiirgen lalbot, Michael, | ua ana "Ugt \lan ree h } How ird Thym, Jiirgen, Of P. and Song: Approache the Nineteenth-Century Lied (Blake Howe lreadwell, Nina, Mu ind Wonder at the Medici Court: The 1589 Interludes for La pel- legrina (Tim Shephard Vu lurino, Thoma Vu Jason Gibb Experiencin Vu Henry Stobart Unverricht, Hubert (ed Dittersdorf: Briefe ian, Debu lkien | Bertil van Boer tte Leb}l an Paul Roberts Varga, Balint Andras comp. and ed.), G gy hurta a: Three Interviews and Ligeti Homage Nicholas Jone Palmer, Andrew, Composing in Vi Vatalaro, Paul A é Vusic: Fantasy, {lwyn on his Art (Edward Venn luthority, and the Object Vou Ross Wilson Purcell, Henry, Symphony Songs, Wood Alon Schab Walker, Alan, Hans tilow: A Life and Purcell, Henry, Three Occasiona Times (Roger Allen Bruce Wood ( Martin Adams Walker, Lucy (ed Benjamin Britten Veu Perspectives n | Life and Work Rehding \lexander lu lé Christopher Mark lalit Commemoration ind Womack, Kenneth, The ¢ ambridge ( ompanion Nineteenth-Centur German to the Beatle Allen F. Moore Garratt Wood, Gillen DArcy, Romanticism and Musi Reichwald, Siegwart (ed Vende Culture in Britain, 1770-1840: Virtue and Performance (Thomas Schmidt-Best« Virtu ) Nicholas lemperley Rumbold, lan, and Wright, Peter, Herman } k Book: The St Emmer Zobel, Mark, The Third Symphony of Charle David Hiley lves (Peter Dickinson