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Mother Imagery in the Novels of Afro-Caribbean Women PDF

228 Pages·2001·0.85 MB·English
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Mother Imagery in the Novels of Afro-Caribbean Women Simone A. James Alexander University of Missouri Press Mother Imagery in the Novels of Afro-Caribbean Women This page intentionally left blank Mother Imagery in the Novels of Afro-Caribbean Women O Simone A. James Alexander University of Missouri Press ColumbiaandLondon Copyright©2001by TheCuratorsoftheUniversityofMissouri UniversityofMissouriPress,Columbia,Missouri65201 PrintedandboundintheUnitedStatesofAmerica Allrightsreserved 5 4 3 2 1 05 04 03 02 01 LibraryofCongressCataloging-in-PublicationData Alexander,SimoneA.James,1967– Mother imagery in the novels of Afro-Caribbean women / SimoneA.JamesAlexander. p. cm. Includesbibliographicalreferences(p. )andindex. ISBN0-8262-1309-X(alk.paper) 1. Carribbean fiction (English)—Women authors—History and criticism. 2. Women and literature—Caribbean Area— History—20th century. 3. Women and literature—United States—History—20th century. 4. American fiction—Afro- Americanauthors—Historyandcriticism. 5.Americanfiction— Women authors—History and criticism. 6. Marshall, Paule, 1929—Criticism and interpretation. 7. Kincaid, Jamaica— Criticism and interpretation. 8. Conde´, Maryse—Criticism and interpretation. 9. Mothers and daughters in literature. 10. Motherhood in literature. 11. Mothers in literature. 12. Homeinliterature. I.Title. PR9205.4.A48 2001 813'5093520431—dc21 00-061985 (cid:1)(cid:1) Thispapermeetstherequirementsofthe AmericanNationalStandardforPermanenceofPaper forPrintedLibraryMaterials,Z39.48,1984. Textdesign:ElizabethK.Young Jacketdesign:VickieKerseyDuBois Typesetter:BOOKCOMP,Inc. Printerandbinder:Thomson-Shore,Inc. Typefaces:ComicSans,Palatino Forpermissions,seep.215 To my mother and to all unsung Caribbean mothers who made this project possible. This page intentionally left blank Contents Acknowledgments ix Introduction Reclaiming Identities: Afro-Caribbean Women Writers Writing the Self 1 1 ResistingZombification:(Re)Writing/Righting the Literary Canon 28 2 I Am Me, I Am You: The Intricate Mother-Daughter Dyadic Relationship 45 3 Imagined Homelands: Engendering a Mythic Return “Home” 96 4 “An/Other Way of Knowing Things”: Ancestral Line(age), Revalidating Our Ancestral Inheritances 136 5 “Call[ing] Your Nation”: A Journey Completed 188 Bibliography 197 Index 211 This page intentionally left blank Acknowledgments I acknowledge and express deep appreciation to the many won- derfulpeoplewhoseencouragementandsupportmadethewriting ofthismanuscriptpossible.First,IwouldliketothanktheUniversity of Missouri Press, which welcomed and accepted my proposal for the publication of this book. I especially thank the editor-in-chief, Beverly Jarrett, who was my initial contact, and Jane Lago, who has exhibited tremendous patience in guiding me through the ini- tial stages. I also thank Karen Caplinger, the marketing manager, and Annette Wenda, the copyeditor, for her insight and wonderful suggestions. My thanks to faculty at Rutgers University, New Brunswick, namely,AbenaBusia,ReneéLarrier,JosephineDiamond,andGerard Aching,whohassincejoinedthefacultyatNewYorkUniversity,for theircarefulreading,patience,guidance,andinsightduringtheearly stagesofthismanuscript.SincerethanksalsotoNancyandCandace of the English Department at Rutgers. I am also very grateful to Maryse Condé for her kindness and openness and for granting me aninterview.Iamalsoveryappreciativeofhercontinuedsupport. I thank the Dean of English and Humanities of Pratt Institute, Toni Oliviero, for her generous support and encouragement. I am indebtedtoKenBoxleyandTessMagsaysayoftheKenBoxleySchol- arship Foundation, who provided me with a fellowship without whichthisprojectwouldnothavebeenpossible.IthanktheGrad- uate School at Rutgers University for a Study Abroad Fellowship that enabled me to pursue research in Jamaica at the University of the West Indies, Mona. I extend special thanks to Barbara Sirman and Dean Harvey Waterman. I also thank Elizabeth Wilson of the University of the West Indies, who greatly encouraged me in my endeavors,andJeanSmall,whogreatlycontributedtomypleasant stayinJamaica. Sincere thanks to my friends Paula, for her encouragement and supportandforplayinganimportantroleduringtheearliestphases of this project, and Shondel, who has offered meaningful sugges- tions, valuable advice, and support. I would also like to thank my ix

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Focusing on specific texts by Jamaica Kincaid, Maryse Condé, and Paule Marshall, this fascinating study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/
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