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Materia Magica: The Archaeology of Magic in Roman Egypt, Cyprus, and Spain PDF

377 Pages·2013·3.32 MB·English
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Materia Magica Materia Magica The Archaeology of Magic in Roman Egypt, Cyprus, and Spain Andrew T. Wilburn The University of Michigan Press Ann Arbor Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Wilburn, Andrew T., 1974– Materia magica : the archaeology of magic in Roman Egypt, Cyprus, and Spain / Andrew T. Wilburn. pages cm. — (New texts from ancient cultures) Includes bibliographical references and index. ISBN 978- 0- 472- 11779- 6 (cloth : alkaline paper) — ISBN 978- 0- 472- 02868- 9 (e- book) 1. Magic, Ancient— History. 2. Magic, Roman— History. 3. Magic— Egypt— History— To 1500. 4. Magic— Cyprus— History— To 1500. 5. Magic— Spain— History— To 1500. 6. Egypt— Antiquities, Roman. 7. Cyprus— Antiquities, Roman. 8. Spain— Antiquities, Roman. I. Title. BF1591.W55 2012 133.4’3093— dc23 2012047393 Dedicated to the memory of Traianos Gagos 1960– 2010 Foreword This book began as a seminar paper investigating the context and function of some curious bones from the Kelsey Museum of Archaeology at the University of Michigan. I wrote the paper for a class taught by Traianos Gagos, taken as part of my training as a graduate student in the Interdepartmental Program in Classical Art and Archaeology. Traianos was an amazing teacher and mentor, and working with him on this project sparked a fascination that led directly to this book. Over the years, I learned much through our conversations on antiq- uity, academia, and life; Traianos was not only a teacher and adviser, but also a dear and dearly missed friend. I am indebted to Oberlin College and the Loeb Classical Library Founda- tion for the financial support needed to bring the work to completion. An Ober- lin College Grant- in- Aid and the Thomas Cooper Fund for Faculty Research provided funding for production costs. During earlier stages of this book, I benefited from funding provided by the Rackham School of Graduate Studies at the University of Michigan (2000), the American Institute of Archaeology (2002), and the Cyprus Fulbright Commission (2003). I produced the maps of Karanis through a grant from the University of Michigan Collaborative for the Advancement of Research and Technology (2004). This book would not have been possible without the assistance, advice, and encouragement of Terry Wilfong and David Frankfurter. I also owe thanks to numerous friends and colleagues from whom I have received assistance. Chris- topher Faraone and Jacco Dieleman read and provided insightful comments on the opening and closing chapters. The anonymous readers of my initial manuscript supplied important guidance. Ellen Bauerle, my editor, as well as Alexa Ducsay at the University of Michigan Press have been instrumental in helping me bring the project to completion. My dissertation committee, includ- viii Foreword ing Susan Alcock, Janet Richards, Derek Collins, and Stuart Kirsch, provided much- needed guidance and direction. Many others provided thoughts, bibli- ography, and encouragement along the way: Björn Anderson, Pierre Aupert, Roger Bagnall, Nancy Bookidis, Del Chrol, James Cook, Gregory Daugherty, Paola Davoli, Smadar Gabrelli, Jennifer Gates- Foster, Michael Given, Carla Goodnoh, Alison Griffith, Todd Hickey, David Jordan, Thomas Landvatter, Nikos Litinas, Daniel McCaffrey, John Pedley, C. H. Peters, Adam Rabi- nowitz, Margaret Root, Guy Sanders, J. J. Shirley, Jim Sickinger, Gina Soter, Stephen Tracy, and Philip Ventricinque. The support of my colleagues in the Oberlin College Department of Classics, Thomas Van Nortwick, Kirk Ormand, Benjamin Lee, and Christopher Trinacty, has been invaluable. John Harwood and Amy Margaris, colleagues in art history and anthropology, as well as the Friday working group at the Feve, provided cross- disciplinary direction. At Oberlin College, I have benefited from the assistance of a number of talented and dedicated undergraduate students, Gabe Baker, Ploy Keener, Christopher Motz, Eush Tayco, Lauren Clark, Laura Wilke, and Emily Thaisrivongs. My research required significant assistance with museum collections, and I am grateful to the many people who helped me with archival materials and images. The Kelsey Museum of Archaeology in Ann Arbor has been instru- mental in my work, and I wish to thank Sharon Herbert, the director, Elaine Gazda, curator of Hellenistic and Roman antiquities, as well as Robin Meador- Woodruff, the former registrar. Sebastían Encina and Michelle Fontenot, col- lections managers, and Suzanne Davis and Claudia Chemello, the conservators at the Kelsey, provided valuable assistance in locating objects and supplying illustrations for the Karanis artifacts. I owe thanks as well to Adam Hyatt and Arthur Verhoogt of the University of Michigan Papyrus Collection for images of the papyrus and ostracon from Karanis. I am greatly indebted to Dr. David S. Reese of the Peabody Museum of Natural History, Yale University, who performed faunal analysis on the bones and identified the joins. Scott Swann of the Center for Statistical Consultation and Research and Karl Longstreth of the University of Michigan Map Library provided important assistance. I am grateful to Zahi Hawass and the Supreme Council of Antiquities who granted permission to study artifacts in the Egyptian Museum in Cairo and to visit the sites of Karanis and Soknopaiou Nesos. I also owe thanks to Madam Amira Khattab at the American Research Center in Egypt, Ann Radwan at the Egyp- tian Fulbright Commission, Mr. Adel Mahmoud, the curator of the New King- dom at the Egyptian Museum, and Mr. Lotfy Abed Elhamid, who provided Foreword ix me with access to Karanis objects in the museum and in the storerooms. At the British Museum, I am grateful to J. Leslie Fitton, Keeper of Greece and Rome, and to Thomas Kiely who provided assistance with the material from Amathous as well as the correspondence related to the acquisition of the tab- lets. The Trustees of the British Museum kindly provided permission to print images of the tablets. On Cyprus, I benefited from the resources of the Cyprus American Archaeological Research Institute, and wish to thank Tom Davis, the director, Vathoulla Moustoukki, the executive assistant, and Diana Con- stantides, the former librarian. In the Cyprus Department of Antiquities, I am greatly indebted to Sophocles Hadjisavvas and Pavlos Floruentzos, directors of the department, as well as to Depso Pilidou and Yiannis Violitis in Nico- sia and Eleni Procopiou in Limassol. In Spain I benefited from the assistance of Xavier Aquilué Abadias, of the Museu d’Arqueologia de Catalunya, as well as Marta Santos Retolaza and Joaquim Tremoleda Trilla at the Empúries museum. I am grateful for their permission to reprint the map from Empúries as well as images of the curse tablets and their ceramic vessels. The Museo Nazionale Romano kindly provided an image of the curse tablet from the cache found near the San Sebastiano gate. I also thank Anne- Laure Ranoux and the Musée du Louvre for providing the image of the pierced female doll. Robert Daniel of the Cologne Papyrus Collection kindly provided access to the wax figurines from north of Assiut. My sincere thanks are due to my parents, Aaron and Nancy Wilburn, aunts Annette Wilburn and Janice McCouch, and to my sister and brother in-l aw, Robin and Ravic Nijbroek, for years of support. I truly owe the completion of this manuscript, however, to my loving wife, Maureen Peters, for her tireless patience, assistance, and encouragement. July 2011

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This exciting new study draws on objects excavated or discovered in the late nineteenth or early twentieth century at three Mediterranean sites. Through the three case studies, Materia Magica identifies specific forms of magic that may be otherwise unknown. It isolates the practitioners of magic and
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