MOTHERING DAUGHTERS NOVELS andih POLITICS FAMILY ROMANCE FRANCES BURNET £& JANE AUSTEN SUSAN C. GREENFIELD MOTHERING DAUGHTERS MOTHERING DAUGHTERS NOVELS out tie POLITICS FAMILY ROMANCE FRANCES BURNEY/^JANE AUSTEN SUSAN C. GREENFIELD W WAYNE STATE UNIVERSITY PRESS DETROIT Copyright © 2002 by Wayne State University Press, Detroit, Michigan 48201. Paperback edition 2003. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America. A portion of chapter 1 (now much revised) appeared in Eighteenth-Century Fiction 3 (1991): 301-20. I thank Eighteenth-Century Fiction for permission to use it here. Chapter 2 includes a portion of an article (also much revised) that appeared in The Eighteenth Century: Theory and Interpretation 33 (1992): 73-89. I am grateful to the journal for allowing me to reprint this material. An earlier version of chapter 4 appeared in PMLA 112 (1997): 214-28. Library of Congress Cataloging-in-Publication Data Greenfield, Susan C. Mothering daughters : novels and the politics of family romance : Frances Burney to Jane Austen / Susan C. Greenfield, p. cm. Includes bibliographical references and index. ISBN 0-8143-2992-6 (cloth, alk. paper) 1. English fiction—Women authors—History and criticism. 2. Moth- ers and daughters in literature. 3. Women and literature—Great Britain— History—18th century. 4. Women and literature—Great Britain— History—19th century. 5. English fiction—18th century—History and criticism. 6. English fiction—19th century—History and criticism. 7. Feminist fiction, English—History and criticism. 8. Domestic fiction, English—History and criticism. 9. Motherhood in literature. 10. Moth- ers in literature. 11. Family in literature. I. Title. PR858 .M69 G74 2001 823' .5093520431—dc21 2001004773 ) ISBN 0-8143-3201-3 (pbk., alk. paper ISBN 0-8143-3201-3 (pbk., alk. mu ftarenJj (7 ' JAY GREENFIELD CONTENTS ACKNOWLEDGMENTS g Introduction Mothering Daughters Novels and the Politics of Family Romance IJ CHAPTER I "The Lovely Resemblance of Her Lovely Mother" Evelina and Later Novels J5 CHAPTER 2 Gothic Mothers and Homoerotic Desire Incestuous Longing in The Italian 57 CHAPTER 3 The Maternal Bosom Sexual Difference and Custody in The Wrongs of Woman; or, Maria 79 CHAPTER 4 The Maternal Bosom Sexual and Colonial Difference in Belinda 10 j CONTENTS CHAPTER 5 Mother, Daughter, and Mulatto Womens Exchange in Adeline Mowbray 725 CHAPTER 6 The Riddle o/Emma Maternity and the Unconscious 145 NOTES 169 WORKS CITED ipp INDEX 2IJ ACKNOWLEDGMENTS There are those who have followed this book from its long eclipsed origin as a doctoral dissertation. Ellen Pollak introduced me to the eighteenth-century novel, and her work and friendship have been an enduring inspiration. John Richetti's teaching, writing, and unflagging support have sustained me at every stage of my career. I thank Stuart Curran for his early sponsorship and Daniel Traister for consistently fielding my questions about rare books. Shortly after receiving my doctoral degree, I met Claudia L. Johnson, whose stunning work on women novelists influences so much of this book and whose generosity and faith gave me the courage to finish it. Deborah Rogers offered critical insights at a key moment. Ruth Perry's advice was essential. I'd like to thank Arthur Evans and Adela Garcia at Wayne State University Press for seeing the book to completion. It is a pleasure to acknowledge the many friends and academic colleagues (all are both, in that order) who commented on portions of the book, informed its ideas, or helped me to prepare for publication: Carmen Birkle, Robin Bower, Saul Cornell, Kathy Eden, Mary Erler, Christopher Flint, Luis Gamez, Ellen Garvey, Richard Giannone, Christopher GoGwilt, Kim Hall, Constance Hassett, Stuart Sher- man, Philip Sicker, and Michael Suarez. Lenny Cassuto was always forthcoming with comfort and excellent advice. With brilliant clarity, Eve Keller consistently sharpened my understanding. Frank Boyle's inimitable conversation has been an intellectual challenge and a joy. I am proud and fortunate to have remained close with friends from my graduate school class: Jennifer Green, Laura Tanner, and Wendy Wall. James Krasner rescued me and this book at a very difficult
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