McCabe Allan, Morgana Elizabeth (2016) The difference of Being in the early modern world: a relational-material approach to life in Scotland in the period of the witch trials. PhD thesis. http://theses.gla.ac.uk/7811/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The difference of Being in the early modern world: a relational-material approach to life in Scotland in the period of the witch trials. Morgana Elizabeth McCabe Allan MA MLitt Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in Archaeology School of Humanities College of Arts University of Glasgow AUGUST 2016 Acknowledgements I would like to thank the Carnegie Trust for funding my research and all of the staff for their support. I would also like to thank the family of Sue Green for their generous funding and very touching letter at the beginning of my research. I cannot thank enough my supervisors, Dr. Chris Dalglish for his constant support, encouragement and dedication, and Dr. Nyree Finlay and latterly Dr. Michael Given for their generosity and enthusiasm. I also extend my heartfelt thanks to Kira O’Reilly, Sarah Bliss and Chris Jordan for allowing me to use their thought-provoking works of art in the thesis, and for our fascinating discussions. Many thanks also to Anne MacInnes for sharing her knowledge and images of infant burial grounds in the Gairloch area, and Maria Hampton for her Schiehallion image. All other images are the author’s own unless otherwise credited. Thanks to Katinka Dalglish (Glasgow Museums), Lyndsey McGill, George Dalglish, and Elaine Edwards (all National Museum of Scotland) and Nicole Bourke (Marishall Museum), for access to collections. A special thanks to Dr. Bettina Bildhauer, Dr. Lizanne Henderson, Dr. Jane Webster, Dr. Cozette Griffin-Kremer and Elaine Edwards (again) all of whom have been encouraging and offered invaluable advice and opportunities over the years, as have the wonderful folks of the Society of Folk Life Studies. Thanks also to the many members of staff who have been on my panel. Thank you Maria, Kirsty, Catherine and Jenny for sharing your cats, and Vikki, Maria, William, Tina, Hayley and Callum for copy editing. Thank you Lesley and John, for being in-laws and GPs par excellence. And James, for being a WIZARD and making the computer do all the things. Parents… Brothers… Thank you for everything. Especially through the years when I smelled perpetually of animals and insisted on keeping a menagerie at home. Lastly and most importantly, thank you Duncan, Jamie and Robbie, who have tolerated fieldwork relabelled “good clean family fun” and endless days of “mummy is working”. You guys are my world. ii Contents Acknowledgements ............................................................................ ii Contents ........................................................................................ iii Figure List ..................................................................................... vii Video List ....................................................................................... xi Additional Materials Supplied ............................................................... xii Abstract ....................................................................................... xiii Author's Declaration .......................................................................... xv Chapter 1: Introduction ....................................................................... 1 1.1 The Context of Scottish Witch Trials ............................................. 3 1.2 The Problem of Missing Things ..................................................... 6 1.3 A Situated Response ................................................................. 7 1.4 Thesis Structure...................................................................... 8 1.5 Maps ................................................................................... 9 Chapter 2: Research Context ............................................................... 19 2.1 Early Modern Scottish Witchcraft: Historiography ............................. 21 2.2 Integrating Religion and Folk Religion: Recent Advances ..................... 26 2.3 Seeing Fairies and Otherworlds in the Past ..................................... 31 2.4 Bodies and Boundaries: Witchcraft as a Lens ................................... 34 2.5 Recent Methodologies: The Nascent Archaeology of Witchcraft and Magic in Early Modern Scotland .................................................................. 42 2.6 Taking the Research Forward ..................................................... 49 Chapter 3: Theoretical Approach .......................................................... 51 iii Belief and Knowing ........................................................................ 51 3.1 Strange Data ......................................................................... 51 3.2 Beyond Religion, Beyond Folk Belief ............................................. 53 3.3 Taking Belief Seriously ............................................................. 57 3.4 Knowledge and the Body .......................................................... 62 Agencies and Ontologies .................................................................. 63 3.5 Witchcraft and Agency ............................................................. 64 3.6 Towards an Alternative Ontology ................................................ 73 Disruptions .................................................................................. 77 3.7 Disruptions: Ways into Alternative Ontologies ................................. 77 3.8 Extending ‘Disruption’ to the Reader ............................................ 80 Chapter 4: Methodology & Sources......................................................... 82 Ontology and Taxonomy .................................................................. 83 Critical Discussion of Sources & Materials .............................................. 86 4.1 General Note on Witch Trial Accounts .......................................... 86 4.2 The Survey of Scottish Witchcraft................................................ 87 4.3 The Kirk Session Records .......................................................... 90 4.4 Contemporary Treatises on Witchcraft .......................................... 91 4.5 Folklorists, Antiquarians and Statistical Accounts ............................. 92 4.6 Ordnance Survey and the Landscape ............................................ 94 4.7 Material Sources .................................................................... 96 4.8 Charms Collections ................................................................. 97 4.9 Discipline Artefacts ................................................................ 101 4.10 Infant Burial Grounds ............................................................ 106 4.11 Well Sites and Fairy Places ..................................................... 108 iv Representing the Data ................................................................... 110 4.12 Calculating Case Study Sizes ................................................... 112 4.13 A Note on the Highland/Lowland Divide ...................................... 114 Story 1 ......................................................................................... 119 Elspet .................................................................................... 119 Tree ...................................................................................... 120 Disruption 1: Body Parts .................................................................... 121 Chapter 5: Cloth-Body-Tree Collaborations.............................................. 123 5.1 Well Visiting Vignettes ............................................................ 124 5.2 Rags and Garments in Witch Trial Contexts ................................... 128 5.3 Cloth in Deliberately Concealed Contexts ..................................... 131 5.4 Ontological Inferences: different Cloth(e)s.................................... 135 5.5 Turning to Trees ................................................................... 138 5.6 A Walk in the Woods .............................................................. 140 5.7 Co-fabricating Rag Tree Sites .................................................... 146 5.8 The Fabric of Time ................................................................ 156 5.9 Trees, Disease and Bodies ........................................................ 162 5.10 Discarding and Building .......................................................... 165 5.11 Discussion ......................................................................... 170 Story 2 ......................................................................................... 173 Elspet .................................................................................... 173 Stone ..................................................................................... 174 Disruption 2: Blood .......................................................................... 175 Chapter 6: Fairy-Stone-Water-Body Interstices ......................................... 177 6.1 Elfshot ............................................................................... 180 v 6.2 Intersections Between Fairy Flesh & Human Flesh ........................... 190 6.3 Childbirth and Child Death ....................................................... 192 6.4 Belonging and Being: Personhood in Life and Death ......................... 198 6.5 Fairies, the Dead and Embodiment ............................................. 215 6.6 (Re-)turning to Stone ............................................................. 217 6.7 Into the Hills: Boundaries and Life-Force ...................................... 227 6.8 Discussion ........................................................................... 231 Story 3 ......................................................................................... 235 Cat ........................................................................................ 235 Elspet .................................................................................... 236 Disruption 3: Skin ............................................................................ 237 Chapter 7: Cat-Woman-Cow: Where Species Meet ..................................... 240 7.1 Introducing Cats in Walls ......................................................... 242 7.2 Animality, Ontology and Taxonomy ............................................. 245 7.3 Past Animal Beings: Methodology ............................................... 248 7.4 Finding the Cat in the Wall: Returning to Garments ......................... 252 7.5 Shapeshifting and Borderline Beings ............................................ 261 7.6 Cows, Milk and Interspecies Transference ..................................... 271 7.7 The Yoke (Jougs) and the Bridle (Branks) ...................................... 286 7.8 Discussion ........................................................................... 294 Chapter 8: Conclusion ....................................................................... 298 8.1 Strange Ontologies and the Dissolution of Boundaries ....................... 299 8.2 Reflections on ‘Things’ and ‘Disruptions’ ...................................... 305 8.3 Future Thematic Directions for Research ...................................... 306 Bibliography .................................................................................. 310 vi Figure List Figure 1: Map of Scotland showing case studies and selected other areas. .......... 10 Figure 2: DUNS case study area, Scottish Borders. ...................................... 11 Figure 3: HADDINGTON case study area, East Lothian. ................................. 12 Figure 4: KINTORE case study area, Aberdeenshire ..................................... 13 Figure 5: BUITTLE case study area, Kirkcudbrightshire ................................. 14 Figure 6: CAWDOR case study area, Nairnshire. ......................................... 15 Figure 7: TAIN case study area, Ross-shire. .............................................. 16 Figure 8: FORTINGALL case study area, Perthshire. ..................................... 17 Figure 9: MUCKHART, Clackmannanshire (formerly Perthshire). ...................... 18 Figure 10: Goose larynx rounded into a child’s charm for whooping cough ......... 97 Figure 11: Fairy stones. ...................................................................... 98 Figure 12: A Mary/drift nut charm ......................................................... 98 Figure 13: Jougs at St Anne’s, Dowally (FORTINGALL). ................................ 102 Figure 14: The branks of Holy Trinity Church, St Andrews. ........................... 103 Figure 15: The sackcloth from Holy Trinity Church, St Andrews. .................... 104 Figure 16: A pair of discipline stools from St Andrews. ................................ 105 Figure 17: Midway: Message from the Gyre © Chris Jordan. .......................... 121 Figure 18: Bent coins and pin cleared from St Queran’s Well ........................ 125 Figure 19: St Fillian’s Chair, Comrie (FORTINGALL) .................................... 126 Figure 20: Inschadney well finds, Kenmore, FORTINGALL ............................. 127 Figure 21: Replicas of 18th/19th charms made with rowan and knotless red thread and worn on the body ....................................................................... 131 Figure 22: Two examples of deliberately concealed garments discovered in Scotland © Textile Conservation Centre Foundation, 2010. ...................................... 133 Figure 23: Rothiemurchus - working woodland. ......................................... 140 Figure 24: Granny pine, Rothiemurchus. ................................................. 141 Figure 25: Woodlands bright and beautiful .............................................. 142 vii Figure 26: The birch canopy. .............................................................. 143 Figure 27: Life from a different perspective: the bending of birch. ................. 143 Figure 28: Ancient semi-natural woodland of Rothiemurchus. ....................... 144 Figure 29: An old pine stoically suffers the damage of gale force winds. ........... 145 Figure 30: Doon hill, Aberfoyle. ........................................................... 147 Figure 31: The Minister’s Tree (pine) ..................................................... 148 Figure 32: The Minister’s Tree site plan. Minister’s Tree at point 1. ................ 150 Figure 33: The view from the Minister’s Tree deeper into the site. ................. 151 Figure 34: Site extension. .................................................................. 151 Figure 35: Many rags take on a greyish-green colour as they deteriorate over time. ................................................................................................. 152 Figure 36: Thickening moss grows over an older rag ................................... 152 Figure 37: A red ribbon high in a holly. .................................................. 153 Figure 38: The holly bough has broken, the red ribbon falling with it. ............. 153 Figure 39: Wind and tree growth impact the deposits. ................................ 154 Figure 40: A comparison of the Minister’s Tree (Tree 1) deposits. ................... 154 Figure 41: A close up of sackcloth fabric; Holy Trinity Church, St Andrews. ....... 159 Figure 42: The view into the site towards the Minister’s Tree on a grey 6th September 2013. ............................................................................. 169 Figure 43: A similar perspective, just 4 days later, on a very sunny 10th September 2013. .......................................................................................... 169 Figure 44: An example of elfshot. ......................................................... 178 Figure 45: A simpler elfshot pendant, mounted in crystal bound with gold. ....... 181 Figure 46: An unmounted fairy arrow butter charm. ................................... 184 Figure 47: Schiehallion summit under dark moody clouds © Maria Hampton, 2016. ................................................................................................. 185 Figure 48: A mare stone, hung from the end of an 18th/19thC bed. ................ 195 Figure 49: A naturally-perforated, waterworn pebble ‘mare stone’ from a 19thC bed; Stonehaven (H.NO 98). ............................................................... 195 Figure 50: The infant burial ground at South Erradale © Anne MacInnes, 2010. ... 202 viii Figure 51: Infant burials marked at South Erradale with naturally worn stones © Anne MacInnes, 2010. ....................................................................... 203 Figure 52: At Melvaig the last infant burial took place at dusk © Anne MacInnes, 2010. .......................................................................................... 204 Figure 53: Four Mary/drift nuts, from two distinct plant species. ................... 206 Figure 54: At Baleruminmore IBG, infants were buried with a murder victim in the ruins of a pre-Reformation church © J. Malcolm, 2007 ................................ 208 Figure 55: The infant burial site at Melvaig © Anne MacInnes, 2010. ................ 209 Figure 56: The Clow chapel and red well, both dedicated to St Mary. .............. 211 Figure 57: Sithean A’ Bhaile-mheadhonaich is an IBG and fairy hill. ................ 211 Figure 58: Shandwick Stone © Wojsyl, 2006 ............................................. 213 Figure 59: The effect of rubbing stone on skin © National Museums Scotland Licensor www.scran.ac.uk. ................................................................ 219 Figure 60: A set of three stones which belonged to a Bonar Bridge Witch (TAIN) © National Museums Scotland Licensor www.scran.ac.uk ................................ 220 Figure 61: A 17th/18thC crystal charm stone silver-mounted for dipping .......... 222 Figure 62: A small quartz pebble encased in two strips of copper mounted to make a dipping charm .............................................................................. 222 Figure 63: Three very different things, all silver-mounted for dipping .............. 225 Figure 64: A sample of water-worn pebble charms with holes ....................... 226 Figure 65: Sithean Camaslaidh fairy hill and IBG, ...................................... 229 Figure 66: A fairy hill, and site of the Minister’s Tree: Doon Hill, Aberfoyle ....... 229 Figure 67: Inthewrongplaceness, by Kira O’Reilly © Manuel Vason, 2005. .......... 237 Figure 68: Bull by Day, Man by Night, by Sarah Bliss © Sarah Bliss, 2013. .......... 238 Figure 69: Profile of the intramural cat recovered from the old hospital, Stirling (MUCKHART). ................................................................................. 242 Figure 70: An intramural cat build into Breck of Rendall Mill, Orkney, c.1803 .... 243 Figure 71: The Dalkeith calf’s heart ...................................................... 254 Figure 72: An example of a byre: House 9, Lairg (TAIN) © Scottish Trust for Archaeological Research. ................................................................... 273 Figure 73: An 18th century byre charm from Cumbernauld. .......................... 275 Figure 74: 18th/19th century byre charm, Slains (KINTORE).......................... 276 ix
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