Music, health, and wellbeing PDF
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Music, Health, and Wellbeing This book is dedicated to Tony Wigram. Shortly after the final submission of the completed manuscript Tony Wigram very sadly passed away. We would like to pay tribute to Tony who was one of the most respected and influential music therapists working today. He was also an inspirational friend and colleague to countless people around the world and he will be enormously missed. Music, Health, and Wellbeing Edited by Raymond A. R. MacDonald Glasgow Caledonian University, UK Gunter Kreutz Carl von Ossietzky University, Germany Laura Mitchell Bishop’s University, Canada 1 1 Great Clarendon Street, Oxford ox2 6 dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 2012 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2012 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing-in-Publication Data Data available Library of Congress Cataloging in Publication Data Library of Congress Control Number: 2011944046 Typeset by Cenveo, Bangalore, India Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY ISBN 978–0–19–958697–4 10 9 8 7 6 5 4 3 2 1 Whilst every effort has been made to ensure that the contents of this book are as complete, accurate and up-to-date as possible at the date of writing, Oxford University Press is not able to give any guarantee or assurance that such is the case. Readers are urged to take appropriately qualifi ed medical advice in all cases. The information in this book is intended to be useful to the general reader, but should not be used as a means of self-diagnosis or for the prescription of medication. Contents Acknowledgements viii List of Contributors ix Section 1: Introductory Chapters: Setting the Scene 1 What is Music, Health, and Wellbeing and Why is it Important? 3 Raymond MacDonald, Gunter Kreutz, and Laura Mitchell 2 Music, Brain, and Health: Exploring Biological Foundations of Music’s Health Effects 12 Eckart Altenmüller and Gottfried Schlaug 3 Why Music Matters: Philosophical and Cultural Foundations 25 David J. Elliott and Marissa Silverman 4 Music Therapy: Models and Interventions 40 Gro Trondalen and Lars Ole Bonde Section 2: Community Music and Public Health 5 Developing Social Models for Research and Practice in Music, Arts, and Health: A Case Study of Research in a Mental Health Setting 65 Norma Daykin 6 Community Music and Social/Health Psychology: Linking Theoretical and Practical Concerns 76 Michael Murray and Alexandra Lamont 7 The New Health Musicians 87 Even Ruud 8 Musical Flourishing: Community Music Therapy, Controversy, and the Cultivation of Wellbeing 97 Gary Ansdell and Tia DeNora 9 Singing, Wellbeing, and Health 113 Stephen Clift 1 0 Dance and Health: Exploring Interactions and Implications 125 Cynthia Quiroga Murcia and Gunter Kreutz 1 1 Embodied Musical Communication Across Cultures: Singing and Dancing for Quality of Life and Wellbeing Benefit 136 Jane Davidson and Andrea Emberly Section 3: Music as Therapy and Health Promotion 1 2 Music and Rehabilitation: Neurological Approaches 153 A. Blythe LaGasse and Michael H. Thaut vi CONTENTS 1 3 The Religion of Evidence-Based Practice: Helpful or Harmful to Health and Wellbeing? 164 Tony Wigram and Christian Gold 1 4 Health Musicking: A Perspective on Music and Health as Action and Performance 183 Brynjulf Stige 1 5 Between Beats: Group Music Therapy Transforming People and Places 196 Mercédès Pavlicevic 1 6 Aspects of Theory and Practice in Dance Movement Psychotherapy in the UK: Similarities and Differences from Music Therapy 213 Vicky Karkou 1 7 Music and Pain: Evidence from Experimental Perspectives 230 Laura Mitchell and Raymond MacDonald 1 8 The Use of Music in Chronic Illness: Evidence and Arguments 239 Maria Pothoulaki, Raymond MacDonald, and Paul Flowers 1 9 Music as Non-Pharmacological Pain Management in Clinics 257 Günther Bernatzky, Simon Strickner, Michaela Presch, Franz Wendtner, and Werner Kullich 2 0 Clinical Use of Music in Operating Theatres 276 Ralph Spintge Section 4: Educational Contexts 2 1 Songs Without Words: Exploring How Music Can Serve as a Proxy Language in Social Interaction with Autistic Children 289 Adam Ockelford 2 2 Cognitive Performance After Listening to Music: A Review of the Mozart Effect 324 E. Glenn Schellenberg 2 3 Music Instruction and Children’s Intellectual Development: The Educational Context of Music Participation 339 Eugenia Costa-Giomi 2 4 Health Promotion in Higher Music Education 356 Jane Ginsborg, Claudia Spahn, and Aaron Williamon 2 5 Music-Making as a Lifelong Development and Resource for Health 367 Heiner Gembris 2 6 Music Education and Therapy for Children and Young People with Cognitive Impairments: Reporting on a Decade of Research 383 Adam Ockelford and Kyproulla Markou Section 5: Everyday Uses 2 7 Music, Subjective Wellbeing, and Health: The Role of Everyday Emotions 405 Daniel Västfjäll, Patrik N. Juslin, and Terry Hartig CONTENTS vii 2 8 Epidemiological Studies of the Relationship Between Musical Experiences and Public Health 424 Töres Theorell and Gunter Kreutz 2 9 The Brain and Positive Biological Effects in Healthy and Clinical Populations 436 Stefan Koelsch and Thomas Stegemann 3 0 Psychoneuroendocrine Research on Music and Health: An Overview 457 Gunter Kreutz, Cynthia Quiroga Murcia, and Stephan Bongard 3 1 Cross-Cultural Approaches to Music and Health 477 Suvi Saarikallio 3 2 The Effects of Background Music on Health and Wellbeing 491 Susan Hallam 3 3 Pop Music Subcultures and Wellbeing 502 Adrian C. North and David J. Hargreaves 3 4 Music Listening and Mental Health: Variations on Internalizing Psychopathology 513 Dave Miranda, Patrick Gaudreau, Régine Debrosse, Julien Morizot, and Laurence J. Kirmayer Author Index 531 Subject Index 543 Acknowledgements T his book began with a brief conversation between the three of us at the 10th International Conference on Music Perception and Cognition in Sapporo, Japan, in 2008. By coincidence, we had this discussion next to the Oxford University Press book stall where commissioning editor Martin Baum was working. Straight away, we discussed with him the possibility of a proposal around music, health, and wellbeing, and, with some very encouraging comments from Martin, the genesis of this book happened very quickly. Our aim was to bring together an inter- national and multidisciplinary group of articles that reflected the breadth and depth of interest in the link between music, health, and wellbeing echoing the huge interest there currently is in this relationship. Each chapter in this book has been read and reviewed by at least one external reader and we would like to thank the following esteemed academics who all gave their time freely to read and comment on the chapters: Gary Ansdell, Lars Ole Bonde, Leslie Bunt, Olle Bygren, Gordon Cox, Franziska Degé, Tia DeNora, Denise Erdonmez, Alasdair Forsyth, Alinka Greasley, Noola Griffiths, David Hargreaves, Gary MacPherson, Wendy Magee, Björn Merker, Dorothy Miell, Helen Mitchell, Nikki Moran, Ian Morrison, Emery Schubert, Fred Schwartz, Katie van Buren, and Victoria Williamson. T he staff at Oxford University Press have been approachable, friendly, and encouraging throughout the whole process of editing this book and we would like to thank in particular Martin Baum and Charlotte Green who have provided expert and timely advice throughout. A number of other people have provided valuable insights and support and we would like to thank: Tracy Ibbotson, Maria and Eva MacDonald, Dorothy Miell, David Hargreaves, Martel Ollerenshaw, David Bell, James Cox, William Connolly, Sonja Bayerlein, Daniel Levitin, Martin Sharp, and Paul Flowers. Raymond MacDonald Gunter Kreutz Laura Mitchell June 2011 List of Contributors Eckart Altenmüller Norma Daykin Institute of Music Physiology and Department of Health and Applied Musicians’ Medicine, Social Sciences, Hannover University of Music, Faculty of Health and Social Care, Drama and Media, University of the West of England, Hannover, Germany Bristol, UK Gary Ansdell Régine Debrosse Nordoff Robbins Centre, Department of Psychology, London, UK McGill University, Montreal, QC, Canada Günther Bernatzky Department of Organismic Biology, Tia DeNora Neurosignaling Unit, Department of Sociology & Philosophy, University of Salzburg, SSIS Exeter University, Salzburg, Germany Exeter, UK Lars Ole Bonde David J. Elliott Institute for Communication, Department of Music & Performing Aalborg University, Arts Professions, Aalborg, Denmark New York University, New York, NY, USA Stephan Bongard Department of Psychology, Andrea Emberly Goethe-University, School of Music, Frankfurt am Main, University of Western Australia, Germany Crawley, WA, Australia Stephen Clift Paul Flowers Sidney De Haan Research Centre Department of Psychology, for Arts and Health, Glasgow Caledonian University, Canterbury Christ Church University, Glasgow, UK Folkestone, Kent, UK Patrick Gaudreau Eugenia Costa-Giomi School of Psychology, School of Music, University of Ottawa, The University of Texas at Austin, Ottawa, ON, Canada Austin, TX, USA Heiner Gembris Jane Davidson Institute for Research on Music Ability, School of Music, University of Paderborn, University of Western Australia, Paderborn, Germany Crawley, WA, Australia
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