Music & Letters 2010: Vol 91 Index & Table of Contents

2010·1 MB·English

CONTENTS, Vol. 91
JOHN MILSOM: William Mundy’s Vox patris aelestis and the Accession of Mary Tudor
LISA COLTON: A Unique Source of English Tablature from Seventeenth-Century
Huddersfield
JAMA STILWELL: A New View of the Eighteenth-Century ‘Abduction’ Opera: Edification
and Escape at the Parisian Thédtres de la
SIMON MORRISON: Rostropoy iC h’s Re« ollec tions
M ty
ANDREW WOOLLEY: An Unknown Autograph of Harpsichord Music by William Croft
ESTI SHEINBERG and MARINA RITZAREV: “The Infinite Grace of Jesus: Massenet’s
Marie-Magdeleine and Tchaikovsky’s Blessed ‘Tear
SHERRY D. LEE: The Other in the Mirror, or, Re cognizing the Self: Wilde’s and
Zemlinsky’s Dwarf
3EN WINTERS: The Non-diegetic Fallacy: Film,l Musi , and Narrative Spac«
JASON STOESSEL: Looking Back over the Missa L’Ardant desir. Double Signatures and
Unusual Signs in Sources of Fifteenth-Century Musi
\LON SCHAB: Revisiting the Known and Unknown Misprints in Purcell’s Dioclesi
EN T. HARRIS: Courting Gentility: Handel at the Bank of England
RUTGER HELMERS: ‘It just reekso f Italianism!: ‘Traces of Italian Opera in A Life for the Tsar
BYRON ADAMS: High Tea at Merlinford: Remembering Lord Berners
November
JOHN CASKEN: Nigel Fortune: A Personal ‘Tribute
[AIN FENLON: Renaissance Novellara: Musical Life in the Gonzaga Hinterland
rIM CARTER: Some Notes on the First Edition of Monteverdi's Orfeo (1609
JEANICE BROOKS: Musical Monuments for the Country House: Music, Collection,
and Display at Tatton Park
KATHARINE ELLIS: Paris, 1866: In Search of French Music
JAN SMACZNY: Dvorak, his Librettists, and the Working Libretto fo 1) mida
STEPHEN HINTON: The Emancipation of Dissonance: Schoenberg’s Two Practices of
Composition
February~November
Reviews of books (for index, see pp. iii-s 91, 245, 413, 580
Recipients of ‘Music & Letters’ Awards 304, 611
The Westrup Prize 6ll
Correspondence 170
REVIEWS OF BOOKS: INDEX
( Reviewers’ names in parentheses )
Adams, John, Hallelujah Junction: Composin Charlton, David, and Ellis, Katharine (eds.),
an American Life (Arnold Whittall The Vlusica J pager serlioz im Europe
Agawu, Kofi, Music as Discourse: Semioti Kerry Murphy
Adventures in Romantic Music (Raymond Cobb, Hugh (ed), Letters of Ralph Vaughan
Monelle 1] Williams 1895-1958 (Anthony Barone
Almén, Byron, A Theory of Musical Narrative Cooke, Mervyn, A History of Film Must
Arnold Whittall . Alexander G. Binns
ap Sion, Pwyll, The Music of Michael Nyman Cowart, GeorgiaJ ., The Triumph of Pleasure:
Texts, Contexts and Intertext Malcolm Louis XIV and the Politics of Spectacle (Don
Miller } Fader
Atkinson, Charles M., The Critica Curry, Robert, Gable, David, and Marshall,
Tone-System, Mode, and Notation ) Robert L eds.), riations on the Canon:
Vedieval Music (John Caldwell 24% sa 1 Mi oulez in Honor
rleé Ro én ight (J Birth 1a)
W. Dean Sutcliffe
Barker, John W., Wagner and Venice (Arnold
Whittall : . ,
BayLeroirsecnhze Setdsa.a),t sbibDleir otheMke nsuraanldc odeWxS e lkerv,y a| e! F PaainnttePee rt er, (RBayrreLroo nr d AdjB aemrn e<r
/mmeran Faksimile der Handschrift Cln
14274 Le Bayerischen Staatsbibliothel Ertan, Deniz, Dane Rudhyar; H Vlusic,
Viiinchen (E lizabeth Eva Leach ] f hougn ind Art (Arnold Whittall
Bayreuther, Rainer, Untersu hunge n
Rationalitét der Musik in Mittelalter und a a nd Sovereignty
Frither Ne Mz> eul,; 1 . Da) s plja tonische »F aradigma Trans} form no Myths n kEighteenth-Cent” ur)
Untersuchungen zur Rationalitat der Musil Ita Marita [’etzoldt McClymonds
m 12. bis zum I6. Jahrhundert (Matthias Fenlon, Iain, and Knighton, Tess (eds.), Earl)
Lundberg . Vlusic Printing and Publishing in the Iberian
Bloom, Peter, Berlioz Scenes from the Life and World (Bernadette Nelson
Work (Kerry Murphy 8 Frazier, James E., Maurice Duruflé: The Man
Bow Andrew, Music, Philosophy, and and h Vu Caroline Rae
Modernity (James Garratt |
3oynton, Susan, and Rice, Eric (eds.), loung
Choristers 650-1700 (Elizabeth Eva Leach Gerbino, Giuseppe, Music and the Myth of
Bruhn, Siglind, Messiaen’ Contemplations ia in Renaissance Italy (Tim Shephard
Covenant and Incarnation: Musical Symbols of Lydia, Elective Affinities: Musical
Faith in the Two Great Piano Cycles of the 1940 n the Histo f Aesthetic Theor)
Christopher Dingle Arnold Whittall
f Grogan, Christopher (ed.), /mogen Holst
Bruhn, Siglind, Messiaens Explorations =)
nel Daath: Mivsial Signification a Life in Music (Christopher Scheer
Tristan Trilogy’ and Three Related Song Cycle
Christopher Dingle _) Harper-Scott, J. P. E., and Rushton, Julian
3ruhn, Siglind, Messiaens Interpretations of Elear Studies (Byron Adams
Holiness and Trinity: Echoes of Medieva Hascher-Burger, Ulrike, Verborgene Kldnge
Theology in the Oratorio, Organ Meditations Inventar der handschriftlich tiberlieferten Mustk
ind Opera (Christopher Dingle ay aus den Liineburger Frauenkléstern bis ca. 1550.
Buch, David Mg Magic Flutes and Enchanted Vit einer Darstellung der Musik -lkonographie
Forests: The Supernatural in Evghteenth- n Ulrike Volkhardt (Barbara Eichner
Century Musical Theatre (Nicholas Till 63 Hegarty, Paul, Noise/Music: A History (Huw
3urk, James Mack, and Budds, Michael J Hallam
comp. and eds.), A Charles Ives Omnibu Heisler, Wayne,Jr ., The Ballet Collaboratiens of
David Nicholls 2 Richard Strauss (Hugo Shirley
Henschel, Frank, Die ‘Wittener Tage fiir Mirka, Danuta, and Agawu, Kofi (eds.),
neue Kammermusik’: Uber Geschichte und Communication in Eighteenth-Century Must
Historiografie aktueller Musik (Byérn Heile Nancy November
Hodson, Millicent, Niinskys Bloomsbury Moricz, Klara, Jewish Identities: Nationalism,
Ballet: Reconstruction of the Dance and Design Racism, and Utopianism in Twentieth-Century
for Jeux (Deborah Mawer Music Abigail Wood
Hohl! Trillini, Regula, The Gaze of the Listener: Muir, T. E., Roman Catholic Church Music in
English Representations of Domestic Music- England, 1791-1914: A Handmaid of the
Making (Linda P. Austern Liturgy? (N icholas Temperley
Holoman, D. Kern, The Société des Concerts du
Conservatoire: 1828-1967 (Jann Pasler Nancy, Jean-Luc, Listening, trans. Charlotte
Hornby, Emma, Medieval Liturgical Chant Mandell (Anthony Gritten
and Patristic Exegesis: Words and Music in Nicholls, David, John Cage (Deniz Ertan
the Second-Mode Tracts (Alejandro Enrique
Planchart
O’Loghlin, Michael, Frederick the Great and his
Musicians: The Viola da Gamba Music of the
Jackson, Myles W., Harmonious Triads Berlin School (Charles Medlam
*hysicists, Musicians, and Instrument Makers Odam, George (comp. and ed.), Landscapes of
in Nineteenth-Century Germany (Youn Kim the Mind: The Music of John McCabe
Janat ek, I eos, Tec reticke dilo. vols. ] and Zz ed Edward Venn
Leo’ Faltus, Eva Drlikova, Svatava Owens, Tom C. (ed.), Selected Correspondence of
Piibariova, and Jiri Zahradka (John Charles Ives (David Nicholls
Ivrrell
Pasler, Jann, Writing through Music: Essays on
Karnes, Kevin C., Music, Criticism, and the Music, Culture, and Politics Arnold
Challenge of History: Shaping Modern Whittall
Musical Thought in Late Nineteenth-Century Peters, Mark A., A Woman’ Voice in Baroque
Vienna (James Garratt Music: Mariane von Ziegler and 7. S. Bach
Ketterer, Robert C., Ancient Rome in Earl) Bettina Varwig
Opera (Tim Carter Piel, Victoria, Holtstrater, Knut, and Huck,
Klugseder, Robert, Quellen des gregortanischen Oliver, Filmmusik: Beitrége zu threr Theor
Chorals fiir das Offizium aus dem Kloster St und Vermittlung (Ben Winters
Ulrich und ifra Augsburg Pieter Pieper, Antje, Music and the Making of Middle-
Manna rts Class Culture { Comparative History of
Kénig, Werner, Studien zu Alban Bergs Oper Vineteenth-Century Leipzig and Birmingham
‘Lulw’ (Nicholas Baragwanath William Weber
Kopecky, Jiri, Opery <derika Fibicha z devade- Piibariova, Svatava, and Zahradka, Jit,
itych let 19. stoleté (John Tyrrell Leos Janaéek ve fotografitch; Leos Janaéek in
Photographs (John Tyrrell
eeson, Daniel N The Mozart Cache: The
D er 7 Examination of a Previousl) Reichardt, Sarah, Composing the Modern
Unknow ection of Mozartiana (Simon Subject: Four String Quartets by Dmitri
Keefe Shostakovich (David Fanning
uf fil rungen der Opern
Richard Strauss-Blatter (Neue Folge), Issue 60
m 20). Jahrh undert, 1 December 2008) (David Larkin
Besetzungen (David Rodgers, Stephen, Form, Program, and Metaphor
in the Music of Berlioz (F rancesca Brittan
in Introduction t Rosand, Ellen, Monteverdis Last Operas
mo Veverbeer Venetian Trilog4y (Hendrik Schulze
Plays Clair
Rowden
Liitteken Laurenz, and Hanke, Eva Schweiger, Dominik, and Urbanek, Nikolaus
Martina (eds), Aunstwerk der Xukunft eds.), Webern 2] (Arnold Whittall
Richard Wagner und ~ rich (1849-1858 Stella, Francesco (director), Barrett, Sam
Nicholas Vazsonyi musical edition), and Stoppacci, Patrizia
introduction), Corpus Rhythmorum Mus-
icum Saec. 1V-LX (John Caldwell
Mager Gavle Sherwood, Charles lves
Reconsidered (David Nicholls
McGowan, Margaret M., Dance in_ the Vajdman, Polina, Korabel’nikova, Ljudmila,
Renaissance: European Fashion, French Obses- and Rubcova, Valentina (eds.), Themati
n (Yvonne Kendall and Bibliographical Catalogue of P I
Milson, John, Christ Church Library Music Tchaikouskys (PI. Cajkovskij’s) Works
Cate we (Alan Howard Philip Ross Bullock
Waeber, Jacqueline, En Musique dans le texte: Wright, Adrian, The Innumerable Dance: The
Le mélodrame, de Rousseau a Schoenberg Life and Work of William Alwyn (Edward
Sarah Hibberd Venn
Waters, Robert F., Déodat de Séverac: Musical Wyatt, Robert, and Johnson, John Andrew
Ideniity in Fin de Siécle France (Caroline The George Gershwir Reader Evan
Potter Rapport
Weber, William, The Great Transformation of Wyn Jones, Carys, The Rock Canon: Canonical
Musical Taste: Concert Programming from Values in the Reception of Rock {/bums Dai
Haydn to Brahms (Katharine Ellis Griffiths
Wheeldon, Marianne, Debussys Late Style
David Code Xenakis, Iannis, Music and Architecture.
Whenham, John, and Wistreich, Richard comp., trans. and with commentary by
eds, The Cambridge Companion to Sharon Kanach ( Morag Grant
Monteverdi (Hendrik Schulze
Wiley, Roland John, Tchaikovsky (Philip Ross Zimmermann, Ann-Katrin, Studien zur mitte-
Bullock lalterlichen Dreistimmigkeit Thomas
Wilson, Blake, Singing Poetry in Renaissance Schmidt-Beste
Florence: The Cantasi Come Tradition Zon, Bennett, Representing Non-Western Music
1375-1550) (BonnieJ . Blackburn n Nineteenth-Century Britain (Shay Loya