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Music & Letters 1993: Vol 74 Index PDF

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Edited by NIGEL FORTUNE and TIM CARTER Vol. LXXIV, 1993 OXFORD UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Walton Street Oxford OX2 6DP © Oxford University Press, 1993 CONTENTS, Vol. LXXIV February The Byzantine Responds for the Two Sundays before Christmas Simon Harris New Sources for ‘Poppea’ Paolo Fabbri Music Aspires to Letters: Charles Burney, Queeney Thrale and the Streatham Circle Valerie Rumbold Elgar, Naylor and “The Cobbler’s Jig’: an Enquiry FOROS ccc scinsecticccdiases waddisdeacedsasasadarsdaatens Christopher R. Wilson The Miller’s Mule: Writing the History of Medieval Mark Everist ‘L‘ultima hora canonica del giorno’: Music for the Office of Compline in Northern Italy in the Second Half of the Sixteenth Century John Bettley ‘Drama of an Infinitely Superior Nature’: Handel’s Early English Oratorios and the Religious Sublime . Alexander H. Shapiro Britten and Shakespeare: Dramatic and Musical Cohesion in ‘A Midsummer Night’s Dream’ Mervyn Cooke August ‘Alluring the Auditorie to Effeminacie’: Music and the Idea of the Feminine in Early Modern England Linda Phyllis Austern Schubert and the Biedermeier: the Aesthetics of Johann Mayrhofer’s ‘Heliopolis’ David Gramit ‘Byzantium’: Tippett, Yeats and the Limitations of Affinity Arnold Whittall Tippett in and out of “Those Twentieth-Century Blues’: the Context and Significance of an Autobiography David Clarke Sir Charles Somerset’s Music Books (1622) Michael G. Brennan The Borghese Family and Music during the First Half of the Seventeenth Century Jean Lionnet Shaftesbury on Opera, Spectacle and Liberty Thomas McGeary Pierre Schaeffer, 1953: towards an Experimental Carlos Palombini The Prince Consort and the ‘Great’ C major: a Dubious Scenario Examined John Reed February-November Reviews of Books (for index, see pp. iii-vi; see also review-articles in February and August) 54, 269, 412, 562 Reviews of Music (for index, see pp. vii-viii) 145, 329, 472, 643 ‘Music & Letters’ Awards 157 Correspondence 158, 339, 485, 652 REVIEWS OF BOOKS (Reviewers’ names in parentheses) Allsobrook, David Ian, ‘Music for Wales: Bonds, Mark Evan, ‘Wordless Rhetoric: Walford Davies and the National Coun- Musical Form and the Metaphor of the cil of Music, 1918-1941’ (Young) Oration’ (Whittall) Allsop, Peter, ‘The Italian “Trio” Sonata: Boyd, Malcolm (ed.), ‘Music and from its Origins until Corelli’ (Talbot) .. French Revolution’ (Bloom) Anderson, James, ‘Bloomsbury Dictionary Brennink, Albert, ‘Equal Temperament of Opera and Operetta’ (Budden) Music Notation: the Ailler-Brennink Argent, Mark (ed.), ‘Recollections of Chromatic Notation’ (Rastall) R. J. S. Stevens: an Organist in Breuning, Gerhard von, ‘Memories of Georgian London’ (Young) Beethoven: from the House of the Black- Robed Spaniards’ (Cooper) Baillot, Pierre Marie Francois de Sales, Brough, Delma, ‘Polish Seventeenth- ‘The Art of the Violin’ (Stowell) Century Church Music, with Reference Baines, Anthony, “The Oxford Companion to the Influence of Historical, Political to Musical Instruments’ (Libin) and Social Conditions’ (Dixon) Baker, Nancy Kovaleff, & Hanning, Bar- Buckland, Sidney (ed.), ‘Francis Poulenc, bara Russano (ed.), ‘Musical Humanism “Echo and Source”: Selected Cor- and its Legacy: Essays in Honor of respondence 1915-1963’ (Langham Claude V. Palisca’ (Sternfeld) Barclay, Robert, ‘The Art of Trumpet-Maker: the Materials, Tools, and Techniques of the Seventeenth and Caldwell, John, ‘The Oxford History of Eighteenth Centuries in Nuremberg’ English Music’, i: ‘From the Beginnings (Downey) to c.1715’ (Bowers) Becker, Heinz, & Becker, Gudrun, Carpenter, Humphrey, ‘Benjamin Britten: ‘Giacomo Meyerbeer, Weltbiirger der a Biography’ (Grogan) Musik’ (Huebner) Carter, Tim, ‘Music in Late Renaissance & Beedell, A. V., “The Decline of the English Early Baroque Italy’ (Dobbins) Musician, 1788-1888: a Family of Cary, Tristram, ‘Illustrated Compendium English Musicians in Ireland, England, of Musical Technology’ (Nelson) Mauritius, and Australia’ (Ehrlich) Cavallini, Ivano, ‘Musica, cultura Beisswenger, Kirsten, ‘Johann Sebastian spettacolo in Istria tra ‘500 Bachs Notenbibliothek’ (Richard D. P. *600’ (Bujic) Jones) Chafe, Eric, “Tonal Allegory in the Vocal Bergeron, Katherine, & Bohlman, Philip Music of J. S. Bach’ (Butt) V. (ed.), ‘Disciplining Music: Music- Cope, David, ‘Computers and Musical ology and its Canons’ (Walser) Style’ (Manning) Berkovec, ‘Ceské pastorely’ Copeman, Harold, ‘Singing in Latin, or (Tyrrell) Pronunciation Explor’d’; “The Pocket Birkin, Kenneth (ed.), ‘Stefan Zweig— “Singing in Latin” ’ (Ledsham) Joseph Gregor: Correspondence 1921- Corfield, Thomas _ Bernard, 1938’ (Williamson) Schmidt (1874-1939): a Discussion of his Bjgrnum, Birgit, & Mgllerhgj, Klaus, ‘Carl Style with Special Reference to the Four Nielsens Samling: Katalog over kom- Symphonies and “Das Buch mit sieben ponistens musikhandskrifter i det Siegeln” ’ (Franklin) Kongelige Bibliotek’ (Fanning) Cox, Gareth, ‘Anton Weberns Studienzeit: Bloom, Peter (ed.), ‘Berlioz Studies’ seine Entwicklung im _ Lichte der Satze und Fragmente fir Klavier’ Boden, Anthony, ‘Gloucester, Hereford, (Boynton) Worcester. Three Choirs: a History of Crocker, Richard, & Hiley, David (ed.), the Festival’ (Young) ‘The New Oxford History of Music’, ii: ‘The Early Middle Ages to 1300’ George, David (ed.), ‘Records of Early (Everist) English Drama: Lancashire’ (Rastall) .. Crowther, Victor, “The Oratorio Gillen, Gerard, & White, Harry (ed.), Modena’ (Selfridge-Field) ‘Irish Musical Studies’, ii: ‘Music and the Cummings, Anthony M., ‘The Politicized Church’ (Pike) Muse: Music for Medici Festivals, 1512- Gillies, Malcolm, ‘Notation and Tonal 1537’ (Bonnie Blackburn) Structure in Barték’s Later Works’ (Antokoletz) Dahlhaus, Carl, ‘Studies on the Origin Goehr, Lydia, ‘The Imaginary Museum of of Harmonic Tonality’ (Cristle Collins Musical Works: an Essay in the Judd) Philosophy of Music’ (Josipovici) D'Amico, Fedele, ‘Il teatro di Rossini’ Gooch, Bryan N. S., & Thatcher, David, (Kimbell) ‘A Shakespeare Music Catalogue’ Deliége, Iréne, & Cross, Ian (ed.), (Greer) ‘Psychologica Belgica’, xxxi/2: Goodall, Richard, ‘Eighteenth-Century ‘Psychology of Music’ (Marsden) English Secular Cantatas’ (Boyd) Dibble, Jeremy, ‘C. Hubert H. Parry: his Griffioen, Ruth van Baak, ‘Jacob van Life and Music’ (Grogan) Eyck’s “Der Fluyten Lust-Hof” (1644- Dobbins, Frank, ‘Music in Renaissance c1655)’ (Rimmer) Lyons’ (Jane Bernstein) Griffiths, Paul, ‘Stravinsky’ (Pople) Dobson, Richard, ‘A Dictionary of Electronic and Computer Music Harley, John, ‘British Harpsichord Music’, Technology’ (Manning) i: ‘Sources’ (Cooper) Dubowy, Norbert, ‘Arie und Konzert: zur Harris, Simon, ‘A Proposed Classification Entwicklung der Ritornellanlage im of Chords in Early Twentieth-Century 17. und frihen 18. Jahrhundert’ Music’ (Russ) (Monelle) Harvey, Brian .. ‘Violin Fraud: Deception, Forgery, Theft, and Eisen, Cliff (ed.), ‘Mozart Studies’ the Law’ (Stowell) (Carter) Henderson, Clayton W., ‘The Charles Ives Eisinger, Ralf, ‘Das Hagenmarkt-Theater Tunebook’ (Dickinson) in Braunschweig (1690-1861) Heyman, Barbara B., ‘Samuel Barber: the (Nieder) Composer and his Music’ (Hurd) Emans, Reinmar, & Wendt, Matthias Hirshberg, Jehoash, ‘Paul Ben-Haim: his (ed.), ‘Beitrage zur Geschichte des Life and Works’ (Bohlman) Konzerts’ (Wollenberg) Holmboe, Vagn, ‘Experiencing Music: Erb, James, ‘Orlando di Lasso: a Guide a Composer's Notes’ (Fanning) to Research’ (O’Regan) Hughes, Andrew, ‘Style and Symbol: Everett, Paul J., “The Manchester Con- Medieval Music, 800-1453’ (Everist) .... certo Partbooks’ (Selfridge-Field) Fenlon, Iain, & Miller, Peter, ‘The Song Jablonski, Edward, ‘Gershwin of the Soul: Understanding “Poppea” ’ Remembered’ (Dickinson) (McClary) Jacobs, Arthur, ‘Arthur Sullivan: Flannery, James W., ‘Thomas Moore: Victorian Musician’ (Lamb) Jensen, Jgrgen I., ‘Carl Nielsen: Minstrel of Ireland’ (Rimmer) Danskeren’ (Fanning) Fleming, Richard, & Duckworth, William (ed.), ‘John Cage at Seventy-Five’ Johnson, Cleveland, ‘Vocal Compositions in German Organ Tablatures 1550- (David Nicholls) 1650’ (Robert Judd) Flotzinger, Rudolf, ‘Choralhandschriften Gsterreichischer Provenienz in der Bodleian Library/Oxford’ (Wegman) .. Karp, Theodore, ‘The Polyphony of Saint Franklin, Peter, ‘Mahler: Symphony Martial and Santiago de Compostela’ No. 3’ (Filler) (Summers) Fubini, Enrico, ‘A History of Music Karro-Pélisson, Francoise (ed.), ‘Nicolas Aesthetics’ (Bujic) Dalayrac: musicien murétain, homme des lumiéres’ (Charlton) Gable, David, & Morgan, Robert P., Kassler, Jamie C. (ed.), ‘Metaphor: a ‘Alban Berg: Historical and Analytical Musical Dimension’ (Street) Perspectives’ (Pople) Kelly, Thomas Forrest, ‘Plainsong in the Gabrielové, Jarmila, ‘Rané tvuréf ob- Age of Polyphony’ (Hiley) dobf Antonfna Dvordka (Studie ke Keys, Ivor, ‘Johannes Brahms’ (Musgrave) kompoziénf problematice vybranych Kian-Seng Teo, ‘Chromaticism in the instrumentdlnfch dél)’ (Stapleton) English Madrigal’ (Spink) Kropfinger, Klaus, ‘Wagner and Beet- Schumann's “Liederkreis’ Opus 39’ hoven: Richard Wagner's Reception of Beethoven’ (Bujic) Miller, Herta, & Hofmann, Renate (ed.), ‘Johannes Brahms im Briefwechsel mit Labelle, Nicole, ‘Catalogue raisonné de Herzog Georg II. von Sachsen-Mein- loeuvre de Albert Roussel’ ingen und Helene Freifrau von (Langham Smith) Heldburg’ (Musgrave) Landy, Leigh, ‘What’s the Matter with Miller, Ulrich, & Wapnewski, Peter (ed.), Today’s Experimental Music? Organized ‘The Wagner Handbook’ (Whittall) .... Sound Too Rarely Heard’ (Nicholls) .... Leech-Wilkinson, Daniel, ‘Machaut’s Nagel, Ivan, ‘Autonomy and Mercy: Mass: an Introduction’ (Bowers) Reflections on Mozart’s Operas’ (John Leopold, Silke, ‘Monteverdi: Music Rice) Transition’ (Chater) Nelson, Peter, & Montague, Stephen (ed.), Letnanova, Elena, ‘Piano Interpretation in ‘Contemporary Music Review’, vi/1: the Seventeenth, Eighteenth and Nine- ‘Live Electronics’ (Manning) teenth Centuries’ (McKay) Nettl, Bruno, & Bohlman, Philip V. (ed.), Lippman, Edward A. (ed.), ‘Musical ‘Comparative Musicology and An- Aesthetics: a Historical Reader’, iii: ‘The thropology of Music: Essays on the Twentieth Century’ (Bujic) History of Ethnomusicology’ (Malm) .... Little, Meredith, & Jenne, Natalie, ‘Dance Newbould, Brian, ‘Schubert and the Sym- and the Music of J. S. Bach’ (Peter phony: a New Perspective (Reed) Williams) Nichols, Roger, ‘Debussy Remembered’ Lockwood, Lewis, ‘Beethoven: Studies in (Briscoe) the Creative Process’ (Marston) Luckett, Richard, ‘Handel's “Messiah”: a Celebration’ (Young) Olmstead, Andrea (ed.), ‘The Cor- respondence of Roger _ Sessions’ (Dickinson) McClary, Susan, ‘Georges Bizet: Orlova, Alexandra (ed.), ‘Musorgksy “Carmen”’ (Lesley Wright) Remembered’ (Garden) MacDonald, Malcolm, (Musgrave) McKinnon, James (ed.), ‘Antiquity and the Page, Christopher (ed.), ‘Sumrna Musice: Middle Ages: from Ancient Greece to a Thirteenth-Century Manual for the 15th Century’ (Wulstan) AER CHINE a iicscson< cenccceaceaucices : Maguire, Simon, ‘Vincenzo Bellini and the Parker, Roger, ‘Studies in Early Verdi: Aesthetics of Early Nineteenth-Century New Information and Perspectives on Italian Opera’ (Kimbell) the Milanese Musical Milieu and the Malcolm, Noel, ‘George Enescu: his Life Operas from Oberto to Ernani’ and Music’ (Waterhouse) (Kimbell) Maliaras, Nikos, ‘Die Orgel im byzan- Peverada, Enrico, ‘Vita musicale nella tinischen Hofzeremoniell des 9. und des chiesa_ ferrarese del Quattrocento’ 10. Jahrhunderts’ (Harris) (Bonnie Blackburn) Matthew- Walker, Robert (ed.), ‘The Sym Phillips, Peter, ‘English Sacred Music phonies of Robert Simpson’ (Trevor 1549-1649’ (Pike) Bray) Poizat, Michel, ‘The Angel’s Cry: Beyond Mattsson, Inger (ed.), ‘Gustavian Opera: the Pleasure Principle in Opera’ an Interdisciplinary Reader in Swedish (Monelle) Opera, Dance and Theatre 1771-1809" Pople, Anthony, ‘Skryabin and Stravinsky, (Dean) 1908-1914: Studies in Theory and Mellers, Wilfrid, Analysis’ (Russ) (Gillies & Pear) Pressing, Jeff, ‘Synthesizer Performance Meyer, Michael, ‘The Politics of Music in and Real-Time Techniques’ the Third Reich’ (Levi) (Manning) Moore, Allan F., ‘Rock: the Primary Text’ Pribdnova, Svatava (ed.), ‘Hadanka Zivota (Bjornberg) (Dopisy Leo’e Jandtka Kamile Morelli, Arnaldo, ‘ “Il tempio armonico”: Stésslové)’ (Tyrrell) musica nell ‘Oratorio dei Filippini in Price, Curtis, et al., ‘The Impresario’s Roma (1575-1705)' (Smither) Ten Commandments: Continental Morton, Brian, & Collins, Pamela Recruitment for Italian Opera in (ed.) ‘Contemporary Composers’ London 1763-64’ (Burden) (Whittall) Prieberg, Fred K., ‘Trial of Strength: Mosley, David L., ‘Gesture, Sign, and Wilhelm Furtwangler and the Third Song: an Interdisciplinary Approach to Reich’ (Walton) Quigley, Thomas, ‘Johannes Brahms: an Tomaszewski, Mieczystaw, & Weber, Annotated Bibliography of the Litera- Bozena, ‘Fryderyk Chopin: a Diary in ture through 1982’ (Musgrave) Images’ (Rink) Turnbull, Michael T. R. B., ‘Joseph Ranum, Patricia M., ‘Méthode de la pro- Hislop: Gran Tenore’ (Benedikz) nonciation latine dite “vulgaire” ou “a la Tyrrell, John, ‘Jandéek’s Operas: francaise” ’ (Ledsham) Documentary Account’ (Wingfield) Rapson, Penelope, ‘A Technique for Iden- tifying Textual Errors and its Applica- Volta, Ornella, ‘Satie et tion to the Sources of Music by Thomas (Orledge) Tallis’ (Boorman) Reschke, Claus, & Pollack, Howard (ed.), Waidelich, Till Gerrit, ‘Franz Schubert, ‘German Literature and Music—an “Alfonso und Estrella”, eine frithe Aesthetic Fusion: 1890-1989’ (Palmer) . durchkomponierte Oper’ (Nieder) Revill, David, ‘The Roaring Silence: Ward, John M., ‘Music for Elizabethan John Cage—a Life’ (Nicholls) Lutes’ (Craig-McFeely) Rice, Albert R., ‘The Baroque Clarinet’ Warrack, John, & West, Ewan, (Lawson) Oxford Dictionary of Opera’ (Budden) . Rogal, SamuelJ. , ‘A General Introduction Weber, William, ‘The Rise of Musical to Hymnody and Congregational Song’ Classics in Eighteenth-Century England: (Young) a Study in Canon, Ritual, and Ideology’ Rose, Paul Lawrence, ‘Wagner: Race and (Langley) Revolution’ (Whittall) West, M. L., ‘Ancient Greek Music’ Rothschild, Deborah Menaker, ‘Picasso’s (Borthwick) “Parade” ’ (Nichols) White, Harry (ed.), ‘Johann Joseph Fux Rothstein, Joseph, ‘MIDI: a Comprehen- and the Music of the Austro-Italian sive Introduction’ (Manning) Baroque’ (Wollenberg) Russell, Peter, ‘Light in Battle with White, Chappell, ‘From Vivaldi to Viotti: Darkness: Mahler’s ‘“Kindertotenlieder”’ a History of the Early Classical Violin (Franklin) Concerto’ (Stowell) Williamson, John, “The Music of Hans Scher, Steven Paul (ed.), ‘Music and Text: Pfitzner’ (Franklin) Critical Inquiries’ (Cook) Wilson, Christopher, ‘Words and Music Shaw, Watkins, “The Succession Coupled Lovingly Together: Thomas Organists of the Chapel Royal and the Campion, a Critical Study’ (Lindley) ... Cathedrals of England and Wales from Wingfield, Paul, ‘Jandéek: “Glagolitic c. 1538’ (Morehen) Mass”’ (Tyrrell) Shirakawa, Sam H., ‘The Devil's Music Wolff, Christoph, ‘Mozarts Requiem: Master: the Controversial Life and Geschichte, Musik, Dokumente, Par- Career of Wilhelm Furtwangler’ titur des Fragments’ (Maunder) Wolfthal, Katherine Silberblatt (trans.), Simeone, Nigel, “The First Editions of Leos ‘Elliott Carter: In Conversation with Janaéek’ (Tyrrell) Enzo Restagno for Settembre Musica Simpson, Anne Key, ‘Hard Trials: the Life 1989’ (Nicholls) and Music of Harry T. Burleigh’ Wood, Diana (ed.), ‘The Church and the (Dickinson) Arts’ (Pike) Smialek, William, ‘Ignacy Feliks Wright, Josephine (ed.), ‘New Perspectives Dobrzyriski and Musical Life in Nine- on Music: Essays in Honor of Eileen teenth-Century Poland’ (Samson) Southern’ (Dickinson) Sutcliffe, W. Dean, ‘Haydn: String Wrightson, James, “The “Wanley” Manu- Quartets, Op. 50’ (David Wyn Jones) ... scripts: a Critical Commentary’ (Blezzard) Taylor, Ronald (ed.), ‘Furtwangler on Music: Essays and Addresses’ (Walton) . Youens, Susan, ‘Retracing a Winter’s Tippett, Michael, ‘Those Twentieth Cen — Journey: Schubert’s “Winterreise”’ tury Blues: an Autobiography’ (Clarke) (Schroeder) Todd, R. Larry (ed.), ‘Mendelssohn and Yudkin, Jeremy, ‘Music in Medieval his World’ (Peter Ward Jones) Europe’ (Everist) REVIEWS OF MUSIC (Reviewers’ names in parentheses) ‘Acht Choralbearbeitungen fiir Orgel Graziani, Tommaso, ‘Opera omnia’, i: von Jan P. Sweelinck und seine Schule’. ‘Missa cum introitu ac tribus motectis a ‘Exempla musica neerlandica’, xvi 12 voci in 3 cori (Venezia 1587)’. ‘Corpus (Elcombe) musicum franciscanum’, Arnold, Samuel, ‘The Castle Andalusia’. ‘Music for London Enter- tainment 1660-1800’, C/v (Holman) ... Heinrich, Anthony Philip, ‘The Art of the Unmeasured Prelude for Columbiad—petite _fantasie’; Harpsichord: France 1660-1720° Yankee Doodleiad: a National (Gustafson) Divertimento’ (Dickinson) Hiller, Lejaren, ‘An Apotheosis Beauchamps, Pierre, ‘Le Ballet des Archaeopteryx’; ‘Diabelskie Skrzypce’ Facheux’. ‘Publications of the Early (Dickinson) Music Institute’ (Powell) Brahms, Johannes, ‘Variationen fiir zwei ‘Keyboard Transcriptions from the Bach Klaviere iiber ein Thema von Joseph Circle’. ‘Recent Researches in the Haydn, Opus 56b’. ‘Wiener Stadt- und Music of the Baroque Era’, Ixix Landesbibliothek: Schriftenreihe zur (Richard D. P. Jones) Musik’, i (Musgrave) Lombardini Sirmen, Maddalena Laura, Clerk of Penicuik, Sir John, ‘Sonata ‘Three Violin Concertos’. ‘Recent in G’ (McVeigh) Researches in the Music of the Classical ‘Collegium Musicum: Yale University, Era’, xxxviii (McVeigh) Second Series’, xii (Dubowy) ‘Corpus musicum franciscanum’, vi/1 McGibbon, William, ‘Three Sonatas for (O'Regan) Flute or Violin and Continuo’; ‘Three Crawford Seeger, Ruth, ‘Five Songs’ Sonatas for Two Flutes or Violins and (Nicholls) Continuo’. ‘Orpheus Caledonius’, i-ii (McVeigh) Dowland, John, ‘Lachrimae (1604)’. Machaut, Guillaume de, ‘ “Musical Sources’, v (Ashbee) Nostre Dame’ (Bowers) ‘Masters and Monuments ‘Early English Church Music’, xxxviii Renaissance’, iv (Humphreys) (Irving) Mendelssohn, Felix, ‘Elijah’ (Peter Ward Elgar, Edward, “The Spanish Lady: Jones) Sketches for an Opera in Two Acts’, Mico, Richard, “The Four-Part Consort ‘Elgar Complete Edition’, xli (Grogan) . Music’ (Irving) Erskine, Thomas, Earl of Kelly, ‘Trio Morley, Thomas, ‘English Anthems; Sonata in F’ (McVeigh) Liturgical Music’. ‘Early English ‘Exempla musica _ neerlandica’, Church Music’, xxxviii (Irving) (Elcombe) Mozart, Wolfgang Amadeus, ‘Requiem’ (Maunder) ‘French Opera in the 17th and 18th Cen- ‘Musica Britannica’, |xi (Pike) turies’, xxviii (Anthony) “Musica da Camera’, Ixxvii (McVeigh) Foulis, David, ‘Six Sonatas for Violin ‘Musica e musicisti nel Lazio *400-'800: and Keyboard’ (McVeigh) fonti musicali’, ii (Wiering) “Musical Sources’, v (Ashbee) Gibbs, Joseph, ‘Two Sonatas’. ‘Musica da ‘Music for London Entertainment 1660- Camera’, Ixxvii (McVeigh) 1800’, C/v (Holman) Giovannelli, Ruggiero, ‘Composizioni sacre: messe, mottetti, salmi’. ‘Musica e ‘Orpheus Caledonius’, i-ii (McVeigh) musicisti nel Lazio °‘400-’800: fonti ‘O Tuneful Voice: 25 Classical English musicali’, ii (Wiering) Songs’ (Boyd) Paine, John Knowles, ‘Three Chamber Salomon, Joseph-Francois, ‘Médée et Works for Piano and Strings’. ‘Recent Jason’. ‘French Opera in the 17th Researches in American Music’, xvii and 18th Centuries’, XXViii (Dickinson) (Anthony) Philips, Peter, ‘Cantiones sacrae octonis Sartorio, Antonio, ‘Giulio Cesare in vocibus (1613)’. ‘Musica Britannica’, Egitto’. ‘Collegium Musicum: Yale Ixi (Pike) University, Second Series’, Platti, Giovanni Benedetto, “Two Key- xii (Dubowy) board Concertos’. ‘Recent Researches in Schubert, Franz, ‘Symphony No. 7 in E the Music of the Classical Era’, (D729)' (Spitzer) xxxvii (Halton) Schubert, Franz, & Berio, Luciano, ‘Publications of ‘Rendering per orchestra’ Institute’ (Powell) RMON 5a6 nent ec onseesdasvcnssaseavencess Stiller, Andrew, ‘A Periodic Table of the Elements’; ‘Sestina’ (Dickinson) ‘Quaderni di S. Maurizio, ii: La musica a Milano’ (O’Regan) Vecchi, Orfeo, ‘Missarum quatuor vocibus, liber primus’. ‘Quaderni di S Maurizio, ii: La musica a Milano’ ‘Recent Researches in American Music’, xvii (Dickinson) ‘Recent Researches in the Music of the ‘Wiener Stadt- und Landesbibliothek: Baroque Era’, lxix (Richard D. P. Schriftenreihe ik’ Jones) (Musgrave) ‘Recent Researches in the Music of the Wilder, Philip van, ‘Collected Works’. Classical Era’, xxxvii (Halton) ‘Masters and Monuments of the xxxvili (McVeigh) Renaissance’, iv (Humphreys)

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