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Music Appreciation: Its Language, History and Culture PDF

124 Pages·2015·6.15 MB·English
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Music Appreciation: Its Language, History and Culture By: Douglas Cohen Emily Fairey miriam deutch Music Appreciation: Its Language, History and Culture By: Douglas Cohen Emily Fairey miriam deutch Translated By: Emily Fairey Douglas Cohen Online: < http://cnx.org/content/col11803/1.1/ > OpenStax-CNX This selection and arrangement of content as a collection is copyrighted by Douglas Cohen, Emily Fairey, miriam deutch. ItislicensedundertheCreativeCommonsAttributionLicense4.0(http://creativecommons.org/licenses/by/4.0/). Collection structure revised: June 3, 2015 PDF generated: June 3, 2015 For copyright and attribution information for the modules contained in this collection, see p. 116. Table of Contents 1 Cover and Frontmatter ...........................................................................2 2 Introduction .......................................................................................5 3 Chapter 1: Elements of Music ...................................................................7 4 Chapter 2: Musical Instruments and Ensembles ..............................................15 5 Chapter 3: Composer, Performer, Audience ..................................................21 6 Chapter 4: European Art Music: Middle Ages to Romantic ................................25 7 Chapter 5: European and American Art Music since 1900 ..................................43 8 Chapter 6: American Vernacular Music .......................................................49 9 Chapter 7: Jazz ..................................................................................57 10 Chapter 8: World Music .......................................................................63 11 Appendix 1: Musician Biographies ............................................................73 12 Appendix 2: Glossary .........................................................................103 Index ...............................................................................................110 Attributions ........................................................................................116 iv AvailableforfreeatConnexions<http://cnx.org/content/col11803/1.1> AvailableforfreeatConnexions<http://cnx.org/content/col11803/1.1> 1 2 CHAPTER 1. COVER AND FRONTMATTER Chapter 1 Cover and Frontmatter1 Music: Its Language, History, and Culture AvailableforfreeatConnexions<http://cnx.org/content/col11803/1.1> 1Thiscontentisavailableonlineat<http://cnx.org/content/m55729/1.1/>. 3 1.1 MUSIC: ITS LANGUAGE, HISTORY, AND CULTURE A Reader for Music 1300 Authors RAY ALLEN DOUGLAS COHEN NANCY HAGER JEFFREY TAYLOR Copyright Copyright '2006, 2007, 2008, 2014 by the Conservatory of Music at Brooklyn College of the City University of New York. Original text by Ray Allen, Douglas Cohen, Nancy Hager, and Je(cid:27)rey Taylor with contributions by Marc Thorman. Cover art and design by Lisa Panazzolo Photos by John Ricasoli ISBN: 978-0-9913887-0-7 Music: ItsLanguage,HistoryandCulturebytheConservatoryofMusicatBrooklynCollegeoftheCity UniversityofNewYorkislicensedunderaCreativeCommonsAttribution-ShareAlike4.0International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/deed.en_US. Permissions beyond the scope of this license may be available at http://www.music1300.info/reader. AvailableforfreeatConnexions<http://cnx.org/content/col11803/1.1> 4 CHAPTER 1. COVER AND FRONTMATTER AvailableforfreeatConnexions<http://cnx.org/content/col11803/1.1>

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physics of sound, pitch is determined by frequency, or the number of . art of orchestration encompasses various performance techniques that affect tone To illustrate, the chorus of Jingle bells would be represented as abab' (a for the .. and college music departments offer courses in the history a
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