Music & Letters 1993: Vol 74 Index

13 Pages·1993·2.4 MB·English

Edited by
NIGEL FORTUNE and TIM CARTER
Vol. LXXIV, 1993
OXFORD UNIVERSITY PRESS
OXFORD UNIVERSITY PRESS
Walton Street
Oxford OX2 6DP
© Oxford University Press, 1993
CONTENTS, Vol. LXXIV
February
The Byzantine Responds for the Two Sundays before
Christmas Simon Harris
New Sources for ‘Poppea’ Paolo Fabbri
Music Aspires to Letters: Charles Burney, Queeney
Thrale and the Streatham Circle Valerie Rumbold
Elgar, Naylor and “The Cobbler’s Jig’: an Enquiry
FOROS ccc scinsecticccdiases waddisdeacedsasasadarsdaatens Christopher R. Wilson
The Miller’s Mule: Writing the History of Medieval
Mark Everist
‘L‘ultima hora canonica del giorno’: Music for the
Office of Compline in Northern Italy in the
Second Half of the Sixteenth Century John Bettley
‘Drama of an Infinitely Superior Nature’: Handel’s
Early English Oratorios and the Religious Sublime . Alexander H. Shapiro
Britten and Shakespeare: Dramatic and Musical
Cohesion in ‘A Midsummer Night’s Dream’ Mervyn Cooke
August
‘Alluring the Auditorie to Effeminacie’: Music
and the Idea of the Feminine in Early Modern
England Linda Phyllis Austern
Schubert and the Biedermeier: the Aesthetics of
Johann Mayrhofer’s ‘Heliopolis’ David Gramit
‘Byzantium’: Tippett, Yeats and the Limitations
of Affinity Arnold Whittall
Tippett in and out of “Those Twentieth-Century
Blues’: the Context and Significance of an
Autobiography David Clarke
Sir Charles Somerset’s Music Books (1622) Michael G. Brennan
The Borghese Family and Music during the First Half
of the Seventeenth Century Jean Lionnet
Shaftesbury on Opera, Spectacle and Liberty Thomas McGeary
Pierre Schaeffer, 1953: towards an Experimental
Carlos Palombini
The Prince Consort and the ‘Great’ C major: a
Dubious Scenario Examined John Reed
February-November
Reviews of Books (for index, see pp. iii-vi; see also review-articles in February
and August) 54, 269, 412, 562
Reviews of Music (for index, see pp. vii-viii) 145, 329, 472, 643
‘Music & Letters’ Awards 157
Correspondence 158, 339, 485, 652
REVIEWS OF BOOKS
(Reviewers’ names in parentheses)
Allsobrook, David Ian, ‘Music for Wales: Bonds, Mark Evan, ‘Wordless Rhetoric:
Walford Davies and the National Coun- Musical Form and the Metaphor of the
cil of Music, 1918-1941’ (Young) Oration’ (Whittall)
Allsop, Peter, ‘The Italian “Trio” Sonata: Boyd, Malcolm (ed.), ‘Music and
from its Origins until Corelli’ (Talbot) .. French Revolution’ (Bloom)
Anderson, James, ‘Bloomsbury Dictionary Brennink, Albert, ‘Equal Temperament
of Opera and Operetta’ (Budden) Music Notation: the Ailler-Brennink
Argent, Mark (ed.), ‘Recollections of Chromatic Notation’ (Rastall)
R. J. S. Stevens: an Organist in Breuning, Gerhard von, ‘Memories of
Georgian London’ (Young) Beethoven: from the House of the Black-
Robed Spaniards’ (Cooper)
Baillot, Pierre Marie Francois de Sales, Brough, Delma, ‘Polish Seventeenth-
‘The Art of the Violin’ (Stowell) Century Church Music, with Reference
Baines, Anthony, “The Oxford Companion to the Influence of Historical, Political
to Musical Instruments’ (Libin) and Social Conditions’ (Dixon)
Baker, Nancy Kovaleff, & Hanning, Bar- Buckland, Sidney (ed.), ‘Francis Poulenc,
bara Russano (ed.), ‘Musical Humanism “Echo and Source”: Selected Cor-
and its Legacy: Essays in Honor of respondence 1915-1963’ (Langham
Claude V. Palisca’ (Sternfeld)
Barclay, Robert, ‘The Art of
Trumpet-Maker: the Materials, Tools,
and Techniques of the Seventeenth and Caldwell, John, ‘The Oxford History of
Eighteenth Centuries in Nuremberg’ English Music’, i: ‘From the Beginnings
(Downey) to c.1715’ (Bowers)
Becker, Heinz, & Becker, Gudrun, Carpenter, Humphrey, ‘Benjamin Britten:
‘Giacomo Meyerbeer, Weltbiirger der a Biography’ (Grogan)
Musik’ (Huebner) Carter, Tim, ‘Music in Late Renaissance &
Beedell, A. V., “The Decline of the English Early Baroque Italy’ (Dobbins)
Musician, 1788-1888: a Family of Cary, Tristram, ‘Illustrated Compendium
English Musicians in Ireland, England, of Musical Technology’ (Nelson)
Mauritius, and Australia’ (Ehrlich) Cavallini, Ivano, ‘Musica, cultura
Beisswenger, Kirsten, ‘Johann Sebastian spettacolo in Istria tra ‘500
Bachs Notenbibliothek’ (Richard D. P. *600’ (Bujic)
Jones) Chafe, Eric, “Tonal Allegory in the Vocal
Bergeron, Katherine, & Bohlman, Philip Music of J. S. Bach’ (Butt)
V. (ed.), ‘Disciplining Music: Music- Cope, David, ‘Computers and Musical
ology and its Canons’ (Walser) Style’ (Manning)
Berkovec, ‘Ceské pastorely’ Copeman, Harold, ‘Singing in Latin, or
(Tyrrell) Pronunciation Explor’d’; “The Pocket
Birkin, Kenneth (ed.), ‘Stefan Zweig— “Singing in Latin” ’ (Ledsham)
Joseph Gregor: Correspondence 1921- Corfield, Thomas _ Bernard,
1938’ (Williamson) Schmidt (1874-1939): a Discussion of his
Bjgrnum, Birgit, & Mgllerhgj, Klaus, ‘Carl Style with Special Reference to the Four
Nielsens Samling: Katalog over kom- Symphonies and “Das Buch mit sieben
ponistens musikhandskrifter i det Siegeln” ’ (Franklin)
Kongelige Bibliotek’ (Fanning) Cox, Gareth, ‘Anton Weberns Studienzeit:
Bloom, Peter (ed.), ‘Berlioz Studies’ seine Entwicklung im _ Lichte der
Satze und Fragmente fir Klavier’
Boden, Anthony, ‘Gloucester, Hereford, (Boynton)
Worcester. Three Choirs: a History of Crocker, Richard, & Hiley, David (ed.),
the Festival’ (Young) ‘The New Oxford History of Music’, ii:
‘The Early Middle Ages to 1300’ George, David (ed.), ‘Records of Early
(Everist) English Drama: Lancashire’ (Rastall) ..
Crowther, Victor, “The Oratorio Gillen, Gerard, & White, Harry (ed.),
Modena’ (Selfridge-Field) ‘Irish Musical Studies’, ii: ‘Music and the
Cummings, Anthony M., ‘The Politicized Church’ (Pike)
Muse: Music for Medici Festivals, 1512- Gillies, Malcolm, ‘Notation and Tonal
1537’ (Bonnie Blackburn) Structure in Barték’s Later Works’
(Antokoletz)
Dahlhaus, Carl, ‘Studies on the Origin Goehr, Lydia, ‘The Imaginary Museum of
of Harmonic Tonality’ (Cristle Collins Musical Works: an Essay in the
Judd) Philosophy of Music’ (Josipovici)
D'Amico, Fedele, ‘Il teatro di Rossini’ Gooch, Bryan N. S., & Thatcher, David,
(Kimbell) ‘A Shakespeare Music Catalogue’
Deliége, Iréne, & Cross, Ian (ed.), (Greer)
‘Psychologica Belgica’, xxxi/2: Goodall, Richard, ‘Eighteenth-Century
‘Psychology of Music’ (Marsden) English Secular Cantatas’ (Boyd)
Dibble, Jeremy, ‘C. Hubert H. Parry: his Griffioen, Ruth van Baak, ‘Jacob van
Life and Music’ (Grogan) Eyck’s “Der Fluyten Lust-Hof” (1644-
Dobbins, Frank, ‘Music in Renaissance c1655)’ (Rimmer)
Lyons’ (Jane Bernstein) Griffiths, Paul, ‘Stravinsky’ (Pople)
Dobson, Richard, ‘A Dictionary of
Electronic and Computer Music Harley, John, ‘British Harpsichord Music’,
Technology’ (Manning) i: ‘Sources’ (Cooper)
Dubowy, Norbert, ‘Arie und Konzert: zur Harris, Simon, ‘A Proposed Classification
Entwicklung der Ritornellanlage im of Chords in Early Twentieth-Century
17. und frihen 18. Jahrhundert’ Music’ (Russ)
(Monelle) Harvey, Brian .. ‘Violin Fraud:
Deception, Forgery, Theft, and
Eisen, Cliff (ed.), ‘Mozart Studies’ the Law’ (Stowell)
(Carter) Henderson, Clayton W., ‘The Charles Ives
Eisinger, Ralf, ‘Das Hagenmarkt-Theater Tunebook’ (Dickinson)
in Braunschweig (1690-1861) Heyman, Barbara B., ‘Samuel Barber: the
(Nieder) Composer and his Music’ (Hurd)
Emans, Reinmar, & Wendt, Matthias Hirshberg, Jehoash, ‘Paul Ben-Haim: his
(ed.), ‘Beitrage zur Geschichte des Life and Works’ (Bohlman)
Konzerts’ (Wollenberg) Holmboe, Vagn, ‘Experiencing Music:
Erb, James, ‘Orlando di Lasso: a Guide a Composer's Notes’ (Fanning)
to Research’ (O’Regan) Hughes, Andrew, ‘Style and Symbol:
Everett, Paul J., “The Manchester Con- Medieval Music, 800-1453’ (Everist) ....
certo Partbooks’ (Selfridge-Field)
Fenlon, Iain, & Miller, Peter, ‘The Song Jablonski, Edward, ‘Gershwin
of the Soul: Understanding “Poppea” ’ Remembered’ (Dickinson)
(McClary) Jacobs, Arthur, ‘Arthur Sullivan:
Flannery, James W., ‘Thomas Moore: Victorian Musician’ (Lamb)
Jensen, Jgrgen I., ‘Carl Nielsen:
Minstrel of Ireland’ (Rimmer)
Danskeren’ (Fanning)
Fleming, Richard, & Duckworth, William
(ed.), ‘John Cage at Seventy-Five’ Johnson, Cleveland, ‘Vocal Compositions
in German Organ Tablatures 1550-
(David Nicholls)
1650’ (Robert Judd)
Flotzinger, Rudolf, ‘Choralhandschriften
Gsterreichischer Provenienz in der
Bodleian Library/Oxford’ (Wegman) .. Karp, Theodore, ‘The Polyphony of Saint
Franklin, Peter, ‘Mahler: Symphony Martial and Santiago de Compostela’
No. 3’ (Filler) (Summers)
Fubini, Enrico, ‘A History of Music Karro-Pélisson, Francoise (ed.), ‘Nicolas
Aesthetics’ (Bujic) Dalayrac: musicien murétain, homme
des lumiéres’ (Charlton)
Gable, David, & Morgan, Robert P., Kassler, Jamie C. (ed.), ‘Metaphor: a
‘Alban Berg: Historical and Analytical Musical Dimension’ (Street)
Perspectives’ (Pople) Kelly, Thomas Forrest, ‘Plainsong in the
Gabrielové, Jarmila, ‘Rané tvuréf ob- Age of Polyphony’ (Hiley)
dobf Antonfna Dvordka (Studie ke Keys, Ivor, ‘Johannes Brahms’ (Musgrave)
kompoziénf problematice vybranych Kian-Seng Teo, ‘Chromaticism in the
instrumentdlnfch dél)’ (Stapleton) English Madrigal’ (Spink)
Kropfinger, Klaus, ‘Wagner and Beet- Schumann's “Liederkreis’ Opus 39’
hoven: Richard Wagner's Reception of
Beethoven’ (Bujic) Miller, Herta, & Hofmann, Renate (ed.),
‘Johannes Brahms im Briefwechsel mit
Labelle, Nicole, ‘Catalogue raisonné de Herzog Georg II. von Sachsen-Mein-
loeuvre de Albert Roussel’ ingen und Helene Freifrau von
(Langham Smith) Heldburg’ (Musgrave)
Landy, Leigh, ‘What’s the Matter with Miller, Ulrich, & Wapnewski, Peter (ed.),
Today’s Experimental Music? Organized ‘The Wagner Handbook’ (Whittall) ....
Sound Too Rarely Heard’ (Nicholls) ....
Leech-Wilkinson, Daniel, ‘Machaut’s Nagel, Ivan, ‘Autonomy and Mercy:
Mass: an Introduction’ (Bowers) Reflections on Mozart’s Operas’ (John
Leopold, Silke, ‘Monteverdi: Music Rice)
Transition’ (Chater) Nelson, Peter, & Montague, Stephen (ed.),
Letnanova, Elena, ‘Piano Interpretation in ‘Contemporary Music Review’, vi/1:
the Seventeenth, Eighteenth and Nine- ‘Live Electronics’ (Manning)
teenth Centuries’ (McKay) Nettl, Bruno, & Bohlman, Philip V. (ed.),
Lippman, Edward A. (ed.), ‘Musical ‘Comparative Musicology and An-
Aesthetics: a Historical Reader’, iii: ‘The thropology of Music: Essays on the
Twentieth Century’ (Bujic) History of Ethnomusicology’ (Malm) ....
Little, Meredith, & Jenne, Natalie, ‘Dance Newbould, Brian, ‘Schubert and the Sym-
and the Music of J. S. Bach’ (Peter phony: a New Perspective (Reed)
Williams) Nichols, Roger, ‘Debussy Remembered’
Lockwood, Lewis, ‘Beethoven: Studies in (Briscoe)
the Creative Process’ (Marston)
Luckett, Richard, ‘Handel's “Messiah”:
a Celebration’ (Young) Olmstead, Andrea (ed.), ‘The Cor-
respondence of Roger _ Sessions’
(Dickinson)
McClary, Susan, ‘Georges Bizet:
Orlova, Alexandra (ed.), ‘Musorgksy
“Carmen”’ (Lesley Wright)
Remembered’ (Garden)
MacDonald, Malcolm,
(Musgrave)
McKinnon, James (ed.), ‘Antiquity and the Page, Christopher (ed.), ‘Sumrna Musice:
Middle Ages: from Ancient Greece to a Thirteenth-Century Manual for
the 15th Century’ (Wulstan) AER CHINE a iicscson< cenccceaceaucices :
Maguire, Simon, ‘Vincenzo Bellini and the Parker, Roger, ‘Studies in Early Verdi:
Aesthetics of Early Nineteenth-Century New Information and Perspectives on
Italian Opera’ (Kimbell) the Milanese Musical Milieu and the
Malcolm, Noel, ‘George Enescu: his Life Operas from Oberto to Ernani’
and Music’ (Waterhouse) (Kimbell)
Maliaras, Nikos, ‘Die Orgel im byzan- Peverada, Enrico, ‘Vita musicale nella
tinischen Hofzeremoniell des 9. und des chiesa_ ferrarese del Quattrocento’
10. Jahrhunderts’ (Harris) (Bonnie Blackburn)
Matthew- Walker, Robert (ed.), ‘The Sym Phillips, Peter, ‘English Sacred Music
phonies of Robert Simpson’ (Trevor 1549-1649’ (Pike)
Bray) Poizat, Michel, ‘The Angel’s Cry: Beyond
Mattsson, Inger (ed.), ‘Gustavian Opera: the Pleasure Principle in Opera’
an Interdisciplinary Reader in Swedish (Monelle)
Opera, Dance and Theatre 1771-1809" Pople, Anthony, ‘Skryabin and Stravinsky,
(Dean) 1908-1914: Studies in Theory and
Mellers, Wilfrid, Analysis’ (Russ)
(Gillies & Pear) Pressing, Jeff, ‘Synthesizer Performance
Meyer, Michael, ‘The Politics of Music in and Real-Time Techniques’
the Third Reich’ (Levi) (Manning)
Moore, Allan F., ‘Rock: the Primary Text’ Pribdnova, Svatava (ed.), ‘Hadanka Zivota
(Bjornberg) (Dopisy Leo’e Jandtka Kamile
Morelli, Arnaldo, ‘ “Il tempio armonico”: Stésslové)’ (Tyrrell)
musica nell ‘Oratorio dei Filippini in Price, Curtis, et al., ‘The Impresario’s
Roma (1575-1705)' (Smither) Ten Commandments: Continental
Morton, Brian, & Collins, Pamela Recruitment for Italian Opera in
(ed.) ‘Contemporary Composers’ London 1763-64’ (Burden)
(Whittall) Prieberg, Fred K., ‘Trial of Strength:
Mosley, David L., ‘Gesture, Sign, and Wilhelm Furtwangler and the Third
Song: an Interdisciplinary Approach to Reich’ (Walton)
Quigley, Thomas, ‘Johannes Brahms: an Tomaszewski, Mieczystaw, & Weber,
Annotated Bibliography of the Litera- Bozena, ‘Fryderyk Chopin: a Diary in
ture through 1982’ (Musgrave) Images’ (Rink)
Turnbull, Michael T. R. B., ‘Joseph
Ranum, Patricia M., ‘Méthode de la pro- Hislop: Gran Tenore’ (Benedikz)
nonciation latine dite “vulgaire” ou “a la Tyrrell, John, ‘Jandéek’s Operas:
francaise” ’ (Ledsham) Documentary Account’ (Wingfield)
Rapson, Penelope, ‘A Technique for Iden-
tifying Textual Errors and its Applica- Volta, Ornella, ‘Satie et
tion to the Sources of Music by Thomas (Orledge)
Tallis’ (Boorman)
Reschke, Claus, & Pollack, Howard (ed.), Waidelich, Till Gerrit, ‘Franz Schubert,
‘German Literature and Music—an “Alfonso und Estrella”, eine frithe
Aesthetic Fusion: 1890-1989’ (Palmer) . durchkomponierte Oper’ (Nieder)
Revill, David, ‘The Roaring Silence: Ward, John M., ‘Music for Elizabethan
John Cage—a Life’ (Nicholls) Lutes’ (Craig-McFeely)
Rice, Albert R., ‘The Baroque Clarinet’ Warrack, John, & West, Ewan,
(Lawson) Oxford Dictionary of Opera’ (Budden) .
Rogal, SamuelJ. , ‘A General Introduction Weber, William, ‘The Rise of Musical
to Hymnody and Congregational Song’ Classics in Eighteenth-Century England:
(Young) a Study in Canon, Ritual, and Ideology’
Rose, Paul Lawrence, ‘Wagner: Race and (Langley)
Revolution’ (Whittall) West, M. L., ‘Ancient Greek Music’
Rothschild, Deborah Menaker, ‘Picasso’s (Borthwick)
“Parade” ’ (Nichols) White, Harry (ed.), ‘Johann Joseph Fux
Rothstein, Joseph, ‘MIDI: a Comprehen- and the Music of the Austro-Italian
sive Introduction’ (Manning) Baroque’ (Wollenberg)
Russell, Peter, ‘Light in Battle with White, Chappell, ‘From Vivaldi to Viotti:
Darkness: Mahler’s ‘“Kindertotenlieder”’ a History of the Early Classical Violin
(Franklin) Concerto’ (Stowell)
Williamson, John, “The Music of Hans
Scher, Steven Paul (ed.), ‘Music and Text: Pfitzner’ (Franklin)
Critical Inquiries’ (Cook) Wilson, Christopher, ‘Words and Music
Shaw, Watkins, “The Succession Coupled Lovingly Together: Thomas
Organists of the Chapel Royal and the Campion, a Critical Study’ (Lindley) ...
Cathedrals of England and Wales from Wingfield, Paul, ‘Jandéek: “Glagolitic
c. 1538’ (Morehen) Mass”’ (Tyrrell)
Shirakawa, Sam H., ‘The Devil's Music Wolff, Christoph, ‘Mozarts Requiem:
Master: the Controversial Life and Geschichte, Musik, Dokumente, Par-
Career of Wilhelm Furtwangler’ titur des Fragments’ (Maunder)
Wolfthal, Katherine Silberblatt (trans.),
Simeone, Nigel, “The First Editions of Leos ‘Elliott Carter: In Conversation with
Janaéek’ (Tyrrell) Enzo Restagno for Settembre Musica
Simpson, Anne Key, ‘Hard Trials: the Life 1989’ (Nicholls)
and Music of Harry T. Burleigh’ Wood, Diana (ed.), ‘The Church and the
(Dickinson) Arts’ (Pike)
Smialek, William, ‘Ignacy Feliks Wright, Josephine (ed.), ‘New Perspectives
Dobrzyriski and Musical Life in Nine- on Music: Essays in Honor of Eileen
teenth-Century Poland’ (Samson) Southern’ (Dickinson)
Sutcliffe, W. Dean, ‘Haydn: String Wrightson, James, “The “Wanley” Manu-
Quartets, Op. 50’ (David Wyn Jones) ... scripts: a Critical Commentary’
(Blezzard)
Taylor, Ronald (ed.), ‘Furtwangler on
Music: Essays and Addresses’ (Walton) . Youens, Susan, ‘Retracing a Winter’s
Tippett, Michael, ‘Those Twentieth Cen — Journey: Schubert’s “Winterreise”’
tury Blues: an Autobiography’ (Clarke) (Schroeder)
Todd, R. Larry (ed.), ‘Mendelssohn and Yudkin, Jeremy, ‘Music in Medieval
his World’ (Peter Ward Jones) Europe’ (Everist)
REVIEWS OF MUSIC
(Reviewers’ names in parentheses)
‘Acht Choralbearbeitungen fiir Orgel Graziani, Tommaso, ‘Opera omnia’, i:
von Jan P. Sweelinck und seine Schule’. ‘Missa cum introitu ac tribus motectis a
‘Exempla musica neerlandica’, xvi 12 voci in 3 cori (Venezia 1587)’. ‘Corpus
(Elcombe) musicum franciscanum’,
Arnold, Samuel, ‘The Castle
Andalusia’. ‘Music for London Enter-
tainment 1660-1800’, C/v (Holman) ... Heinrich, Anthony Philip,
‘The Art of the Unmeasured Prelude for Columbiad—petite _fantasie’;
Harpsichord: France 1660-1720° Yankee Doodleiad: a National
(Gustafson) Divertimento’ (Dickinson)
Hiller, Lejaren, ‘An Apotheosis
Beauchamps, Pierre, ‘Le Ballet des Archaeopteryx’; ‘Diabelskie Skrzypce’
Facheux’. ‘Publications of the Early (Dickinson)
Music Institute’ (Powell)
Brahms, Johannes, ‘Variationen fiir zwei ‘Keyboard Transcriptions from the Bach
Klaviere iiber ein Thema von Joseph Circle’. ‘Recent Researches in the
Haydn, Opus 56b’. ‘Wiener Stadt- und Music of the Baroque Era’, Ixix
Landesbibliothek: Schriftenreihe zur (Richard D. P. Jones)
Musik’, i (Musgrave)
Lombardini Sirmen, Maddalena Laura,
Clerk of Penicuik, Sir John, ‘Sonata ‘Three Violin Concertos’. ‘Recent
in G’ (McVeigh) Researches in the Music of the Classical
‘Collegium Musicum: Yale University, Era’, xxxviii (McVeigh)
Second Series’, xii (Dubowy)
‘Corpus musicum franciscanum’, vi/1 McGibbon, William, ‘Three Sonatas for
(O'Regan) Flute or Violin and Continuo’; ‘Three
Crawford Seeger, Ruth, ‘Five Songs’ Sonatas for Two Flutes or Violins and
(Nicholls) Continuo’. ‘Orpheus Caledonius’, i-ii
(McVeigh)
Dowland, John, ‘Lachrimae (1604)’. Machaut, Guillaume de, ‘
“Musical Sources’, v (Ashbee) Nostre Dame’ (Bowers)
‘Masters and Monuments
‘Early English Church Music’, xxxviii Renaissance’, iv (Humphreys)
(Irving) Mendelssohn, Felix, ‘Elijah’ (Peter Ward
Elgar, Edward, “The Spanish Lady: Jones)
Sketches for an Opera in Two Acts’, Mico, Richard, “The Four-Part Consort
‘Elgar Complete Edition’, xli (Grogan) . Music’ (Irving)
Erskine, Thomas, Earl of Kelly, ‘Trio Morley, Thomas, ‘English Anthems;
Sonata in F’ (McVeigh) Liturgical Music’. ‘Early English
‘Exempla musica _ neerlandica’, Church Music’, xxxviii (Irving)
(Elcombe) Mozart, Wolfgang Amadeus, ‘Requiem’
(Maunder)
‘French Opera in the 17th and 18th Cen- ‘Musica Britannica’, |xi (Pike)
turies’, xxviii (Anthony) “Musica da Camera’, Ixxvii (McVeigh)
Foulis, David, ‘Six Sonatas for Violin ‘Musica e musicisti nel Lazio *400-'800:
and Keyboard’ (McVeigh) fonti musicali’, ii (Wiering)
“Musical Sources’, v (Ashbee)
Gibbs, Joseph, ‘Two Sonatas’. ‘Musica da ‘Music for London Entertainment 1660-
Camera’, Ixxvii (McVeigh) 1800’, C/v (Holman)
Giovannelli, Ruggiero, ‘Composizioni
sacre: messe, mottetti, salmi’. ‘Musica e ‘Orpheus Caledonius’, i-ii (McVeigh)
musicisti nel Lazio °‘400-’800: fonti ‘O Tuneful Voice: 25 Classical English
musicali’, ii (Wiering) Songs’ (Boyd)
Paine, John Knowles, ‘Three Chamber Salomon, Joseph-Francois, ‘Médée et
Works for Piano and Strings’. ‘Recent Jason’. ‘French Opera in the 17th
Researches in American Music’, xvii and 18th Centuries’, XXViii
(Dickinson) (Anthony)
Philips, Peter, ‘Cantiones sacrae octonis Sartorio, Antonio, ‘Giulio Cesare in
vocibus (1613)’. ‘Musica Britannica’, Egitto’. ‘Collegium Musicum: Yale
Ixi (Pike) University, Second Series’,
Platti, Giovanni Benedetto, “Two Key- xii (Dubowy)
board Concertos’. ‘Recent Researches in Schubert, Franz, ‘Symphony No. 7 in E
the Music of the Classical Era’, (D729)' (Spitzer)
xxxvii (Halton) Schubert, Franz, & Berio, Luciano,
‘Publications of ‘Rendering per orchestra’
Institute’ (Powell) RMON 5a6 nent ec onseesdasvcnssaseavencess
Stiller, Andrew, ‘A Periodic Table of the
Elements’; ‘Sestina’ (Dickinson)
‘Quaderni di S. Maurizio, ii: La musica a
Milano’ (O’Regan) Vecchi, Orfeo, ‘Missarum quatuor
vocibus, liber primus’. ‘Quaderni di S
Maurizio, ii: La musica a Milano’
‘Recent Researches in American Music’,
xvii (Dickinson)
‘Recent Researches in the Music of the ‘Wiener Stadt- und Landesbibliothek:
Baroque Era’, lxix (Richard D. P. Schriftenreihe ik’
Jones) (Musgrave)
‘Recent Researches in the Music of the Wilder, Philip van, ‘Collected Works’.
Classical Era’, xxxvii (Halton) ‘Masters and Monuments of the
xxxvili (McVeigh) Renaissance’, iv (Humphreys)