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Much Ado about Nothing (Arden Shakespeare: Third Series) PDF

367 Pages·2005·5.09 MB·English
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Preview Much Ado about Nothing (Arden Shakespeare: Third Series)

T HE A R D EN S H A K E S P E A RE ABOUT NOTHING EDITED BY CLAIRE McEACHERN 1 7 , s SHAKESPEARE The Arden Shakespeare is the established scholarly \ edition of Shakespeare's plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare's work. This edition of Much Ado About Nothing provides: • A clear and authoritative text, edited to the highest standards of scholarship. • Detailed notes and commentary on the same page as the text. • A full, illustrated introduction to the play's historical, cultural and performance contexts. • An in-depth survey of critical approaches to the play. • A full index to the introduction and notes. • A select bibliography of references and further reading. With a wealth of helpful and incisive commentary, The Arden Shakespeare is the finest edition of Shakespeare you can find. THE ARDEN SHAKESPEARE - THIRD SERIES General editors: Richard Proudfoot, Ann Thompson and David Scott Kastan Visit the Arden website at www.ardenshakespeare.com i over design: tnterbrand Newell and Norrell Cover illustration: Jeff Cottenden ISBN 1-903436-83-4 Thomson Learning is dedicated to providing innovative approaches to lifelong learning For your learning solutions: T H O M S ON www.thomsonlearning.co.uk -* 781903"436837 > T HE A R D EN S H A K E S P E A RE THIRD S E R I ES General Editors: Richard Proudfoot, Ann Thompson and David Scott Kastan MUCH ADO ABOUT NOTHING T HE A R D EN S H A K E S P E A RE ALL'S WELL THAT ENDS WELL edited by G. K. Hunter* ANTONY AND CLEOPATRA edited by John Wilders AS YOU LIKE IT edited by Agnes Latham* THE COMEDY OF ERRORS edited by R. A. Foakes* CORIOLANUS edited by Philip Brockbank* CYMBELINE edited by J. M. Nosworthy* HAMLET edited by Harold Jenkins* JULIUS CAESAR edited by David Daniell KING HENRY IV Part 1 edited by David Scott Kastan KING HENRY IV Part 2 edited by A. R. Humphreys* KING HENRY V edited by T. W. Craik KING HENRY VI Part 1 edited by Edward Burns KING HENRY VI Part 2 edited by Ronald Knowles KING HENRY VI Part 3 edited by John D. Cox and Eric Rasmussen KING HENRY VIII edited by Gordon McMullan KING JOHN edited by E. A. J. Honigmann* KING LEAR edited by R. A. Foakes KING RICHARD II edited by Charles Forker KING RICHARD III edited by Antony Hammond* LOVE'S LABOUR'S LOST edited by H. R. Woudhuysen MACBETH edited by Kenneth Muir* MEASURE FOR MEASURE edited by J. W Lever* THE MERCHANT OF VENICE edited by John Russell Brown* THE MERRY WIVES OF WINDSOR edited by Giorgio Melchiori A MIDSUMMER NIGHT'S DREAM edited by Harold F. Brooks* MUCH ADO ABOUT NOTHING edited by Claire McEachern OTHELLO edited by E. A. J. Honigmann PERICLES edited by Suzanne Gossett THE POEMS edited by F. T. Prince* ROMEO AND JULIET edited by Brian Gibbons* SHAKESPEARE'S SONNETS edited by Katherine Duncan-Jones THE TAMING OF THE SHREW edited by Brian Morris* THE TEMPEST edited by Virginia Mason Vaughan and Alden T Vaughan TIMON OF ATHENS edited by H. J. Oliver* TITUS ANDRONICUS edited by Jonathan Bate TROILUS AND CRESSIDA edited by David Bevington TWELFTH NIGHT edited by J. M. Lothian and T. W. Craik* THE TWO GENTLEMEN OF VERONA edited by William C. Carroll THE TWO NOBLE KINSMEN edited by Lois Potter THE WINTER'S TALE edited by J. H. P. Pafford* * Second series T HE A R D EN S H A K E S P E A RE MUCH ADO ABOUT NOTHING Edited by CLAIRE McEACHERN The Arden website is at http : // www. ardenshakespeare. com The general editors of the Arden Shakespeare have been WJ. Craig and R.H. Case (first series 1899-1944) Una Ellis-Fermor, Harold F. Brooks, Harold Jenkins and Brian Morris (second series 1946—82) Present general editors (third series) Richard Proudfoot, Ann Thompson and David Scott Kastan This edition of Much Ado About Nothing, by Claire McEachern First published 2006 by the Arden Shakespeare Editorial matter © 2006 Claire McEachern Typeset by DC Graphic Design Ltd Arden Shakespeare is an imprint of Thomson Learning Thomson Learning High Holborn House 50-51 Bedford Row London WC1R 4LR Printed in Croatia All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data A catalogue record has been requested ISBN-13: 978-1-903436-82-0 (hbk) ISBN-10: 1-903436-82-6 (hbk) NPN 9 8 7 6 5 4 3 2 1 ISBN-13: 978-1-903436-83-7 (pbk) ISBN-10: 1-903436-83-4 (pbk) NPN 987654321 The Editor Claire McEachern is Professor of English Literature at the University of California, Los Angeles. She has edited The Cambridge Companion to Shakespearean Tragedy (2003), and co-edited (with Debora Shuger) Religion and Culture in the English Renaissance (1997), as well as five volumes of the Pelican Shakespeare (7 and 2 Henry IV, Henry V, King Jfohn and All's Well That Ends Well). Her other previous publications include The Poetics of English Nationhood 1590-1612 (1996). For Warner Mandeville (4.1.267-8) CONTENTS List of illustrations IX General editors' preface xii Preface xvii Introduction 1 Building a play: sources and contexts 4 The usual suspects: Ariosto and Bandello 5 Shakespeare's transformations of his sources: the creation of a social world 11 The maid 13 'How many gentlemen?' 14 The villain 17 The lover 19 Beyond the plot 22 Denouement 23 Dialogue and debate forms 26 Sexual stereotypes 28 Disdain 33 Modifications of type 34 Chaste, silent and obedient 38 Hero 41 Cuckolds 43 Structure and style 50 'The course of true love' 51 Two plots? 58 Style 62 Prose and the prosaic 63 Contents Euphuism 65 Verbal handshakes 70 'The even road of a blank verse' 74 Image patterns 75 Songs 76 Staging Much Ado 78 Tonal choices 80 Social representations 84 Choice of place and time 98 Cultural moment 102 Afterlives 108 Origins 110 Criticism 119 Text 125 First impressions 125 Making a book 128 Who's in, mho's out 133 Who gets to say what? 140 MUCH ADO ABOUT NOTHING 145 Appendix: Casting chart 319 Abbreviations and references 322 Abbreviations used in notes 322 Works by and partly by Shakespeare 322 Editions of Shakespeare collated or referred to 324 Other works cited 326 Modern stage, film and television productions cited 337 Index 339

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Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self-importance bested by the desire to love and be loved in return. It offers both the dancing wit of the "merry war" between the sexes, and a s
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