Table Of Content

Edited by NIGEL FORTUNE, JEANICE BROOKS, and DANIEL LEECH-WILKINSON Vol. 83, 2002 OXFORD UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Great Clarendon Street Oxford OX2 6DP ©) Oxford University Press, 2002 CONTENTS, Vol. 83 February ANN VAN ALLEN-RUSSELL: ‘For instruments not intended’: The Second J. C. Bach Lawsuit RUPERT RIDGEWELL: Mozart's Publishing Plans with Artaria in 1787: New Archival Evidence STEVEN HUEBNER: Zola the Sower May JAMES GARRATT: Performing Renaissance Church Music in Nineteenth-Century Germany: Issues and Challenges in the Study of Performative Reception DEREK B. ScoTT: The Music-Hall Cockney: Flesh and Blood, or Replicant? PAULINE FAIRCLOUGH: The ‘Perestroyka’ of Soviet Symphonism: Shostakovich in 1935 TIM CARTER: An American in : August JOHN HAINES: The First Musical Edition of the Troubadours: On Applying the Critical Method to Medieval Monophony ANTHONY MILLER: The Roman Triumph in Purcell’s Odes ROGER SAVAGE: Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists WARWICK LISTER: New Light on the Early Career of G. B. Viotti MATTHEW HEAD: Schubert, Kramer, and Musical Meaning Dialogue: Matthew Head and Lawrence Kramer November ROSS W. DUFFIN: To Entertain a King: Music for James and Henry at the Merchant Taylors Feast of 1607 JONATHAN P. J. STOCK: Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’ Shanghai Traditional Local Opera, 1912—1949 MARK CARROLL: Commitment or Abrogation? Avant-garde Music and Jean-Paul Sartre’s Idea of Committed Art February—November Editorial Reviews of books (for index, see pp. iii—v) 106, 279, 441, Reviews of music (for index, see p. vi) 164, 324, Recipients of ‘Music & Letters’ Awards 181, Che Westrup Prize Correspondence REVIEWS OF BOOKS (Reviewers’ names in parentheses) Adorno, Theodor W., Sound Figures (Alastair Clive, Peter, Beethoven and his World: A Buw- Williams) graphical Dictionary (Barry Cooper) Ammer, Christine, Unsung: A History of Corbineau-Hoffmann, Testament und Toten- Women in Amencan Music (Marcia J. Citron 2 maske: Der literarische Mythos des Ludwig Avins, Styra (comp., annotator, and trans.) an Beethoven (K. M. Knittel) and Eisinger, Josef rans Johannes Brahms: Life and Letters Michae | Musgrave Piasinnn: Deter tid. Dintetns tie Disa Micies Azzi, Maria Susana, and Collier, Simon, Le son tiie R w after Modernism (Stephen Downes Grand Tango: The Life and Mu f Astor ean Delbanco, Nicholas, The Countess of Stanlein Piazzolla (Gabriela Maurino Restored: A History of the Countess of Stanlein Ex Paganini Stradwanus Cello of 1707 (Robin Baroffio, Giacomo, Curti, Danilo, and Gozzi Stowell Marco Jubilate Deo Miniature e melodie Dohring, Sieghart, Osthoff, Wolfgang, and gregoniane Testumonianze della Jaco:b shagen, A: rnold (eds Verdi-St2 udien L. Feini‘ ng£e r (Da< vid Hiley ) Prerluigt Petrobeli zum 69. Geburtstag Bartlett, Rosamund (ed.), Shostakovich in 1 Roberta Montemorra Man = 3 text (Arnold Whittall Drabkin, William, A Reader’s Guide to Haydn’s Baviey. siAe manda (ead he Cimiiiden Casi Ea, rlyI , StP ring . Queaer tets { (W. Dean Suttcelli ffe panion to Bartok (Daniel Grimley Beer, Axel, Musik zwischen homponist, Verlag Eigeldinger, Jean-Jacques, L’Uniwers musical und Publikum: Die Rahmenbedingungen de le Chopin (Halina Goldberg Mustkschaffens in Deutschland im ersten Drittel des 19. Jahrhunderts (Peter Ward Jones : Pes Ja erred Ward Jon Fauquet, Joél-Marie, and Hennion, Antoine Bloom, Peter (ed The Cambridge Companion ~ : Berl Mark I i La Grandeur de Bach: l’amour de la musique en m3rsang er,s agJ eaone n-C etoephee 4vi France au XIX" siécle (Katharine Ellis a 5 , ge guson, Howard, and Hurd, Michael Vasser 7 ( puscule de y , Massenet ou Le Creépuscu , ; ds Letters of Gerald Finzi and Howard (Steven Huebner ; 2 (John Joubert Briscoe, James R., Debu David. Schumann Ewchendorff ‘Lieder B’r oHdobweact> k I Vid | e“aa 7, tudt ArNei1 ch. olaa. nsd Mthaer stGoennr e of the Romantu Cycle B>u ckMliacnhda,e l SydMnuesyg,r avea nd Chi, t 307 , delFsa bri(cSee an JGoahlalnangehse r Ockeghem: Ma eds Francis Poulen Mu Albert, Alice Tully: An Intim ture (Barbara Kell) yrilla Barr Cattin, Giulio, Curti, Danilo, and rZ Gérard, Yves, Bongrain, Anne, and Coudroy Marco (eds Il canto prar rell’era dell Saghai, Marie-Héléne (eds.), Hector Berlioz tampa. Att: del Convegno internazi lt Cntique musicale 3: «1837-18358 (Peter tudi sul canto lturgico net secolt Bloom Trento—Castello del Buonconsigh 1eZ1a Gladkowa, Olga, Galina Ustwolskaja: Mustk al Fondazione Us e Olga H / lobre magische Kraft (David Fanning 1998 (David Hiley 7 Gozzi, Marco, Le fonts liturgiche a tampa della Chiménes, Myriam, La Vie musicale sous Vichy Biblioteca musicale L. Feininger presso ul Cas Mark Carroll tello del Buonconsigho di Trento (David Hiley Citron, Marcia J., Opera or reen (Helen srandjean, Wolfgang, Metnk und Form bet M. Greenwald Bruckner (Crawford Howie Clark, Suzannah, and Rehding, Alexander Grant, MarkN ., Maestroofs t he Pen: A Historyo f eds Music Theory id altura / Classical Music Crituism in Amenca (Peter From the Renaissance to the Early é Dickinson) Century (Matthew Riley Greissle-Schénberg, Arnold, Amold Schonberg und sein Wiener Kreis: Ennnerungen setines zu Biographie und Wirkung von René Letbo- Enkels ( Julie Brown witz (1913—1972) (Neil Boynton) Mercer-Taylor, Peter, The Life of Mendelssohn Head, Matthew, Orientalism, Masquerade and (Peter Ward Jones) Mozart’s Turkish Music (Benjamin Perl Middleton, Richard, Reading Pop: Approaches to Heidlberger, Frank (ed.), Carl Mana von Textual Analysis in Popular Music (Kenneth Webers Klaviermustk 1m Kontext des 19. Jahr- Gloag) hunderts (John Warrack) Miller-Degenfeld, Marie-Therese (ed.), The Herissone, Rebecca, Musiwc Theory in Seven- Poet and the Countess: Hugo von Hof- teenth-Century England (lan Spink) mannsthal’s Correspondence with Countess Herre, Grita, Ludwig van Beethovens Konversa- Ottonie Degenfeld (Kenneth Birkin) tionshefte, 11 (Barry Cooper) Monelle, Raymond, The Sense of Music: Semio- Heyer, John Hajdu (ed.), Lully Studtes (Patricia tic Essays (Michael Spitzer) Howard) Montagu, Jeremy and Gwen, Minstrels and Higgins, Paula, Antoine Busnoys: Method, Angels: Carvings of Musicians in Medieval Meaning, and Context in Late Medieval English Churches (Mary Remnant) Music (Elizabeth Eva Leach) Musgrave, Michael, A Brahms Reader (Virginia Hill, Peter, Stravinsky: The Rite of Spring Hancock) Stephen Walsh) Musgrave, Michael (ed.), The Cambridge Com- panion to Brahms (Virginia Hancock Jessulat, Ariane, Die Frage als mustkalischer Nattiez, Jean-Jacques, La Musique, la recherche Topos: Studien zur Motwhildung in der Musik et la vie: un dialogue et quelques dérwves (Arnold des 19. Jahrhunderts (Raymond Monelle) Whittall 660 Jones, David Wyn, Music in Eighteenth-Century Noubel, Max, Elhott Carter ou Le temps fertile Bntain (Suzanne Aspden) (Arnold Whittall) 144 Kisby, Fiona, Music and Musicians in Renais- Ochse, Orpha, Organists and Organ Playing sance Cities and Towns (David Mateer) in Nineteenth-Century France and Belgium Kramer, Lawrence, Franz Schubert: Sexuality, Ingrid Sykes) Subjectitty, Song (Matthew Head) Oja, Carol J., Making Music Modern: New York in the 1920s (Bob Gilmore) Letellier, Robert Ignatius (ed. and trans.), The Overbeck, Peter, Die Chorwerke von Thoma Dianes of Giacomo Meyerbeer, ii: 1840—1849 Linley dem Juingeren (1756-1778): Komposi- Mark Everist) torisches und biographisches Umfeld (Gwilym Letzter, Jacqueline, and Adelson, Robert Beec hey Women Wniting Opera: Creativity and Con- troversy in the Age of the French Revolution Pasquini, Elisabetta, Libri di musica a Firenze Charles Dill) nel Tre-Quattrocento (Bonnie J. Blackburn) Ligeti, Gyorgy, Neuf essats sur la musique Phillips, Edward R., Gabriel Fauré: A Guide to Arnold Whittall Research (Roy Howat) Lloyd, Stephen, Wiliam Walton: Muse of Fire Preece, Isobel Woods, Our awin Scottts use Alain Frogley Music in the Scottish Church up to 1603, ed Sally Harper (D. James Ross McClary, Susan, Conventional Wisdom: The Content of Musical Form (Tim Carter) Quigley, Thomas, in collaboration with Mary McGregor, Richard (ed.), Perspectives on Peter 1. Ingraham, Johannes Brahms: An Annotated Maxwell Davies (Nicholas Jones Bibliography of the Literature from 1982 to McKay, Elizabeth Norman, and Rast, Nicho- 1996 with an Appendix on Brahms and the las (eds.), Schubert durch die Brille. The Internet (Heather Platt) Oxford Buwentenary Symposium 1997: Bencht Christopher Gibbs) Radomski, James, Manuel Garcia (1733- Maier, Elisabeth, Verborgene Persdnlichkeit 1832): Chronicle of the Life of a ‘bel canto {Anton Bruckner in seinen prvaten Aufzeichnun- Tenor at the Dawn of Romanticism (Mark gen, 1: Texttibertragungen und Kommentar; ii Everist Abbildungen (Crawford Howie) Rastall, Richard, Minstrels Playing: Music in Malecka, Teresa (ed.), Arzysztof Penderecki’s Early English Religious Drama, ii (John Music in the Context of 20th-Century Theatre Caldwell) Studies, Essays and Matenal (Barbara Milew- Rees, Helen, Echoes of History: Naxt Music in ski Modern China (Jonathan P. J. Stock) Marsden, Alan, Representing Musical Time: A Renwick, William, The Langloz Manuscnpt Temporal-Logic Approach (Martin Dixon Fugal Improvisation through Figured Bass Massip, Catherine, L’Art de bien chanter: Michel Glen Wilson) Lambert (1610—1696) (Charles T. Downey) Rogala, Jacek, Polish Music in the Twentieth Meine, Sabine, Ein Zwolftoner in Pans: Studien Century (Barbara Milewski) Rose, Michael, Berlioz Remembered (Peter tations of Gender and Sexuality in Opera Bloom) (Susanne Dunlap) Rosselli, John, The Life of Verdi (David Kim Smither, Howard E., A History of the Oratono, iv bell) The Oratorio in the Nineteenth and Twentieth Rowden, Clair (ed.), Jules Massenet: Thai Centunes ( John Caldwell) Dossier de presse panstenne 1894 Jann Spaethling, Robert (ed. and trans Mozart’s Pasler) Letters, Mozart’s Life Selected Letters Ruini, Cesarino, J manosenitti liturgici della Matthew Head) Biblioteca L. Feininger presso il Castello del Stinson, Russell, ] §. Bach’s Great Eighteen Buonconsigho di Trento (David Hiley Organ Chorales (Steven Rose) Stockigt, Janice B., Jan Dismas Zelenka Salvetti, Guido, and Antolini, Bianca Maria 1679—1745): A Bohemian Musician at the eds.), Italia mullenovecentocinquanta (Ray- Court of Dresden (Michael Talbot mond Fearn) Stowell, Robin (ed.), The Cambridge Companion Schader, Luitgard, Emst Aurths ‘Grundla to the Cello (Mary Térey-Smith) des linearen Kontrapunkts’: Ursprung und Wir- Streletski, Gérard, Contnbution a Ul ’histoire kung eines mustkpsychologischen Standard sociale de la musique en France. Hector Berlioz werkes (William Drabkin et Edme-Mane-Emest Deldevez formation et Schenker, Heinrich, The Art of Performance inserlion dan la sociele du X1Xe Slé le 180. i— ed. Heribert Esser; trans. Irene Schreirer 1897) (Peter Bloom) Scott (Matthew Riley) Schulenberg, David, Must Weliver, Phyllis, Women Musicians in Victonan (Steven Saunders Fiction, 1860—1900: Representations of Musi Scott, Derek B ed Science and Gender in the Leisured Home Society: A Reader (Claire Nicky Losseff Sensbach, Stephen, French Cell Wiermann, Barbara, Carl Philipp Emanuel 1939 (Manuela Schwartz Bach: Dokumente zu Leben und Wirken aus Sheppard, W. Anthony ler zettgendssischen Hamburgischen Presse Exotic Influences and Ritual 1767—1790) (Susan Wollenberg in Modernist Music Theater Wood, Caroline, and Sadler, Graham, French ton Baroque Opera: A Reader (Patricia Howard Shusterman, Richard, Perf Potter) Zon, Bennett, The English Plainchant Revwal Smart, Mary Ann (ed David Hiley REVIEWS OF MUSIC (R eviewers’ names in parentheses) Album musical de Mana Szymanowska, ed Heinichen, Johann David, La gara degli Det; Renata Suchowiejko (Halina Goldberg) Diana su TElba, ed. Michael Walter Alfonso X el Sabio, Cantigas de loor, ed Michael Talbot) Martin G. Cunningham (David Wulstan) Landi, Stefano, La morte d’Orfeo, ed. Silvia Amner, John, Sacred Hymnes of 3. 4. 5 and6 . Parts Herzog (Alan Curtis) (1615), ed. John Morehen (Christopher Madngak segret: per le dame di Ferrara, ed. Elio R. Wilsor) Durante and Anna Martellotti (Laurie Bach, Johann Christian, Sinfonia Op. 6/2 D- tras) Dur; Sinfonia Op. 6/4 B-Dur, Sinfonia Mahler, Gustav, ‘Das klagende Lied’: Erstfas- Op. 6/5 Es-Dur, ed. Hanspeter Gmiir (Ann sung in drew Satzen (1880), ed. Reinhold van Allen-Russell) Kubik (Jeremy Barham) Beach, Amy, The Sea-Faines, Opus 59, ed Mahler, Gustav, Des Knaben Wunderhorn, ed Andrew Thomas Kuster (Peter Dickinson) Renate Hilmar-Voit (Jeremy Barham) Byrd, William, Latin Motets, ii, ed. Warwick Paine, John Knowles, Vocal Chamber Music, Edwards (Hugh Benham) ed. John C. Schmidt (Peter Dickinson) Cannabich, Christian, Les Manages Samnites, Satie, Erik, Parade: ballet réaliste en un tableau, ed. Carol G. Marsh John A. Rice) ed. Gilbert Delor and Ornella Volta (Roger Cannabich, Christian, Le Rendes-vous, ballet Nichols) de chasse, and Georg Joseph Vogler, Le Songs with Theorbo (ca. 1650—1663): Oxford, Rendez-vous de chasse, ou Les Vendages Bodleian Library, Broxbourne 84.9; London, interrompues par les chasseurs, ed. Floyd K Lambeth Palace Library, 1041, ed. Gordon Grave (John A. Rice) J. Callon (Ian Spink) Cannabich, Christian, Renaud et Armide, ed Telemann, Georg Philipp, Twelve Tnos, ed Marita P. McClymonds (John A. Rice) Steven Zohn (James Garratt) Dowland, John, Ayres for Four Voices, ed loeschi, Carl Joseph, Céphale et Procns and David Greer (Ian Spink) L’Enlévement de Proserpine, ed. Paul Eccles, John, Semele: An Opera, ed. Richard Cauthen (John A. Rice) Platt (Margaret Laurie) Toeschi, Carl Joseph, Mars et Venus, and Fontanelli, Alfonso, Complete Madngals, Part | Christian Cannabich, Meédée et Jason, ed Primo libro di madngal a cinque voct (Ferrara, Nicole Baker (John A. Rice) 1595); Part II: Secondo libro de madngali a Walton, William, Fagade Entertainments, ed cinque voct (Venice, 1604), ed. Anthony New- David Lloyd-Jones (Peter Dickinson) comb (Laurie Stras) Watson, Thomas, Jtalian Madngals Englished Four Viennese String Quintets ed. Cliff Eisen 1590), ed. Albert Chatterley (Christopher William Drabkin) R. Wilson) Four-Vowe Motets from the Motett: del frore Series Part II, ed. Richard Sherr (Richard Freed- man)