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Modernist Articulations: A Cultural Reading of Djuna Barnes, Mina Loy and Gertrude Stein PDF

255 Pages·2007·2.61 MB·English
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Modernist Articulations A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein Alex Goody Modernist Articulations 4 2 3- 0 1- 1 0 2 ct - e n n o C e v a gr al P o - s m o Tr et i k e ot bli bi s et sit er v ni U o d t e s n e c m - li o c ct. e n n o c e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-i 0230_500498_01_preiv 4 2 3- 0 1- 1 This page intentionally left blank 0 2 ct - e n n o C e v a gr al P o - s m o Tr et i k e ot bli bi s et sit er v ni U o d t e s n e c m - li o c ct. e n n o c e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody Modernist Articulations A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein 4 2 3- 0 Alex Goody 11- 0 2 ct - e n n o C e v a gr al P o - s m o Tr et i k e ot bli bi s et sit er v ni U o d t e s n e c m - li o c ct. e n n o c e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-iii 0230_500498_01_preiv ©AlexGoody2007 Allrightsreserved.Noreproduction,copyortransmissionofthis publicationmaybemadewithoutwrittenpermission. Noparagraphofthispublicationmaybereproduced,copiedortransmitted savewithwrittenpermissionorinaccordancewiththeprovisionsofthe Copyright,DesignsandPatentsAct1988,orunderthetermsofanylicence permittinglimitedcopyingissuedbytheCopyrightLicensingAgency, 4 90TottenhamCourtRoad,LondonW1T4LP. 3-2 0 Anypersonwhodoesanyunauthorisedactinrelationtothispublication 1- 1 maybeliabletocriminalprosecutionandcivilclaimsfordamages. 20 Theauthorhasassertedherrighttobeidentified ct - e astheauthorofthisworkinaccordancewiththeCopyright, nn DesignsandPatentsAct1988. Co e v Firstpublished2007by a PALGRAVEMACMILLAN algr H17o5unFdifmthillAsv,eBnausien,gNsteowkeY,oHrakm,Np.sYh.ir1e0R01G0216XSand so - P m Companiesandrepresentativesthroughouttheworld o Tr PALGRAVEMACMILLANistheglobalacademicimprintofthePalgrave et i MacmillandivisionofSt.Martin’sPress,LLCandofPalgraveMacmillanLtd. k e Macmillan(cid:2)isaregisteredtrademarkintheUnitedStates,UnitedKingdom ot andothercountries.PalgraveisaregisteredtrademarkintheEuropean bibli Unionandothercountries. ets ISBN-13:978(cid:3)0(cid:3)230(cid:3)50049(cid:3)5hardback ersit ISBN-10:0(cid:3)230(cid:3)50049(cid:3)8hardback v ni U Thisbookisprintedonpapersuitableforrecyclingandmadefromfully o managedandsustainedforestsources.Logging,pulpingandmanufacturing d t e processesareexpectedtoconformtotheenvironmentalregulationsofthe s n countryoforigin. ce AcataloguerecordforthisbookisavailablefromtheBritishLibrary. m - li o LGiboroadryy,oAfleCxo,n1g9r7e1ss(cid:3)Cataloging-in-PublicationData ect.c n Modernistarticulations:aculturalstudyofDjunaBarnes,MinaLoy, on andGertrudeStein/AlexGoody. ec v p. cm. gra Includesbibliographicalreferencesandindex. al p ISBN-13:978(cid:3)0(cid:3)230(cid:3)50049(cid:3)5 w. ISBN-10:0(cid:3)230(cid:3)50049(cid:3)8 ww 1. Americanliterature“20thcentury“Historyandcriticism. m 2C.ritMicoisdmernainsdmin(Ltietreprraettuartei)o“n.Un4i.teLdoyS,taMteinsa.“3C.rBitaicrnisems,aDnjduna“ al fro interpretation. 5. Stein,Gertrude,1874(cid:3)1946“Criticismand ateri interpretation. 6. Americanliterature“Womenauthors“History m andcriticism. 7. Womenandliterature“UnitedStates“ ht g History“20thcentury. I. Title. yri PS228.M63G662007 op 813(cid:2).5209112“dc22 2006052045 C 10 9 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 09 08 07 PrintedandboundinGreatBritainby AntonyRoweLtd,ChippenhamandEastbourne 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-iv 0230_500498_01_preiv To my father, Peter Goody 1943–2000 And to Jasmine 4 2 3- 0 1- 1 0 2 ct - e n n o C e v a gr al P o - s m o Tr et i k e ot bli bi s et sit er v ni U o d t e s n e c m - li o c ct. e n n o c e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-v 0230_500498_02_previ 4 2 3- 0 1- 1 This page intentionally left blank 0 2 ct - e n n o C e v a gr al P o - s m o Tr et i k e ot bli bi s et sit er v ni U o d t e s n e c m - li o c ct. e n n o c e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody Contents 4 2 3- 0 ListofFigures ix 11- 0 2 Acknowledgements x ct - e n n Abbreviations xii Co e v a gr al P Introduction:ModernistStudiesandCulturalStudies 1 o - Moderniststudies? 4 ms o CArutlitcuurlaaltisotundsies? 193 ket i Tr e Culture,desireandthereal 15 bliot Literarymachines 21 sbi et sit er 1 Becoming-Modernists: Djuna Barnes, Mina Loy and niv U GertrudeStein 27 o Becoming,modernism 27 ed t s n Barnes,themiddleclassandtheOedipalfamily 33 e c Intension,extensionandLoy’sfeministeffects 41 m - li o Stein’smaking:progressiveverbs,dynamicsubjects 48 c ct. e n n 2 TheGreatWar,HystericalMenandtheModernistLyric 57 co e v TheGreatWarandmoderniststudies 58 gra Hystericalmen 63 pal w. DeathoftheliteraryI 68 w w Loveandletters:LoyandSteinwritewar 75 m o al fr 3 Dada,CyborgsandtheNewWomaninNewYork 85 ateri m Spectacular,spectacular:BarneswritesNewYork 88 ht g Themodernwoman 95 yri p Loy,blindmenandmechanomorphicwomen 99 Co Cyborg-womenmakingDada 110 4 FashionsforGeniusandtheFlâneur:AGuidetoParis 118 Modernism,urbanismandgenius 119 Stunningsubjects 125 vii 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-vii 0230_500498_03_previii viii Contents ‘PabloandMatissehaveamalenessthatbelongstogenius, Moiaussiperhaps’ 132 Curieofthelaboratoryofvocabulary 136 Portraitsoftheartist 140 Outofthecity 146 4 2 5 CarnivalBodies,theGrotesque,andBecomingAnimal 150 03- 1- Becoming-grotesqueandgrotesquemodernism 151 01 2 Bodies,buttonsandcows:GertrudeStein 157 ct - e Fromrepulsivewomentobecoming-animal:DjunaBarnes 164 nn o Urbandetritusandtheabject:MinaLoy 173 eC v a gr al 6 WanderingandWondering:JewishIdentityandMinority o - P Writing 178 ms o TheJewinthemodernist(con)text 179 Tr JewishmodernismandmodernistJews 183 ket i e ‘TheJew’shistoryacommodity’:Barnes,Nightwoodand ot bli theJew 188 bi s Anglo-mongrelmodernism:LoyandthewonderingJew 192 sitet Yiddish,Zionismandpatriarchy:Stein’sJewishness 199 ver ni U o Postscript 207 ed t s n e c Notes 210 m - li o c ct. Bibliography 219 e n n o c Index 233 e v a gr al p w. w w m o al fr eri at m ht g yri p o C 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-viii 0230_500498_03_previii Figures 1 MarcelDuchamp,Fountain,1917;photographbyAlfred 24 3- Steiglietz.©SuccessionMarcelDuchamp/ADAGPParisand 0 1- 1 DACSLondon,2006.PhotographcourtesyofBeineckeRare 0 2 BookandManuscriptLibrary,Yale 100 ct - e n 2 FrancisPicabia,Fillenéesansmère(GirlBornWithouta n o C Mother) (pen and ink on paper) 1915. Alfred Stieglitz e v a Collection,MetropolitanMuseumofArt;©ADAGPParis gr al P andDACSLondon,2006 106 o - 3 FrancisPicabia,Portraitd’unejeunefilleaméricainedansl’etat ms o dNeunduitdyit)é,f(rPoomrtrJauiltyo–fAaugYuosutn1g91A5miessriuceanofG2i9rl1i;n©thAeDSAtGatPeof ket i Tr e ParisandDACSLondon,2006 107 bliot 4 August 15 1915 issue of Rogue (2:1) pages 10 and 11, sbi et showingMinaLoy’s‘VirginsPlusCurtainsMinusDots’,© sit er Mina Loy Estate, and Clara Tice’s Virgin Minus Verse. niv U PhotographcourtesyofBeineckeRareBookandManuscript o Library,Yale 109 ed t s n 5 MinaLoyandDjunaBarnesphotographedbyManRay ce c.1920, Sylvia Beach Collection, Princeton University m - li o Library.©ManRayTrust/ADAGPParisandDACSLondon, c ct. 2006 129 ne n 6 Jo Davidson, Gertrude Stein (bronze), 1920, Whitney co e v MuseumofAmericanArt©DACSLondon,2006 131 gra al p w. w w m o al fr eri at m ht g yri p o C ix 10.1057/9780230288300 - Modernist Articulations, Alex Goody March2007 MAC/MAG Page-ix 0230_500498_04_prexii

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This book explores the theoretical concerns of recent literary and cultural studies through a reappraisal of three innovative women writers of the modernist period: Djuna Barnes, Mina Loy, and Gertrude Stein. These three writers are placed at specific modernist moments--key points of articulation--i
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