Modern course for piano 5th grade PDF
Preview Modern course for piano 5th grade
JOHN THomesans MODERN COURSE IZaeMUsl an aTalnya) THE Wituts Music Co. FLORENCE, KENTUCKY 41022-0548 CONTENTS Grieg, Favard—Buterfy, ‘Mendelsohn, F—On Wings of Song ‘Mozart, W. A —Torkish Match. Land-Skabo, S—Prein ‘Sjbgren, E—Erothon Op 10, No.2. Godard, B—"Chopin' ‘Scharwenka, X—Polsh Dane. Brahms, Johannes—Waltz in AP Op. 39, No. 15. Arensky, Anton—Imprompt. ‘Otsen, Ole—Fanitl ‘Chopin, F-—Valse Op. 64, NO. enn ‘Schumann, R—Romance in F Alben, I —Tango.. . @ Schubert, F—"Hatk, Hat the Lat nnnenn 62 LeSs00 ANALY senses, 66 Palmgren, Selim—May Night. 6 Strauss, Johann, Jr-—Blue Danube n (Chopin, F—Noctume in Bb 8 ‘Tehaikovsky, P-L —Theme ftom Piano Concerto. 81 “Thompson, J-—Scotish Highlands Seen nue 84 Lise, Frana—Hungarian Rhapsoie No.6. 90 Debussy, Claude REVEte ennnnnan 9 100 “Moussorgsky, M.—Hopa. Rachmaninoff, S—Melodie Op.3, NO. 3ovenw- 108 DiAlbert,E-—Gavote and Must nnn 108 Supplementary Material. M2 —__________—. Prelude in C major by J. S. Bach s (Grom The Well Tempered Clavier) The Well-Tempered Clavier she ie given wo a set of Preludes and Fugues compose i all major an Imior keys by Johann Sebastian Bach Fae pet ppeaance, composts for keyboard instrument existed in but few keys. Because of Fae war ayoee of tuning (Le the pute scale) t had Been impossible fo playin all Key, o* even 19 aa naa one Key toate. The evolution of tuning i an involved subject and oe that cannot be roa cipal bere Suffice say tat node to perform in all Keys it was necessary to ast TE wafous itera ofthe sae (ence te ongin of sich terms as "empered scale’ “welltempered claire) ree emeeions stm of teing in vogue, and Bach produced this work primarily to prove that is favored system (own a "eal temperament”) gave he desired res ‘Thc fact dat in a0 doing be aed jst 0 may more mastepices 1 Keyboard erate i MPP ‘peident and te test of Bach's perfection sa musical architect. Is assumed that the serious student ‘Mi sady many ofthe Preludes and Fugues a ster period of is pianist progres. ‘Ful Riscrame in thi book is the PRELUDE IN C MAJOR from the Well-Tempered Clavier, it ‘Roald be pevermed with jst enough fingee aula to insure clr, and enough ofthe rolling notion to scquie spurle. ‘Rovalubie Rin 1 interpretation: ply this prelude, not as an exercise in broken chorts, but as & eae a cole sceompaniment to ah imaginary melody. Some sich idea must have inspiees ‘Gund when he composed hs famous song, “AVE MARIAT, in which be uses his Bach Pred itt rum ompanimentt his orginal melody. An exact fom this famous works shown below. Ave Maria Gounod melody, to which Bach's Prelude fos the acompaniment. _ ma pol pod ori The i ale Co Prelude in C major (No. 1, from The Well-tempered Clavier) 41.8. Bach (685-1750) 6S 6 Te wie an as Alllegro_—> ! i i "Tie Scherzo in B lat was ot published unl afer the composer’ death. In mood be played with due regard for dynamics. The yi nature ofthe to section sat legato snd stacetopasape should be sap. Scherzo in BP (Posthumous) Franz Schuber (797-1828) Allegretto — «0 (CEs Cui was bom in ina in 1835. His mother was a Lithuanian and his ater a French military oficerone of] ‘Se many who faled to retro rance during the Gu Kal iting niany between he opening pce of isc and a Mace Sle” byTeaord. hit “evident that both composers sed the same ok tine as basic marl Orientale tse Cu 351910 Arranged by J Allegretto
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