Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings PDF
Preview Mathematics and Computation in Music: 5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings
Tom Collins · David Meredith Anja Volk (Eds.) Mathematics and Computation 0 1 1 9 I in Music A N L 5th International Conference, MCM 2015 London, UK, June 22–25, 2015 Proceedings 123 fi Lecture Notes in Arti cial Intelligence 9110 Subseries of Lecture Notes in Computer Science LNAI Series Editors Randy Goebel University of Alberta, Edmonton, Canada Yuzuru Tanaka Hokkaido University, Sapporo, Japan Wolfgang Wahlster DFKI and Saarland University, Saarbrücken, Germany LNAI Founding Series Editor Joerg Siekmann DFKI and Saarland University, Saarbrücken, Germany More information about this series at http://www.springer.com/series/1244 Tom Collins David Meredith (cid:129) Anja Volk (Eds.) Mathematics and Computation in Music 5th International Conference, MCM 2015 – London, UK, June 22 25, 2015 Proceedings 123 Editors TomCollins AnjaVolk De MontfortUniversity UtrechtUniversity Leicester Utrecht UK TheNetherlands DavidMeredith Aalborg University Aalborg Denmark ISSN 0302-9743 ISSN 1611-3349 (electronic) Lecture Notesin Artificial Intelligence ISBN 978-3-319-20602-8 ISBN978-3-319-20603-5 (eBook) DOI 10.1007/978-3-319-20603-5 LibraryofCongressControlNumber:2015941498 LNCSSublibrary:SL7–ArtificialIntelligence SpringerChamHeidelbergNewYorkDordrechtLondon ©SpringerInternationalPublishingSwitzerland2015 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartofthe material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodologynow knownorhereafterdeveloped. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthispublication doesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevant protectivelawsandregulationsandthereforefreeforgeneraluse. Thepublisher,theauthorsandtheeditorsaresafetoassumethattheadviceandinformationinthisbookare believedtobetrueandaccurateatthedateofpublication.Neitherthepublishernortheauthorsortheeditors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissionsthatmayhavebeenmade. Printedonacid-freepaper SpringerInternationalPublishingAGSwitzerlandispartofSpringerScience+BusinessMedia (www.springer.com) Preface The5thBiennialInternationalConferenceforMathematicsandComputationinMusic (MCM2015)tookplaceJune22–25,2015,atQueenMaryUniversityofLondon,UK, co-hosted by the School of Electronic Engineering and Computer Science (Centre for Digital Music) and the School of Mathematical Sciences. As the flagship conference of the Society for Mathematics and Computation in Music (SMCM), MCM 2015 provided a dedicated platform for the communication and exchange of ideas among researchers in mathematics, informatics, music theory, composition, musicology, and relateddisciplines.Itbroughttogetherresearchersfromaroundtheworldwhocombine mathematics or computation with music theory, music analysis, composition, and performance. This year’s program – full details at http://mcm2015.qmul.ac.uk – featured a number of distinguished keynote speakers, including Andrée Ehresmann (who spoke on contemporary mathematical approaches to creative systems), Emilia Gómez (who spoke on music technologies in classical orchestral music concerts), Gareth Loy (who spoke on steps toward a theory of musical interest), and Ge Wang (who spoke on the artofdesigningcomputermusic),andafilm(FromCirclestoHyperspheres,PartIII) by Gilles Baroin and Hugues Seress. The program also emphasized performances of real music related to the theoretical discussions. A noontime concert, Blood and Tango, presented a new adaptation of Gareth Loy’s Blood from a Stone, composed in 1992 for Max Matthew’s electronic violin and performed at MCM 2015 by Laurel Pardue, followed by Susanne Beer and Ian Pressland’s divergent interpretations of Piazzolla’s Le Grand Tango for cello and piano, each accompanied by Elaine Chew. An evening concert, Geometries and Ges- tures(Gege),featuredTomJohnson’sRationalMelodiesperformedonflutebyCarlos Vaquero, and musical illustrations of chord geometries in Italian popular music per- formed by Moreno Andreatta (SMCM Vice President), and of hypergestures in free jazz improvisations by Guerino Mazzola (SMCM President). The chapters in this book correspond to the papers and posters presented at the conference following a careful double-blind peer-review process. We received 64 submissions from 108 authors across 19 different countries. Each submission was assignedatleastthreereviewersfordouble-blindreview.Apaperwasacceptedonlyif amajorityofitsreviewersrecommendeditforacceptance.Theformatofeachaccepted paper(longorshortpaper)wasalsodecidedonthebasisoftherecommendationsofthe majority of the paper’s reviewers. Submissions were accepted in two categories: long papers(withalimitof12pages)fororalpresentationattheconferenceandshortpapers (with alimit ofsix pages) for posterpresentation attheconference. Atotalof24long papers and 14 short papers were accepted following review. VI Preface Finally,wearegratefultotheLondonMathematicalSociety,theInstituteofMusical Research,theEngineeringandPhysicalSciencesResearchCouncil,andtheSocietyfor MathematicsandComputationinMusicfortheirgeneroussupportfor,andpromotionof, theconference. May 2015 Oscar Bandtlow Elaine Chew David Meredith Anja Volk Tom Collins Organization Executive Committee General Chairs Oscar Bandtlow Queen Mary University of London, UK Elaine Chew Queen Mary University of London, UK Program Chairs David Meredith Aalborg University, Denmark Anja Volk Utrecht University, The Netherlands Publication Chair Tom Collins De Montfort University, UK Panels/Tutorials/Workshop Chair Johanna Devaney Ohio State University, USA Communications Chairs Janis Sokolovskis Queen Mary University of London, UK Luwei Yang Queen Mary University of London, UK Review Board Joshua Albrecht University of Mary Hardin-Baylor, USA Anna Aljanaki Utrecht University, The Netherlands Emmanuel Amiot Classes Préparatoire aux Grandes Ecoles, Perpignan, France Christina University of Athens, Greece Anagnostopoulou Moreno Andreatta IRCAM/CNRS/UPMC, France Gerard Assayag IRCAM/CNRS/UPMC, France Oscar Bandtlow Queen Mary University of London, UK Brian Bemman Aalborg University, Denmark Emmanouil Benetos City University London, UK Louis Bigo Universidad del País Vasco UPV/EHU, Spain Jean Bresson IRCAM/CNRS/UPMC, France Chantal Buteau Brock University, Canada Clifton Callender Florida State University, USA VIII Organization Emilios Aristotle University of Thessaloniki, Greece Cambouropoulos Norman Carey CUNY Graduate Center, USA Elaine Chew Queen Mary University of London, UK Ching-Hua Chuan University of North Florida, USA David Clampitt Ohio State University, USA Darrell Conklin Universidad del País Vasco UPV/EHU, Spain Michael Cuthbert Massachusetts Institute of Technology, USA Johanna Devaney Ohio State University, USA Shlomo Dubnov University of California, San Diego, USA Tuomas Eerola Durham University, UK Thomas Fiore University of Michigan-Dearborn, USA Arthur Flexer Austrian Research Institute for Artificial Intelligence, Austria Harald Fripertinger Karl-Franzens-Universität Graz, Austria Mathieu Giraud CNRS, France Maarten Grachten Austrian Research Institute for Artificial Intelligence, Austria Yupeng Gu Indiana University, Bloomington, USA Dorien Herremans University of Antwerp, Belgium Keiji Hirata Future University Hakodate, Japan Anna Huang Massachusetts Institute of Technology, USA Özgür İzmirli Connecticut College, USA Philip Kirlin Rhodes College, USA Katerina Kosta Queen Mary University of London, UK Robin Laney The Open University, UK Olivier Lartillot Aalborg University, Denmark David Lewis Goldsmiths, University of London, UK Cristina Catherine University of Cincinnati, USA Losada Matija Marolt University of Ljubljana, Slovenia Alan Marsden University of Lancaster, UK Panayotis NYU Steinhardt, USA Mavromatis Guerino Mazzola University of Minnesota, USA David Meredith Aalborg University, Denmark Andrew Milne University of Western Sydney, Australia Thomas Noll ESMuC Barcelona, Spain François Pachet Sony CSL, Paris, France Marcus Pearce Queen Mary University of London, UK Robert Peck Louisiana State Univesity, USA Richard Plotkin University at Buffalo, SUNY, USA Ian Quinn Yale University, USA Richard Randall Carnegie Mellon University, USA Christopher Raphael Indiana University, Bloomington, USA Christophe Rhodes Goldsmiths, University of London, UK David Rizo University of Alicante, Spain Craig Sapp Stanford University, USA Organization IX William Sethares University of Wisconsin, USA Alan Smaill University of Edinburgh, UK Bob Sturm Queen Mary University of London, UK David Temperley University of Rochester, USA Petri Toiviainen University of Jyväskylä, Finland Godfried Toussaint McGill University, Canada Peter van Meertens Institute, The Netherlands Kranenburg Gissel Velarde Aalborg University, Denmark Anja Volk Utrecht University, The Netherlands Gerhard Widmer Johannes Kepler University Linz and Austrian Research Institute for Artificial Intelligence, Austria Geraint Wiggins Queen Mary University of London, UK Jonathan Wild McGill University, Canada Daniel Wolff City University London, UK Jason Yust Boston University, USA Marek Žabka Netherlands Institute for Advanced Study in the Humanities and Social Sciences, The Netherlands Society for Mathematics and Computation in Music President Guerino Mazzola University of Minnesota, USA Vice President Moreno Andreatta IRCAM/CNRS/UPMC, France Treasurer David Clampitt Ohio State University, USA Secretary Johanna Devaney Ohio State University, USA Journal of Mathematics and Music Editors-in-Chief Thomas Fiore University of Michigan-Dearborn, USA Clifton Callender Florida State University, USA Reviews Editor Jonathan Wild McGill University, Canada
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