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Monument, moment and memory: Monet's cathedral in fin de siècle France PDF

112 Pages·2007·12.897 MB·English
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Monument, Moment, and Memory Monument, Moment, and Memory Monet’s Cathedral in Fin de Sie`cle France Ronald R. Bernier Lewisburg BucknellUniversityPress ©2007byRosemontPublishing&PrintingCorp. Allrightsreserved.Authorizationtophotocopyitemsforinternalorpersonaluseortheinternalorpersonaluseofspecific clients,isgrantedbythecopyrightowner,providedthatabasefeeof$10.00,pluseightcentsperpage,percopyispaid directlytotheCopyrightClearanceCenter,222RosewoodDrive,Danvers,Massachusetts01923.[978-0-8387-5671-3/07 $10.00+8¢pp,pc.] AssociatedUniversityPresses 2010EastparkBoulevard Cranbury,NJ08512 ThepaperusedinthispublicationmeetstherequirementsoftheAmerican NationalStandardforPermanenceofPaperforPrintedLibraryMaterials Z39.48-1984. LibraryofCongressCataloging-in-PublicationData Bernier,RonaldR. Monument,moment,andmemory:Monet’scathedralinfindesie`cleFrance/RonaldR.Bernier. p.cm. Includesbibliographicalreferencesandindex. ISBN-13:978-0-8387-5671-3(alk.paper) ISBN-10:0-8387-5671-9(alk.paper) 1. Monet, Claude, 1840–1926—Criticism and interpretation. 2. Cathe´drale Notre-Dame (Rouen, France)—In art. 3.Architectureinart. 4.Architectureinliterature. 5.Perception.I.Title. ND553.M7B472007 759.4—dc22 2006103293 PRINTEDINTHEUNITEDSTATESOFAMERICA Contents ListofIllustrations 7 Acknowledgments 9 Introduction 13 1. TheStructureofSpontaneity 18 2. CanvasesandCareers 32 3. Depiction,Perception,Memory:TheCriticalResponse 48 4. WritingtheGothic 63 5. ThePoetryofArchitecture 80 Afterword 90 Notes 93 Bibliography 105 Index 111 5 Illustrations B W LACK AND HITE Figure1:ClaudeMonet,LesBainsdelaGrenouillère,1869 29 Figure2:ClaudeMonet,ViewofRouen,1883 33 Figure3:CamillePissarro,L’IleLacroix,Rouen(TheEffectofFog),1888 35 Figure4:CamillePissarro,PontBoieldieuinRouen,DampWeather,1896 36 Figure5:AugusteRodin,LesCathédralesdeFrance,c.1910–14 65 Figure6:AugusteRodin,LesCathédralesdeFrance,c.1910–14 66 C OLOR Theseappearafterpage32 Plate1:ClaudeMonet,BoulevarddesCapucines,1873–72 Plate2:ClaudeMonet,Paris,rueSt.Denis:CelebrationofJune30,1878,1878 Plate3:ClaudeMonet,GeneralviewofRouen,1892 Plate4:CamillePissarro,Ruedel’Épicerie,Rouen,1898 Plate5:ClaudeMonet,Ruedel’ÉpicerieàRouen,1892 Plate6:ClaudeMonet,CathedralatRouen(LaCourd’Albane),1892–94 Plate7:ClaudeMonet,RouenCathedral.HarmonyinBrown,1893–94 Plate8:ClaudeMonet,RouenCathedral,WestFaçade,Sunlight,1894 Theseappearafterpage64 Plate9:ClaudeMonet,RouenCathedral:ThePortal(inSun),1894 Plate10:ClaudeMonet,RouenCathedral,morning,whiteharmony,1894 Plate11:ClaudeMonet,RouenCathedralFaçadeandTourd’Albane(MorningEffect), 1894 Plate12:ClaudeMonet,RouenCathedral,WestFaçade,1894 Plate13:ClaudeMonet,RouenCathedral,TheFaçadeinSunlight,1894 Plate14:ClaudeMonet,RouenCathedral,Façade,1894 Plate15:ClaudeMonet,RouenCathedral,morningsun,blueharmony,1893 Plate16:ClaudeMonet,WaterLilies;oiloncanvas;1910.26 7 Acknowledgments O VER THE YEARS, A NUMBER OF PEOPLE HAVE GENEROUSLY AIDED ME IN THE DEVELOPMENT OF THIS project.Iwouldliketothankthemfortheirsupport.IamparticularlygratefultoProfessorMichael Podro for his many readings throughout its long gestation and for his thorough and insightful comments both on its central arguments and on details of rhetoric; above all, I thank him for his continued encouragement, counsel, and friendship. I owe a great deal as well to the teaching and research of professors Podro, Thomas Puttfarken, and Margaret Iversen of Essex University in Englandwherethisbookbeganasadoctoraldissertation;theirworkhasdonemuchovertheyears toinformandhonemyownthinkingaboutart. I also owe a debt of thanks to Greg Clingham, Director, Bucknell University Press, for his interest and support in seeing this project through. I am also obliged to Bucknell’s reader, who diligentlyworkedtoimprovemyaccountbyofferingcarefullyconsideredcriticismandsuggestions for improvement, and to Julien Yoseloff and Beth Anne Stuebe at Associated University Presses for producing a well-designed book. Thanks also go to Brittany Kramer for her assistance with indexing. For generously underwriting its beautiful color reproductions—and for his support overall—I thank Darin E. Fields, Dean of the College of Arts, Humanities and Social Sciences atWilkesUniversity. Finally,Imustgivespecialthankstomyparents,RalphL.andTheresaL.Bernier,towhomthis bookisdedicated;theirsteadfastsupport,encouragement,andfaithhelpedtomaketherealization ofthisbookpossible. 9

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