ME TAPHORS DICTIONARY METAPHORS DICTIONARY f £LYSE ^OMMER WITH 'DORRIE WEISS METAPHORS DICTIONARY Copyright 1996, 2001 by Visible Ink Press™ This publication is a creative work fully protected by all applicable copyright laws, as well as by misappropriation, trade secret, unfair competition, and other applicable laws. No part of this book may be reproduced in any form without permission m writing from the publisher, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine or newspaper. All rights to this publication will be vigorously defended. Visible Ink Press 42015 Ford Rd., #208 Canton, MI 48187-3669 Visible Ink Press is a trademark of Visible Ink Press LLC. Most Visible Ink Press books are available at special quantity discounts when purchased in bulk by corporations, organizations, or groups. For more information, contact Special Markets Director at (734) 667-3211 or at www.visibleink.com. Library of Congress Catalogmg-m-Publication Data Elyse Sommer, executive editor; Dome Weiss, associate editor - 1st ed. p. cm. Includes bibliographical references and index ISBN I-57859-I37-6 I. English language-Terms and phrases. 2. Metaphor-Dictionaries. I Sommer, Elyse II Weiss, Dome. PEI689.M47 1994 08I-dc2094-36728 Printed in the United States of America All rights reserved 10 987654321 Contents Introduction vii How to Use This Book xiv Table of Thematic Categories xvii The Metaphors 1 Common Metaphors 471 Metaphors from Shakespeare 479 Bibliography 509 Author/Speaker Index 526 Subject Index 576 Introduction • Many people view metaphor as an esoteric literary device The greatest thing by far is to beyond their use or understanding. However, while few qualify be a master of metaphor. It is as "master of metaphor," most people use metaphors regularly the one thing that cannot be without realizing they do. For a quick overview of garden- learned from others; it is also variety (a metaphor!) metaphors heard in everyday speech, turn a sign of genius, since a good to the alphabetically arranged list of Common Metaphors metaphor implies an eye for (beginning on page 471) that follows the A-Z main entries. resemblance. Whether poetic or colloquial, simple or complex, a meta —Aristotle, De Poetica, phor compares two unlike objects or ideas and illuminates the 322 B.C. similarities between them. It accomplishes in a word or phrase what could otherwise be expressed only in many words, if at all. If we say "don't let her rough manner scare you, she's a pussycat," we condense into a single word the characteristics associated with an affectionate, gentle, non-intimidating per sonality. Since the word or phrase used to set up the compari son evokes a mental picture, you might say that metaphor embodies the phrase "a picture is worth a thousand words." While poetry would be impoverished without metaphor, so indeed would all language. Great writers and orators use metaphors to peel away layers of camouflaged meaning. The metaphor's usefulness for presenting technical information to laymen is typified by syndicated health columnist Jane E. Brody's description of an aneurysm as "an abdominal time bomb lurking in the aorta which is the body's super-highway." Anyone—even someone without a special perception for hidden likeness—can learn to look beyond the obvious to create a pungent metaphor or bring freshness to an old one. To raise one's metaphonc consciousness requires no more than a willingness to smell the linguistic flowers. Dorrie Weiss and I have compiled this dictionary with three basic aims: vii • viii 5 1. To create a useful and enjoyable source for examples of o metaphor in all its permutations 6 2. To heighten the reader's appreciation and understanding û of metaphor g 3. To provide inspiration for writers and speakers. < The more than 6,500 metaphors in these pages illustrate 2 more than 2,500 images applied to 600 subjects. The Subject Index (beginning on page 576) provides an overview of the images most often used. The Table of Thematic Categories (beginning on page xvii) with its many See/See also cross- references works as a subject finder. For utmost comprehensiveness, entries span the entire timeline of history and illustrate origination and use by poets, novelists, prose writers, speech writers journalists, scientists, philosophers, business people, aaors, students, and "just plain folks." Simple and obvious images rub shoulders—metaphori cally—with the subtle and complex, as do the beautiful with the more coarsely spun, the derivative with the original, the humorous with the sad, and the light-footed with the ponderous. To enhance the dictionary's usefulness, authors have been cited for all entries except proverbial metaphors and those by the ubiquitous "Anon." This attribution means that the author is the originator, the author is the popularizer, or the author's work is an example of the metaphor. Attribution is often clarified in a comment following an entry. To achieve our goal of comprehensive coverage we also addressed the following: Mixed Metaphor. When a metaphor draws its comparison from two illogical and opposite sources, it becomes what the late Theodore M. Bernstein (author and New York Times editor) aptly dubbed a "mixaphor." These failed metaphors often result in unintended humor, as when former Washington Week in Review host Paul Duke put his metaphoric foot in his mouth with "Clinton stepped up to the plate and grabbed the bull by the horn." The most frequently quoted example is from that unimpeachable source, Shakespeare, when his melancholy dane, Hamlet, ponders whether "it is nobler to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles." According to poet Babette Deutsch (in Poetry Handbook), Shakespeare's metaphor is a valid one. She believes that Shakespeare's passage alludes to the Celtic warriors' cus tom of fighting waves with their swords drawn. This interpreta tion makes for a logical connection to the second image, which
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