Modern Drummer Issue 264

172 Pages·2001·20.2 MB·English

Volume 25, Number 11
Cover photo by Alex Solca
STEWART COPELAND
Two decades after vanishing from the playing
scene, Stewart Copeland's back, and he's got Phish's
Trey Anastasio and Primus's Les Ciaypool in tow.
Will wonders never cease?
by Ted Bonar
70
CHICO HAMILTON UPDATE
Brian Setzer's Bernie Dresel
What's an eighty-year-old jazzer doing
aia with Charlie Watts and John Popper on Studio Heavy Dave Mattacks
ul La R ahnisd dmisack?i nSga mbeea uotlr iftuhli nmg:u sbicre.aking rules 92 Sinomatic's Matt Lawrence
Pa by Rick Mattingly Paul Weller's Steve White
Wings Denny Seiwell
CSN's Joe Vitale
VIC FIRTH Atlantic City Regular Joey CaSS
20
After half a century with the Boston
ssett Symphony Orchestra, percussionist 110 REFLECTIONS
a extraordinaire Vic Firth takes a final bow.
B
sy by Rick Mattingly STONE TEMPLE PILOTS'
et
B ERIC KRETZ ON...
Alex Van Haien, Peter Criss, Keith Moon,
and more.
KISS'S by T. Bruce Wittet
28
ERIC CARR
er
w
o
z REMEMBERED 124 WOODSHED
o
Zl
Neil The tiny drummer with the gargantuan ANTHRAX'S
band had a heart of gold and sticks of
CHARLIE BENANTE
thunder. On the tenth anniversary of his
passing, MD salutes Eric Carr. Drive north along NYC's famous Broadway, and
by John Connell you'll eventually hit the town of Yonkers. You'll
know you're there when the sound of Anthrax
rehearsing rattles your car windows.
by Will Romano
156
MD Giveaway
108
Win A Setup Identical To Travis Barkers,
Including Orange County Drums, Zildjian Cymbals And Sticks,
DW Hardware, Remo Heads, And Audix Microphones
Education
132 Off The Record 142 Rock Perspectives
Train's Scott Underwood: Stewart Copeland
Drops Of Jupiter Style & Analysis
by Ed Breckenfeld by Ed Breckenfeld
136 Rock Charts 154 Concepts
Limp Bizkit's John Otto: "Rollin"' Passion And Mechanics:
Transcribed by Joe Bergamini A General Rant About
Drumming Habits
140 The Musical by Billy Ward
Drummer
Understanding The Language
Of Music, Part 2: The Basics
by Ron Spagnardi
Departments
Page 148
4 An Editor's Overview 146 On The Move Drum Market
164
Renewing Your Subscription Including Vintage Showcase
by Ron Spagnardi 148 Critique
168 Drumkit Of The Month
6 Readers' Platform
152 Encore
The Who: Who's Next
12 Ask A Pro
by Adam Budofsky
Stanton Moore, Steve Smith, and
Rod Morgenstein 158 Backbeats
New Orleans Jazz & Heritage
16 It's Questionable
Festival, Korea Drum Festival,
and more
E q u i p m e n t
40 New And Notable
48 Product Close-Up
Yamaha Stage Custom
Standard And Advantage Drumkits
by T. Bruce Wittet
51
Turkish Cymbals
by Chap Ostrander
54 Bearing Edge Drums
by Mark Parsons
56
Quick Looks:
New Pro-Mark Stick Models
And X-Pad Practice Pad
57
Tribes Cocktail Drum
by T.Bruce Wittet
59 DW 5000 Delta II Bass Drum Pedals 62 Electronic Review
With Elevator Heels Roland V-Session Kit
by Martin Patmos by Rick Long
Volume 25, Number 11
The World's Most Widely Read Drum Magazine
EDITOR/PUBLISHER RONALD SPAGNARDI
CHIEF FINANCIAL OFFICER ISABEL SPAGNARDI
Renewing Your
ASSOCIATE PUBLISHER TRACY A. KEARNS
SENIOR EDITOR RICK VAN HORN
EDITORIAL DIRECTOR WILLIAM F. MILLER
Subscription MANAGING EDITOR ADAM J. BUDOFSKY
ASSOCIATE EDITOR TED BONAR
EDITORIAL ASSISTANT SUZANNE HURRING
SENIOR ART DIRECTOR SCOTT G. BIENSTOCK
ASSISTANT ART DIRECTOR MICHELE M. NEWHOUSE
ASSISTANT ART DIRECTOR JOSEPH KING
f you're a subscriber to Modern Drummer, or most any other consumer
ADVERTISING DIRECTOR BOB BERENSON
magazine for that matter, you're probably well aware of the routine. At ADVERTISING ASSISTANT JOAN C. STICKEL
EDITORIAL/ADV. ASSISTANT BILLY AMENDOLA
some point during the term of your subscription, a series of renewal
MARKETING AND PUBLIC RELATIONS DIANA LITTLE
notices starts arriving to remind you that your subscription is due to WEB SITE DIRECTOR KEVIN W. KEARNS
expire, and to encourage you to renew before it does. OFFICE ASSISTANT ROSLYN MADIA
A renewal series can run anywhere from three notices to as many as
MODERN DRUMMER ADVISORY BOARD: Henry Adler,
ten. The interesting thing, however, is that the standard renewal proce-
Kenny Aronoff, Eddie Bayers, Louie Bellson, Bill Bruford, Harry
dure for magazines is not only outdated, impractical, and costly for pub- Cangany, Jim Chapin, Dennis DeLucia, Les DeMerle, Len
DiMuzio, Charlie Donnelly, Peter Erskine, Vic Firth, Bob Gatzen,
lishers, it can also be frustrating, confusing, and annoying for subscribers. Danny Gottlieb, Sonny Igoe, Jim Keltner, Paul Leim, Peter
Magadini, George Marsh, Joe Morello, Rod Morgenstein, Andy
A number of prominent consumer magazines are gradually converting Newmark, Neil Peart, Ed Shaughnessy, Steve Smith, Ed
to a program known as "automatic renewal." The AR system simply Thigpen, Billy Ward, Dave Weckl, Paul Wertico,
means that your subscription automatically continues until you choose to CONTRIBUTING WRITERS: Michael Bettine, Robyn Flans,
Burt Korall, Rick Mattingly, Ken Micallef, Mark Parsons, Mike
cancel. Haid, Robin Tolleson, Lauren Vogel Weiss, T. Bruce Wittet.
For publishers, the cost savings that result from not having to write,
MODERN DRUMMER magazine (ISSN 0194-4533) is pub-
design, print, and mail up to ten notices to thousands of subscribers each lished monthly by MODERN DRUMMER Publications, Inc.,
12 Old Bridge Road, Cedar Grove, NJ 07009. PERIODICALS
year could be better used to expand the magazine's editorial content. For MAIL POSTAGE paid at Cedar Grove, NJ 07009 and at addi-
tional mailing offices. Copyright 2001 by MODERN DRUM-
subscribers, the benefits include reduction in subscription price increases,
MER Publications, Inc. All rights reserved. Reproduction
as well as expanded editorial coverage as a result of the savings. without the permission of the publisher is prohibited.
Subscribers also enjoy the elimination of repetitive renewal notices, EDITORIAL/ADVERTISING/ADMINISTRATIVE OFFICES: MOD-
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Email: [email protected]
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Automatic renewal can easily be handled on a "bill me" basis, or via MODERN DRUMMER welcomes manuscripts and photographic
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something we're considering. I'd like to hear your thoughts first, though.
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TRAVIS BARKER
I just want to say "Well done" for your like George Hurley (Minutemen), Grant
fabulous article about Blink-182's Travis Hart (Husker Du), and Brendan Canty
Barker. I've been a huge fan of the band (Fugazi). But Travis is right about one
since 1997, before Travis joined. However, thing: Next to N'Sync and The Backstreet
his creativity and terrific energy makes Boys, his chops are way "alternative."
them better than they ever were before. Pete Stewart
I found it interesting that the "punk Wichita Falls, TX
drummer" didn't like being referred to as a
punk drummer. Though he is in a punk- Editor's note: At MD we try to ignore
rock band, Travis is definitely not limited "more punk than you" attitudes. Good
to this style. He has an amazing way of drumming is good drumming. A quick FYI:
adding ideas from his marching and jazz MD has run pieces on each of the above-
backgrounds, along with various Latin named drummers, as well as other "gen-
styles. This makes his parts as unique and uine" punk drummers like The Sex
exciting as a punk-rock band's drum parts Pistols' Paul Cook and The Descendents'
can get. Even more commendable, Travis Bill Stevenson. Recently we've highlight-
does it all without cluttering the tune or ed the work of The Damned's Rat
overplaying. Scabies and The Clash's Topper Headon.
Travis Barker is an outstanding musician Travis Barker's aversion to being called a Green Day's Tre Cool has graced our
and performer. He will definitely be appre- "punk drummer" is understandable. Like cover. And you can look forward to
ciated for a long time among drummers of most people, he has probably only been pieces on The Bad Brains' Earl Hudson
many styles. exposed to the banal, Top-40, bubble-gum and Fugazi's Brendan Canty. And go to
Brett Schwartz "punk" like Blink-182 turns out. This is www.moderndrummer.com to read
via Internet thanks, in part, to your magazine's policy about "The Top Ten Punk (And Reggae)
of ignoring genuine punk-rock drummers Albums Of All Time."
Mr. Barker doesn't seem to be able to find
much in his life that he likes. Considering jazz...and then producing Zack De La evolved from The Grateful Dead, including
his good fortune and success, he should Rocha and drumming in a Bonham bag for The Other Ones and Phil Lesh & Friends. I
really count his blessings and be grateful Nikka Costa. Talk about your underrated always felt that the drumming in their
for just how far he has come. Even if it is player! Why hasn't this guy been in your music was a refreshing combination of
only some "punk" band. magazine before now? taste, creativity, and spontaneity. I just
Drewblood I do have one question, though. ?uest- didn't know that the same drummer was
Chicago, II love plays a 26" bass drum, a 20" floor responsible for it. Nice work, John!
tom, a 24" ride cymbal...and he uses 7A Alan Franklin
Thank you so much for featuring Travis sticks'? How does he make that work? St. Louis, MO
Barker on your August 2001 issue. I keep Talented guy. Thanks for the story.
THE MENTAL WARD
rediscovering the parts that Barker uses on Billy Sommerfield
Enima, so it's great to see that work get via Internet Billy Ward's August 2001 In The Studio
recognized. "Adam's Song" especially article, "So You Want To Be A Session
JOHN MOLO
demonstrates the depth of Barker's imagi- Drummer," is exactly what I buy Modern
nation, and the fact that a drum part I loved your August story on John Molo. I Drummer for. His analysis of fills is right
doesn't have to be a strict 2 and 4. Travis's particularly appreciated John's candor on the money. And the same theories can
music makes me proud to be a drummer. about his experiences with Bruce Hornsby. be applied to other styles of music as well
Vince Byrne It's refreshing to know that major drum- as to rock and funk.
Rockville Centre, NY mers playing on major albums still have However, what prompted me to write
problems with producers, other musicians, was the sidebar to that article: "The Mental
and their own muse. It gives hope to the Ward." In it, Billy articulated a vital ingre-
AHMIR "?UESTLOVE" THOMPSON
rest of us who are having those problems dient for drumming success: not only play-
Big man...big drums...big sound. on our own—decidedly not major—pro- ing music well, but listening to it com-
Everything about ?uestlove is big. Even his jects. pletely—whether you are playing at the
influence is big: Look at the gigs he's done I've actually followed John's career moment or not. Thanks, Billy!
or is doing. Big variety, too. From without knowing it—or him. I was a big Todd Strait
D'Angelo to The Roots to The Hornsby fan in the early days. I've also via Internet
Philadelphia Experiment, R&B to out gotten into the various sub-groups that

WEB SOUNDS
APGAR GOES FISHING
The new Playing sections on your Web site
Wow! While I knew that my June are a great addition. It's much easier to
Readers' Platform letter would generate recreate the patterns I see in your magazine
some response, I didn't expect to see so when I can hear them being played correct-
many rebuttals to my comments. I'd like ly. Keep them coming.
to set the record straight and apologize Dick Howard
to MD's readers and to Ginger Fish. via Internet
MD's JAZZ INFLUENCE
I did not intend to offend anyone with
my comments. I don't know Ginger Fish, Recently, while listening to a Donald Brown
nor do I have any reason to dislike him. CD called The Sweetest Sounds, it occurred
My main complaint was not about the to me that my love of jazz—and indeed the
abundance of material geared toward jazz section in my CD library—exist in large
younger readers that appears in MD part because of Modern Drummer. I've been
each month. My gripe is with the playing drums for twenty years, and I've
increasing lack of coverage given to subscribed to MD for twelve. It wasn't until
other drummers—especially jazz and about five or six years ago that I really start-
big band drummers like Dave Weckl, ed to check out jazz. One day it just clicked
Louie Bellson, and Elvin Jones. in my head to check out the music of all the
I agree with every letter that rebutted jazz drummers that I was reading interviews
my comments. I was narrow-minded with and articles about.
and negative, and it is unfair for me to I'm so glad I did! Jazz has had a great
attack Ginger just because I don't influence on my drumming and on my life in
appreciate his style of music. His com- general. My jazz collection is full of record-
ments may not have been as technically ings that I learned about from your Artist On
descriptive as I would like (as one read- Track articles, Critique reviews, interviews,
er put it), but that's just my opinion. I and more. Thanks!
come from an era in which drummers Wright Maney
like John Bonham, Ginger Baker, and via Internet
Joe Morello inspired me to pursue the How To REACH Us
drums and be the best I could. I certain-
Correspondence to Readers'
ly never intended to deter any young Platform may be sent by mail:
reader from gaining the same sort of 12 Old Bridge Road,
Cedar Grove, NJ 07009,
inspiration from his or her hero.
fax: [phone], or
I had the good fortune of studying email: [email protected].
with Joe Morello a few years back.
While this dramatically improved my
playing skills and my overall versatility
We Want
as a drummer, it also caused me to ana-
lyze everything from a technical per- Your Licks!
spective. I may have—at least for a
Introducing Chop Shop
brief period—lost sight of the fact that
drumming is an art, and that it doesn't Modern Drummer is launching a brand-new col-
really matter how technical or complex umn featuring readers' favorite licks. That means
you! To have your "chops" featured, simply send
something is, as long as (as Ginger put
us a transcription of your favorite lick or pattern
it) "it makes you feel good." (limited to four bars), preferably with an accompa-
nying cassette tape. Include a brief note to say
Rick Apgar
what makes the lick hip, and include some tips on
Ringwood, NJ how to play it (including sticking, tempo, and
dynamics if not shown on the music). And so the
world will know who sent such a musical gem,
Modern Drummer is toss in a good, clear photo of yourself. If we
choose your submission, we'll send you an MD
pleased to welcome
T-shirt in return for your efforts!
Billy Ward Mail your entry to Chop Shop, Modern Drummer,
12 Old Bridge Rd., Cedar Grove, NJ 07009. Include
as the newest member
your name, address, and phone number on all items
of the MD Advisory Board. you send. Materials will not be returned, so don't
send originals you can't part with.
OOPS!
The photo of Deceased's King Fowley in the September Backbeats department was inadvertently
uncredited. The photographer was Joseph Delconzo.