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Metaphors for the Musician: Perspectives from a Jazz Pianist PDF

350 Pages·2005·49.34 MB·English
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� Mtl�AOPRS MUS{({Atv = tRO1« ( Per5pefrc(ltA-�iA-J vZ peZi5 A- ni5t !<�n#-��t�p�etr 5t 1J JHEMRU ICIo(. Endsoeremnts "RanHdayl berksntoawhdsot wt ob retahki ndgosws no a s tudceanantc tuuanldleyr sitta.n d Thibso oikcs h ofcukol flg regaetm tsh abto tsht udeanntpdsr ofespsliaoynceaorlus rl eda lly benefit from." -JERRBYE RGONsZaIx,o phaonnjdia szetzd ucator "kIn oRwa ndIly o.v hee arhiinmpgl aHyeh. a hsu modrr,a mcao,n vicatniadso enn osfep urpose inh iasp protaomc uhs ic. If intdhs ea mqeu aliitnhi ineses w b oo'kM,e tapFhooTrrh sMe u sic.Wi iatnh'oguutio lre pedanatnidwc ist,ah sl itotrlnea mentaaspt oisosnih beml aen,a gteoes x prienws osr dwsh at happednusr itnhgce r eaptriovceoe rsa stl, e awshta sth ouhladp pen. Usimnegt aphtoopr rso viindsei ignhtttohsp e r ocoefms uss ic-mhaeks itnrgit,kh reesi ght choradgsa ainnad g awiint mhe . AsIw asr ead(ianngadg oopda rotft hbioso ikst ,h ankftuelxlty-j,nu osntto taenssd c ales antde chnfiiclaIllw e arss) t,r uwcikta hs enosfer ecognHieth iaodmn a.n agteoed x plcaeirnt ain functoifpo lnasy ainnldgi stetnhiaInht ga den countyeeraaergdsao n fdo rgoatbtoeunt . Mosmtu sbioco tkhsa ptu rptoori tmp roonveep' lsa yairneegi thteorm eosfl icaknsdt ricks ors elf-aggreaxnedricizineis gnefogso trh aeu thTohrib.so oikrs e fresRhainndtgya. la kbso ut theex peritehnrece ea,l -etviemnteth n,eu ts-andr-ebaololifmtt asyk imnugs firco tmh hee art. Ir ecommtehnbidos o tkoa nyownheoi ss eriaobuosmu uts iTch.a nRkasn,df yot,ra kitnhge timteoc ompsiulceah u sefaunldf ugn uide." -JESSWIICLAL IAjMaSzp,zi anist "hIi ghly recommend tfhrioasmp lbaoyoaeksrw. 'e slaW,lsar t ietatcehnpe ori'onsfvt, i eiwt, moveisna l ogisctaelp,- by'-hsatnedpas,n- edoan s'y -to-unmdaenrnsIethtrae .nl dps eodl idify ancdo dimfya ntyh inI'g ksn ebwuh'ta nde vbeere anb lteoa rticNuelvapetered .a n'tMiect,a phors FoTrh Meu siciicsao nn's tbanutolywyei dth hu mogrr,e maett aphaonradsn ecdfortoermse al-life worski tuaRteicoonmsm.e fnodtreh dte e acphiearan,co c ompaonrai nsiytn ,s trumentalist." -BILMLA YSj,a zpzi anist "Thbiosoi kas m usIt'!rm e commenidttio an lmgly f ellmouws icians." -SAMM OSTj,a zfzl utist "'MetaFpohTroh rMesu siciiasan ne 'x celtloeofnlots r t udeanntdts e achaelrisk e." -GEORGCEA BLjEaSz,pz i anist \ "Randbyo'odske ligmheti ened v ewrayy I.p articluiltkaherwe la yyh eh umanitzheHede r­ culetaansa ksss igtnote hdae s pijraizpnzig a nMiusstii.bsc e satp proawcihteehdm patahnyad \ senosfeh umoTrom. y e yeasn dea rasn fdi ngtehrbisos,o mka kegso osde nse." -PEGGSYT ERjNa,zp zi anist \ \ "Thiisasw ondetrefauclh tionofglo a rl mlu ssitcu dennotjtsu ,sp ti aniAssat h so.rp nl ayIce arn, atttehsatmt a noyf u sd on oktn oowu wra ya rouank de ybotaorwode lTlh.ib so oske tosut th e necesisnafroyr mianat c iloenaa nrdi nterewsatyAi.lnh lgo rpnl aysehrosuh ladvt eh bioso okn thres ih elf." -BUDS HANsKa,x ophonist Mtl�OARPS Edeidbt yS andarB urlingame CovrDe esibgynJ asnM ianandn B iOlmllste ad Depeetsthn askt oJ aCyal ynt,or moJeeG ary, LuaarK amnisyka ntdh mea noyte hsrw hohv ae toucmheew di tthh ewiodrrsa dnm usi. c Spceilta hnaskt oC hukS ch,eA rttiNlaag, C yhuGceke , SusMauns crealAllaaS,nt e e,rga nDdci kH inadnm ContactH abRleasrntddatby ye maaitrlna [email protected] orv ishiiwtse bsaitwt wew. arndylhbasetdrat.com Allr ihsgtr erseved. Nop ator ft hsb ioomka bye rpeorduecd aiynn r fmob ya ynm easn, withpoeuritsms ifornmo thaetu oh.r ©200S1h eMru sCioc. P,.B Oo.x4 45P,e talCuAm9 a4,9 53 ISB1N- 883217-12-1 FoCrh rainsdR obin CONTENTS PrefaHcoew:T oU seT hiBso ok IntroducCtriooonk:e Rdo ad VII IX ParI t PicturJianzgz 1 JazQzu ilt 3 2 JazCzo ncert Tonight! 4 ParItI Int heP ractSitcued io 3 JazIzsF reedoBmu,.t . . 8 4 TheC ensoIrnT heB rain 9 5 HowS lowI sS low? 1 1 6 TheS equencer 14 7 BalancAicntg 18 8 TargeBto mbing 20 9 Don'Sti nWgh ilYeo uP lya 22 PatrI II PainlePsisa no 10 Inversions 24 1 1U ser-fryiS ecnadlles 29 12 WeighteKdey s 39 13 TheP ianIosA Drum Set 40 ParItV Wayst oD eveloYpo uIrm prvoising 14 TheU ninviFtaend 44 15 You're RepYeoautrisn(eghl ofp ef.ul.)l .y 4 9 16 DisappearEiinggh tNho tes 57 17 GetS mall! 58 18 GetB ig! 59 19 Overt heB arline 62 20 NoteTsh aWto rk 73 21 MarinaFdoerY ourE ars 90 Patr V TheorDye mystifjed 22 HarmonAisct ronyo m 106 23 Cop-ouStc ales 123 24 MostC onsonaSncta les 125 25 NewP athwyasH ome 135 26 Probable CFhuonrcdt ions 146 27 GettiTnhge B lues 162 28 PentatonicDso-uAb lDeo se 176 29 DiminisOhpepdo rtunities 195 30 SmootheSrc alFei ngering 203 31 TheM inoIrI -PVr-oIg ression 211 ParVIt IncomparaCbalmep ing 32 HighA rt 220 33 TheD iryt Dozen 224 34 Voicin1g01s 227 35 ScalCeo mping 263 PatrV II Att heG ig 36 FailsPaefref orming 270 37 WhatI sT herteo S ay? 271 38 Howt oB ea ndN ott oB e 273 39 Keepintgh eG ig 274 40 Weddingasn dt heT heoyro fR elativi2t7y6 PatrV III Pathtso S uccess 41 TheA nswer 280 42 A Taloef T woP ianists 284 43 ComposYeo urself 287 44 Teaching 290 Glossya r 293 Resources 297 Appendix 300 Index 327 Aboutth eA uthor 329 vii Preface How ToU seT hiBso ok Thiesn praitifoortn hs b ioockma ef rmo myt weyn-tfyievraeso ft eaicnjhgza zp inao. Durtihntagit mIve'es eenh uneddrpse,r sht ahuposnadosfs u tdesnA.tl tuhgoIhd otn ' rmeemebra ltlh eniamre asn hdva ep orbabevlneyf orogtnt ea ffcaeews r,t iacyne elach sutdteh nabse eunni qiusnemo e waanyrd e uqiedri nvddiiuaattlne tiYoenit.an ltlhs oe yeasr cInat 's atyh aIvt'es eenh uneddorsrt ohuansdosfu niqpuoreb letmhsees ;ri pmly aerntt' hamtan yIv.'e w atcahsseu tdd eantftes rut dtee nnocuntset rhsema ec ommon pifatsla lnhdu drlseI. fnca tIs, tl rilme embceorrno fntmionsgto ft hemmy sl.efI tnh is booItk yr t oa drdessesrv aeolft ohsies sauneodsf fseorms et ergaistef ord aeliwnigt h them. Wheyno sut ujdazypz inaoy,o huva et ola ernm usiycou,h vaet ol enaj razzy,o u htao ve leaprinnao -nady ouh vaet ola erna boyuotru sl.efI sth ocuolmdae sn os uripstreh,e n, thtahtte py icisasuley osu 'flcalec ovr ewai dsept ercmu.S omoeft hceh patsei rtnh s i booakerv erpyh sipolhioacln iatneu ;or thsae errs os peicacis tf ob ec oncewrihnt enfd­i gersif norsg claeSso.m cehp atsec roviessrus ef caebdy a ynj zazm usiicawnh,i olteehsr daewli tphue rlpyi iasncthileacln sg.e Onoef t hheu drlse eIno cuenrteidnw rnigtt ihsbi oowka ssi pmlwyh atton amie.t As i'tnso jtsu tap iabnoooo kr j aazbz ootkh,i sa t whaosrp nrlyoe bMmy.s utdnetlse arn veryq uikcltyh aIl tvo em etpahsoA.rd ififcuclontc oetfpetbn e ocmsev eyrs miplieyf o u cnar leaei tttos moethifnmagi l.Oi vaehrra tlhfce h patsei rtn hsbi ooukst ehs d iveieac t laetso nceT.hi sw hiyIsc hsoet htei Mteltepa hsof ror tMhuesc iian. Thiinsso atc omperhnesihvoew -btoooI k'ta.sc olcletioofn smpyce ilia snisg",hn tug­ gtesi"yf o u dwseigilneldt, os upmpelnbeto sod kedaitcetdoj azpz ianjoza zto hrey o.r Apoparcihat sy owuo luadu niqdueeap trmesnttroe t hsapte aiclziieonsn oe-f-a-kind itefmoysrou r smiauchl ousneo,at h ugweare ohuest haitnu cdleesvy etrhirneugqie dr tob udia lnfdru nii.stF hoo rn teh iinptger ,sm uetsh yaoutv 'ea elardlyda iau ndfaot:i on yo'uvleer anetdop lyaouyr s timrneunstut,di esdmo eb astihcey o,ls ritneetdol t oso f musi,a cntdr iyeoudrh anadtj azzY.o cun aa mbtlhoerug ht hssi toartwe il l-ol,kob u,y pustmo ethiinlngya awa,ye ven bsytt hocepae f fnoorru imsehtnY.ou w onb'utey v rey­ tihnigtn h ss itoBrueit.f cynaol uae evw itaf he cwh oeii tcse-mosmeh eflulpp arcet ic tencihqsuf,re easphop acrhset oi mopvsriingn eotwrh eeotariplc esrpeec-sttiehvnm y efrftowsee rw ewloltr hi. t viii Ont hoet hhearn id'tns,o mty w isthh yaoutr eatdhb iosow ki thsootuptnp giao lng the waty oa pplwyh ayto vue'l earYnoue'sdle.tle h aIvt'eh ightlesideg rvhlaeo ft heex re­ csiewsi tgahry b oxleeist k hoinse : Youc nam eaasbuyilr mopvryeou rm usincsiihapiyf o puar tciet cheex cesiretso rpfeec­ tiboenf yoorcueo nntu.iGe oolduk c!

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