Mosaic: A Journal for the Interdisciplinary Study of Literature 2005: Vol 38 Index

2005·0.63 MB·English

AUTHOR/TITLE VOI NO
Barnaby, Edward
Airbrushed History: Photography, Realism, and
Rushdie’s Midnight's Children
Bouvier, Luke
A Taste for Words: Gastronomy and the Writing of Loss
in Brillat-Savarin’s Physiologie du gout
Cortés-Rocca, Paola
Ghost in the Machine: Photographs of
Specters in the Nineteenth Century
Davis, Todd F.
Writing Back through the Body
Flesh and Spirit in the Work of Mary Swander
DeFalco, Amelia
Jungle Creatures and Dancing Apes
Modern Primitivism and Nella Larsen’s Quicksand
Ellerby, Janet Mason
Untangling the Trauma Knot
Autoethnography and Annie Ernaux’s Shame
Fays, Héléne de
The Revolutionary Empowerment of Nature
in Gioconda Belli’s The Inhabited Woman
Ferrara, Mark S.
[rue Matters Concealed: Utopia, Desire
and Enlightenment in Honglou meng
Gabrakova, Dennitza
Hothouse Weeds: Poetic Responses to the
Botanical Garden in Modern Japan
Hassan, Narin
“Hothouse Flowers and Despair”: Reading the Victorian Garden
in M.E. Braddon’s The Doctor's Wife
Herbeck, Jason
Au nom du discours amoureux : Une étude glissantienne de
Gouverneurs de la Rosée et Romeo and Juliet
206 Mosaic 38/4 (December 2005)
AUTHOR
Hubbard, Melanie
“Turn it, a little”: The Influence of the Daguerreotype and
the Stereograph on Emily Dickinson's Use of Manuscript Variants
Imbert, Patrick
The Garden and its Multiple Contexts in Canada
the United States, and Latin America
Jackson, Amanda Crawley
Il faut cultiver son jardin”: Beauvoir
and the Limits of Space
Kardokas , Laima
rhe Twil,i ght Zone of Experience Uncannily
Shared by Mark Strand and Edward Hopper
Katz, Adam
Iconoclastic Commitments: Idolatry and Imagination
in Cynthia Ozick and Ronald Sukenick
Kehler, Grace
Still for Sale: Love Songs and Prostitutes
from La Traviata to Moulin Rouge
Kilbourn, Russell J. A.
American Frankenstein: Modernity’s Monstrous Progeny
Knowlton, Eloise
Showings Forth: Dubliners, Photography,
and the Rejection of Realism
Kreisel, Deanna K.
What Maxie Knew: The Gift and Oedipus
in What Maisie Knew and Rushmore
Langhorst, Barbara
Gardening in the Age of Electronic (Re)production
Walter Benjamin and the Work of Teaching
Lowry, Glen
Cultural Citizenship and Writing Post-Colonial Vancouver:
Daphne Marlatt’s Ana Historic and Wayde Compton’s Bluesprint
Mauer, Barry J.
The Epistemology of Cindy Sherman
A Research Method for Media and Cultural Studies
Index 207
AUTHOR/TITLEI
Menson-Furr, Ladrica
Booker T. Washington, August Wilson
and the Shadows in the Garden
Miki, Roy
Inside the Black Egg”: Cultural Practice, Citizenship,
and Belonging in a Globalizing Canadian Nation
O’Sulliven, Michael
Bare Life” and the Garden Politics
of Roethke and Heaney
Pane, Samuel
Trauma Obscura: Photographic Media
in W.G. Sebald’s Austerlitz
Phu, Thy
Decapitated Forms: Theresa Hak Kyung Cha’s
Visual Text and the Politics of Visibility
Potvin, Claudine
Gender, Photograph, and Desire: Visual Practices
in El amor es una droga dura by Cristina Peri Rossi
Pyrhénen, Heta
Bluebeard’s Accomplice
Rebecca as a Masochistic Fantasy
Romanik, Barbara
Transforming the Colonial City: Science and
the Practice of Dwelling in The Calcutta Chromosome
Rossi, Umberto
The Alcoholics of War: Experiencing Chemical and Ideological
Drunkenness in Emilio Lussu’s Un anno sull’altipiano
Roy, Wendy
Primacy, Technology, and Nationalism
in Agnes Deans Cameron’s The New North
Schapiro, Barbara
[Trauma and Sadomasochistic Narrative
Mary Gaitskill’s “The Dentist”
Scigaj, Leonard M.
Ecology, Egyptology, and Dialectics in
Muriel Rukeyser’s “The Book of the Dead’
208 Mosaic 38/4 (December 2005)
Sills, Caryl K.
Patterns of Victimization in Light in August
Stouck, Jordan
Gardening in the Diaspora: Place and
Identity in Olive Senior’s Poetry
Talahite, Anissa
Cape Gooseberries and Giant Cauliflowers: Transplantation
Hybridity, and Growth in Bessie Head’s A Question of Power
Tiffin, Helen
Bats in the Gardens
Vickroy, Laurie
Seeking Symbolic Immortality
Visualizing Trauma in Cat's Eye
Watson, James R. and Trish Maud
In the New Republic of Digital (Re)Production
Wright ,L aura
National Photographic: Images of Sensibility and the Nation in
Margaret Atwood’s Surfacing and Nadine Gordimer’s July’s People