MEDIA AT THE MOVIES: ANALYZING THE MOVIE-VIEWING AUDIENCE By SEAN MICHAEL MAXFIELD A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MASS COMMUNICATION UNIVERSITY OF FLORIDA 2003 This thesis is dedicated to my family, all the survey/questionnaire people who have the courage and patience to ask strangers for help in getting a job done, and to all people who in some way contributed to this thesis, great or small. It is finally done! ACKNOWLEDGMENTS I would like to thank the following people for their help and encouragement, as well as giving of their time and talent, throughout this thesis process. First, I would like to thank my parents and other family members for their time, support, love, and monetary aid, without which I would not even be writing this thesis. I would especially like to thank my parents for their assistance in getting the Orlando theater to help me with the surveys. In the same way, I would like to thank the theaters that allowed me the time and opportunity to get people’s ideas on paper about the movies. Special thanks go to Cinemark Theater in Orlando and Gator Cinemas in Gainesville. They both get ten stars! A special thank-you goes to fellow graduate student Todd Holmes, who got me through the first leg of this thesis when we originally proposed its beginning for our research class. He was there to give this baby life. I would also like to thank my chair, James Babanikos, for taking time to listen to this thesis idea and running with it. He also gave me more confidence in trying to explain myself to others, especially when talking with my other committee members. My other committee members, Dr. Michael Weigold and Dr. John Wright, should also be congratulated. They taught me how to research my ideas and to make things more concrete. Dr. Wright gave me the initial idea to try this thesis, and Dr. Weigold gave me a refresher course on SPSS and statistical tests. Without their help, I would not be this far. I will remember them most of all because they made it fun to answer questions in iii classes and taught a sometimes-shy guy to talk in class. All my committee members gave me their best and helped me to become a better researcher and student. Before my committee guided my studies, there was one person who helped me develop as a grad student and that was Dr. Kim Walsh-Childers. Kim had been my advisor for a year and a half and started me on the path of writing a thesis. She made it sound less scary. I would also like to thank her for helping in my first contacts with UF. This last thank you is for all who aided me in my thesis and who may remain nameless, from the patrons at the movie theaters who answered my survey to the people at the UF computer lab. They provided some of the essential ingredients of this thesis and should also be congratulated for their help. iv TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................iii LIST OF TABLES............................................................................................................vii ABSTRACT.......................................................................................................................ix CHAPTER 1 PURPOSE AND SIGNIFICANCE OF STUDY.......................................................1 2 LITERATURE REVIEW...........................................................................................9 Introductory History...................................................................................................9 Foundation Study.....................................................................................................12 Other Related Studies...............................................................................................16 Uses and Gratifications Theory................................................................................40 3 SURVEY AND METHODOLOGY........................................................................44 Research Questions and Survey...............................................................................45 Sampling Technique.................................................................................................46 Collecting Surveys...................................................................................................48 Analysis of Research Questions...............................................................................53 Analyzing the Remaining Questions (Researchers’ Reasons for Adding the Remaining Questions):...................................................................................54 4 DATA AND RESULTS...........................................................................................56 Data Cleaning...........................................................................................................56 Data Analysis...........................................................................................................59 Analysis of Written-Response Answers...................................................................64 5 CONCLUSION AND CLOSING THOUGHTS......................................................91 Looking at Likert Scales..........................................................................................94 Closing Thoughts...................................................................................................102 v APPENDIX A QUESTIONNAIRE................................................................................................109 B TABLE OF RESPONSES......................................................................................115 LIST OF REFERENCES.................................................................................................151 BIOGRAPHICAL SKETCH...........................................................................................154 vi LIST OF TABLES Table page 1: Times............................................................................................................................69 2: Miss the Theater.............................................................................................................70 3: Feelings about Critiques................................................................................................71 4: Feelings about Trailers..................................................................................................72 5: Ad Effect........................................................................................................................72 6: Movie Stars....................................................................................................................73 7: Subject Matter................................................................................................................74 8: Word of Mouth..............................................................................................................75 9: Director..........................................................................................................................76 10: Seeing a Movie with Someone?...................................................................................77 11: Rating TV as a Medium...............................................................................................78 12: Rating Radio as a Medium...........................................................................................78 13: Rating Internet as a Medium........................................................................................79 14: Rating Magazines as a Medium...................................................................................80 15: Rating Newspapers as a Medium.................................................................................80 16: Rating Theaters as a Medium......................................................................................81 17: Rating Word-of-Mouth as a Medium..........................................................................82 18: $5 Increase-Yes or No.................................................................................................82 19: How Much Do Movies Make Up Your Entertainment?..............................................83 vii 20: Age Ranges..................................................................................................................84 21: Sex( m, f, or no)...........................................................................................................84 22: Counts for Feelings about Critiques............................................................................85 23: Counts for Feelings about Trailers...............................................................................86 24: Counts for Ad Effect....................................................................................................86 25: Counts for Movie Stars................................................................................................87 26: Counts for Subject Matter............................................................................................87 27: Counts for Word-of-Mouth.........................................................................................88 28: Counts for Director......................................................................................................88 29: General Linear Model: Within-Subjects Factors.........................................................89 30: Correlations..................................................................................................................90 31: Respondent Answers..................................................................................................115 viii Abstract of Thesis Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Mass Communication MEDIA AT THE MOVIES: ANALYZING THE MOVIE-VIEWING AUDIENCE By Sean Maxfield December 2003 Chair: James Babanikos Major Department: Mass Communication This study attempted to determine why people go to the movies to see the film they see. The following variables were examined to answer that question: movie stars, directors, trailers, general advertising, word of mouth, subject matter/genre, and reviews. Data were collected via an intercept sample of 400 respondents at several theater locations in central and north central Florida. Data analysis indicated that each criterion was related to movie-viewing choice. The subject matter of a film and featured movie stars were reasons most often cited for going to a theater to see a motion picture. ix CHAPTER 1 PURPOSE AND SIGNIFICANCE OF STUDY Movies have become a big part of everyday life, starting small at their origins and growing as of 1910. In the 1910s, the motion picture industry evolved from “an industry dominated by mom-and-pop businesses to a mature, complex industry” (Fuller 1996). The movie audience served as the catalyst for this change in the industry. The purpose of the current study is to analyze the movie-viewing audience and to see what motivates them to go see a particular movie in a theater. It is important to get inside the mind of the spectator, or moviegoer, to understand the nature of this selection- why one chooses to see a certain film of the many offered. Previous studies examined the socio-economic aspects of moviegoers such as looking at income levels and leisure activities in order to see the impact of movie watching on society in general. This new study is more specific, investigating how a person is initially enticed to go see a movie, whether this is through word of mouth, exposure to various media outlets ranging from movie previews to movie critiques in a newspaper or on TV, the drawing power of the cast or director, and so on. Movies continue to be big business. In fact, their popularity seems to grow with time, despite the competition for people’s leisure time and money. To give an indication of just how big movies have become over time, “WorldWide Box Office.Com” was consulted. This Web site, which records current and past box-office trends, tracks the total box office receipts for movies that suggest the popularity of film in general. For example, 1989 featured such hits as Batman and Indiana Jones and the Last Crusade and had total receipts of $5,987.5 million for that year alone. 2002, on the other 1
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