GGeeoorrggiiaa SSttaattee UUnniivveerrssiittyy SScchhoollaarrWWoorrkkss @@ GGeeoorrggiiaa SSttaattee UUnniivveerrssiittyy English Dissertations Department of English Spring 5-10-2013 MMooddeerrnniissmm ffrroomm tthhee MMaarrggiinnss:: UUnnrruullyy WWoommeenn aanndd tthhee PPoolliittiiccss ooff RReepprreesseennttaattiioonn Lindsay Byron Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss RReeccoommmmeennddeedd CCiittaattiioonn Byron, Lindsay, "Modernism from the Margins: Unruly Women and the Politics of Representation." Dissertation, Georgia State University, 2013. doi: https://doi.org/10.57709/4056760 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MODERNISM FROM THE MARGINS: UNRULY WOMEN AND THE POLITICS OF REPRESENTATION by LINDSAY BYRON Under the Direction of Elizabeth West and Barbara Ladd ABSTRACT Nella Larsen, Anzia Yezierska, and Evelyn Scott were New York neighbors and liter- ary contemporaries in the 1920s, yet they moved in very different social circles. From Larsen, the award-winning psychological novelist of the Harlem Renaissance; to Yezierska, the Jewish immigrant composing in Yiddish-English a boot-straps story of Americanization; to Evelyn Scott, the genteel-born Southern woman penning high modernist tales of scandal, these very different women nonetheless shared a common quality: they were all rule- breakers, pariahs in their hometowns, interlopers wherever they dare tread, who all penned controversial autobiographical works documenting their experiences as cultural outsiders in modern America. Finding no community, race, or class with which to align the- se authors and their life stories, contemporary critics defaulted into accusation of false- hood, immorality, and insanity. Their works could not possibly be true or sane, I argue, be- cause they could not be classified. INDEX WORDS: Women writers, Modernism, Americanization, Immigrant literature, Har- lem Renaissance, Autobiography, Identity politics, Feminism MODERNISM FROM THE MARGINS: UNRULY WOMEN AND THE POLITICS OF REPRESENTATION by LINDSAY BYRON A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the College of Arts and Sciences Georgia State University 2013 Copyright by Lindsay Byron 2013 MODERNISM FROM THE MARGINS: UNRULY WOMEN AND THE POLITICS OF REPRESENTATION by LINDSAY BYRON Committee Chairs: Elizabeth West Barbara Ladd Committee: Calvin Thomas Electronic Version Approved: Office of Graduate Studies College of Arts and Sciences Georgia State University May 2013 iv Dedicated to us—the Byron Family. v ACKNOWLEDGEMENTS I would like to thank Elizabeth West for many years of guidance and friendship, Barbara Ladd for always believing in me, and Calvin Thomas for being in my corner when- ever I needed support. I would also like to acknowledge the Toco Hills Avis G. Williams public library to be an excellent place for writing dissertations. vi TABLE OF CONTENTS ACKNOWLEDGEMENTS............................................................................................................ v INTRODUCTION: CHANGING SUBJECTS ............................................................................ 1 The Rise of Identity Politics .............................................................................................. 5 Postmodern “Autobiography”: Fictions of Self ........................................................ 10 Oppositional Feminist Subjectivity through Autobiography .............................. 13 Chapter Breakdown .......................................................................................................... 16 CHAPTER 1.UNFINISHED ENDINGS: THE MEANINGFUL AMBIGUITY OF NELLA LARSEN’S NOVELS................................................................................................................... 19 Uncovering the Truth about Nella Larsen ................................................................. 23 The New Negro Movement and the Politics of Representation ......................... 37 Disappearing in Quicksand ............................................................................................. 48 The Problem of Passing ................................................................................................... 58 Conclusion ............................................................................................................................ 68 CHAPTER 2.“NOT A JEWESS AND NOT A GENTILE”: CATEGORIZING ANZIA YEZIERSKA ................................................................................................................................ 70 Choosing sides in Bread Givers ...................................................................................... 92 Conclusion ......................................................................................................................... 106 CHAPTER 3.EVELYN SCOTT’S ESCAPADE: AN UNCONVENTIONAL NARRATION OF A CONTROVERSIAL LIFE ............................................................................................. 109 vii Masculine Modernism ................................................................................................... 118 A Sick Subjectivity ........................................................................................................... 123 Conclusion ......................................................................................................................... 134 CONCLUSION: MALLEABLE IDENTITIES ...................................................................... 139 Works Cited ....................................................................................................................... 144
Description: