MUSEUMS, SEXUALITY, AND GENDER ACTIVISM Museums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing body of activist writing on this topic. Building on Gender, Sexuality, and Museums and featuring work from established voices, as well as newcomers, this volume offers risky and exciting articles from around the world. Chapters cover diverse topics, including transgender representation, erasure, and activism; two-spirit people, indigeneity, and museums; third genders; gender and sexuality in heritage sites and historic homes; temporary exhibitions on gender and sexuality; museum repre- sentations of HIV/AIDS; interventions to increase queer visibility and inclusion in galleries; LGBTQ+ staff alliances; and museums, gender ambiguity, and the disruption of binaries. Several chapters focus on areas outside the USA and Europe, while others explore central topics through the perspectives of racial and ethnic minorities. Containing contributions that engage in sustained critique of current policies, theory, and practice, Museums, Sexuality, and Gender Activism is essential reading for those studying museums, women and gender, sexuality, culture, history, heritage, art, media, and anthro- pology. The book will also spark interest among museum practitioners, public archivists, and scholars researching related topics. Joshua G. Adair is an associate professor of English at Murray State University, where he also serves as coordinator of Gender & Diversity Studies. Adair’s work, whether in literary, historical, or museum studies, examines the ways we narrate – and silence – gender and sexuality; it has appeared in over fifty scholarly and creative nonfiction journals. Amy K. Levin served as Director of Women’s Studies, Coordinator of Museum Studies, and Chair of English at Northern Illinois University for twenty-one years before beginning a new career as an independent scholar in 2016. Most recently, Levin was a visiting professor in Public History at the University of Amsterdam in fall 2017. MUSEUM MEANINGS Series Editors Richard Sandell and Christina Kreps Museums have undergone enormous changes in recent decades; an ongoing process of renewal and transformation bringing with it changes in priority, practice and role as well as new expectations, philosophies, imperatives and tensions that continue to attract attention from those working in, and drawing upon, wide ranging disciplines. MuseumMeaningspresentsnewresearchthatexploresdiverseaspectsoftheshiftingsocial,cultural andpoliticalsignificanceofmuseumsandtheiragencybeyond,aswellaswithin,theculturalsphere. Interdisciplinary, cross-cultural and international perspectives and empirical investigation are broughttobearontheexplorationofmuseums’relationshipswiththeirvariouspublics(andanalysis ofthewaysinwhichmuseumsshape–andareshapedby–suchinteractions). Theoreticalperspectivesmightbedrawnfromanthropology,culturalstudies,artandarthis- tory, learning and communication, media studies, architecture and design and material culture studiesamongstothers.Museumsareunderstoodverybroadly–toincludeartgalleries,historic sitesandotherculturalheritageinstitutions–asaretheirrelationshipswithdiverseconstituencies. Thefocuson therelationshipofthemuseumtoitspublicsshiftstheemphasis fromobjects and collections and the study of museums as text, to studies grounded in the analysis of bodies and sites; identities and communities; ethics, moralities and politics. Learning in the Museum George Hein Colonialism and the Object Empire, Material Culture and the Museum Edited by Tim Barringer and Tom Flynn Museum Activism Edited by Robert R. Janes and Richard Sandell Exhibitions for Social Justice Elena González Museums and Sites of Persuasion Politics, Memory and Human Rights Joyce Apsel and Amy Sodaro Museums, Sexuality, and Gender Activism Edited by Joshua G. Adair and Amy K. Levin https://www.routledge.com/Museum-Meanings/book-series/SE0349 MUSEUMS, SEXUALITY, AND GENDER ACTIVISM Edited by Joshua G. Adair and Amy K. Levin Firstpublished2020 byRoutledge 2ParkSquare,MiltonPark,Abingdon,OxonOX144RN andbyRoutledge 52VanderbiltAvenue,NewYork,NY10017 RoutledgeisanimprintoftheTaylor&FrancisGroup,aninformabusiness ©2020selectionandeditorialmatter,JoshuaG.AdairandAmyK.Levin;individualchapters, thecontributors. TherightofJoshuaG.AdairandAmyK.Levintobeidentifiedastheauthorsoftheeditorial material,andoftheauthorsfortheirindividualchapters,hasbeenassertedinaccordancewith sections77and78oftheCopyright,DesignsandPatentsAct1988. Allrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilisedinany formorbyanyelectronic,mechanical,orothermeans,nowknownorhereafterinvented, includingphotocopyingandrecording,orinanyinformationstorageorretrievalsystem, withoutpermissioninwritingfromthepublishers. Trademarknotice:Productorcorporatenamesmaybetrademarksorregisteredtrademarks,and areusedonlyforidentificationandexplanationwithoutintenttoinfringe. BritishLibraryCataloguing-in-PublicationData AcataloguerecordforthisbookisavailablefromtheBritishLibrary LibraryofCongressCataloging-in-PublicationData Acatalogrecordhasbeenrequestedforthisbook ISBN:9780367195090(hbk) ISBN:9780367195106(pbk) ISBN:9780429202889(ebk) TypesetinBembo byTaylor&FrancisBooks CONTENTS List of figures viii List of contributors x Acknowledgments xviii PARTI Frameworks 1 Joshua G. Adair 1 Introduction: Museums, Sexuality, and Gender Activism 5 Amy K. Levin 2 Chicana Feminism, Anzalduian Borderland Practices, and Critiques of Museology 21 Amanda K. Figueroa 3 Warning! Heteronormativity: A Question of Ethics 31 Nikki Sullivan and Craig Middleton PARTII Dismantling the Master’s House? 39 Amy K. Levin A. Major Institutions 43 4 Sex and Sensitivities: Exhibiting and Interpreting Shunga at the British Museum 45 Stuart Frost 5 Activists on the Inside: The Victoria and Albert Museum LGBTQ Working Group 57 Zorian Clayton and Dawn Hoskin vi Contents 6 Remolding the Museum: In Residence at the V&A 69 Matt Smith B. Alternate Spaces 79 7 Pop-Up or Permanent? The Case of the Mardi Gras Museum 81 Tuan Nguyen 8 Emptied, Displaced, Assimilated: Spatial Politics of Gender in Ankara Ulucanlar Prison Museum 90 Özge Kelekçi and Meral Akba¸s 9 Death of a Museum Foretold? On Sexual Display in the Time of AIDS in India 101 Rovel Sequeira 10 Lost Objects and Missing Histories: HIV/AIDS in the Netherlands 113 Manon S. Parry and Hugo Schalkwijk PARTIII Bodies in the Museum? 127 Joshua G. Adair A. Indigenous Bodies 131 11 Kent Monkman’s Shame and Prejudice: Artist Curation as Queer Decolonial Museum Practice 133 Ann Cvetkovich 12 All that Moves Us: Bodies in Land 145 Camille Georgeson-Usher B. Bodies of Ambiguity 155 13 The Future of Museological Display: Chitra Ganesh’s Speculative Encounters 157 Natasha Bissonauth 14 Nonbinary Difference: Dionysus, Arianna, and the Fictive Arts of Museum Photography 167 Åsa Johannesson and Clair Le Couteur PARTIV Acts of Resistance 181 Amy K. Levin A. Unruly Women 185 Contents vii 15 The Absent History of Female Volunteers at the Art Gallery of Toronto 187 Irina D. Mihalache 16 From Handmade Underwear to the Labor Movement: Women’s History at Digital Museum 197 Jana Sverdljuk 17 Recording Change: Collecting the Irish Abortion Rights Referendum, 2018 207 Brenda Malone B. Problematic Narratives 217 18 Never Going Underground: Community Coproduction and the Story of LGBTQ+ Rights 219 Catherine O’Donnell 19 Curating Gertrude Stein: Identity Politics in the Exhibition Catalogue 231 Hayden Hunt 20 “A Battlefield All Their Own”: Selling Women’s Fictions as Fact at Plantation Museums 239 Joshua G. Adair PARTV Thinking Outside the Binary Box 253 Amy K. Levin 21 On Gender Fluidity and Photographic Portraiture 255 Michael Petry 22 Never a Small Project: Welcoming Transgender Communities into the Museum 265 Mirjam Sneeuwloper, Amy K. Levin, Colline Horstink and Yvo Manuel Vas Dias 23 “A Museum Can Never Be Queer Enough”: The Van Abbemuseum as a Testing Ground for Institutional Queering 278 Anne Rensma, Daniel Neugebauer and Olle Lundin 24 Conclusion 288 Joshua G. Adair Index 294 FIGURES 4.1 A samurai makes love to a young man, and a woman adjusts their bedding. Opening scene from a painted scroll with twelve erotic scenes, early 1600s 51 5.1 Rubyyy Jones at the “Queer & Now” Friday Late in February 2015 63 6.1 A 31 Note Love Song (detail), Black Parian, 2015. Victoria and Albert Museum, London 71 6.2 When All Is Equal, Black Porcelain, 2016. Victoria and Albert Museum, London 72 6.3 From Butch to Camp. Victoria and Albert Museum, London 75 8.1 One of the emptied units and yards. Ulucanlar Prison Museum, Ankara 94 9.1 Skeletons in the Closet. Antarang Museum, Mumbai 104 11.1 Installation view of Scent of a Beaver in Shame and Prejudice: A Story of Resilience. Art Museum at the University of Toronto, 2017. Curated by Kent Monkman 136 11.2 Installation view of Starvation Table in Shame and Prejudice: A Story of Resilience. Art Museum at the University of Toronto, 2017. Curated by Kent Monkman 138 12.1 Still from Melissa General, Reclamation, 2014 150 14.1 Arianna (Sculptura Antica), n.d. Photographer unknown. Archivio Fotografico dei Musei Capitolini 168 14.2 Dionysus and Arianna. 169 14.3 Dionysus and Arianna, 2018 174 16.1 Screenshot of a search fragment: Kvinnehistorie [women’s story] 202 17.1 Repeal banner, knitted by Anne Phalen, using the Maser Design 210 18.1 Never Going Underground: The Fight for LGBT+ Rights exhibition. People’s History Museum, Manchester, UK 223 Listoffigures ix 19.1 Gertrude Stein sitting on a sofa in her Paris studio, with a portrait of her by Pablo Picasso 235 21.1 Untitled, from Looking Out, Looking in, 2015 260 22.1 Transmission exhibition. Amsterdam Museum, June 17–September 18, 2016 270 23.1 Qwearing the Collection opening 283