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Music Asylums: Wellbeing Through Music in Everyday Life PDF

179 Pages·2013·1.268 MB·English
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Music AsyluMs: Wellbeing Through Music in everydAy life Music and change: ecological Perspectives Series Editors: gary Ansdell, director of education, nordoff robbins Music Therapy, uK Professor Tia denora, department of sociology & Philosophy, huss, university of exeter, uK Series Advisory Board: Kenneth Aigen, Temple university, usA Jane davidson, university of Western Australia Timothy dowd, emory university, usA lucy green, institute of education, uK lee higgins, boston university college of fine Arts, usA raymond Macdonald, edinburgh university, uK Mercédès Pavlicevic, nordoff robbins, uK even ruud, university of oslo, norway brynjulf stige, university of bergen, norway henry stobart, royal holloway, university of london, uK Music and Change: Ecological Perspectives, is a cross-disciplinary, topic-led series for scholars and practitioners. its aim is to explore the question of how, where and when music makes a difference. if music is a dynamic ingredient of change, what are the processes and mechanisms associated with music’s powers, and how can ecological perspectives help us to understand music in action? book proposals are welcome in any of the following areas: healthcare, social policy, political activism, psychiatry, embodiment, mind and consciousness, community relations, education and informal learning, management and organizational cultures, trauma, memory and commemoration, theories of action, self-help, conflict and conflict resolution, the life course, spirituality and religion, disability studies, palliative care, social criticism, governance, resistance, protest, and utopian communities. Forthcoming titles in the series: How Music Helps in Music Therapy and Everyday Life gary Ansdell Musical Pathways for Mental Health gary Ansdell and Tia denora Music Asylums: Wellbeing Through Music in everyday life TiA denorA University of Exeter, UK © Tia denora 2013 All rights reserved. no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Tia denora has asserted her right under the copyright, designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing limited Ashgate Publishing company Wey court east 110 cherry street union road suite 3-1 farnham burlington, vT 05401-3818 surrey, gu9 7PT usA england www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the british library The Library of Congress has cataloged the printed edition as follows: denora, Tia. Music asylums : wellbeing through music in everyday life / by Tia denora. pages cm. -- (Music and change : ecological perspectives) includes bibliographical references and index. isbn 978-1-4094-3759-8 (hardback) -- isbn 978-1-4094-3760-4 (ebook) -- isbn 978-1-4724-0032-1 (epub) 1. Music therapy. 2. Music--social aspects. i. Title. Ml3920.d37 2013 781'.11--dc23 2013007769 isbn 9781409437598 (hbk) isbn 9781409437604 (ebk – Pdf) isbn 9781472400321 (ebk – ePub) II Contents List of Figures and Tables vii Preface ix Acknowledgements xi Introduction 1 1 In Sickness and in Health: Defining the Ecological Perspective 9 2 Learning from Erving Goffman, Part I: Agency and Culture 33 3 Learning from Erving Goffman, Part II: Reconfiguring the Concept of Asylum 47 4 Music Asylums, Part I: Disconnections, Reconnections and Removal 63 5 Music Asylums, Part II: Making Musical Space Together, Furnishing and Refurnishing Worlds 79 6 Musicalizing Consciousness: Aesthetics and Anaesthetics 97 7 Where is Good Music? 121 Conclusion: What Music Makes Us Well and When? And How to Know How Music Helps? 135 References 145 Index 161 This page has been left blank intentionally List of Figures and Tables Figures 1.1 Three features of ‘health’ and their mutual interaction, situated in relation to social media and time 25 5.1 BRIGHT musical space, 2006 87 5.2 The musical event 94 6.1 Three individuals’ musical trails through BRIGHT musical space, 2006 117 Tables 3.1 Removal and refurnishing 56 7.1 Music that is good and music that does good 125 This page has been left blank intentionally Preface This book is the first of a three-volume set, the outcome of a six-year interdisciplinary study of community music therapy. The research focused on mental health and wellbeing within the context of a centre supporting people with mental health challenges and involved collaboration between the centre, Gary Ansdell and Sarah Wilson from the music therapy charity, Nordoff Robbins and Tia DeNora at Exeter University. The set of books was inspired by the idea of a triptych – a three-panel painting where the first and third panels fold inward to reflect upon the main, centre panel. Two complementary books by DeNora (Volume 1) and Ansdell (Volume 2) represent the two ‘side panels’. They aim to develop a grounded theory of music as a medium of wellbeing in therapy and everyday life (arenas which, the authors show, cannot be fully distinguished from each other). This topic is addressed from the complementary perspectives of the two authors’ professional and theoretical backgrounds – as a sociologist and music therapist respectively. A third, co-authored, volume forms the main panel, refracting and further developing understandings and perspectives from the two side-panels. In Volume 1, Music Asylums: Wellbeing Through Music in Everyday Life, DeNora considers how music offers forms of asylum. Music ‘asylums’ may offer respite (from pain or distress) but they can also involve collaborative transformations of social worlds. The book draws upon DeNora’s work as a cultural sociologist with a long-standing interest in music in action. Volume 2 presents Ansdell’s complementary perspective, drawing on his 25 years of experience as a music therapist and researcher. How Music Helps in Music Therapy and Everyday Life suggests an ecological framework for understanding the key continuities between the specialist area of music therapy and people’s more everyday experiences of how music promotes wellbeing. Volume 3, Musical Pathways for Mental Health, is co-written by Ansdell and DeNora. A wide range of methods of data collection and analysis are used in this case-study to explore how collective musical activity helps the participants of a community music therapy project at a centre supporting people with mental health challenges forge pathways into greater wellbeing.

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