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Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 Michael J. Blouin Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 Michael J. Blouin English and the Humanities Milligan College Johnson City, TN, USA ISBN 978-3-319-89386-0 ISBN 978-3-319-89387-7 (eBook) https://doi.org/10.1007/978-3-319-89387-7 Library of Congress Control Number: 2018937876 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: Fotomaton/Alamy Stock Photo, Teddy Kwok/EyeEm/Getty Images Cover design by Tom Howey Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland To Kate With Love A cknowledgements Countless hands shaped this book. I wish to take a moment to express gratitude to some of the individuals that supported me as it came to fruition. Of course, any missteps in the pages to follow are mine alone. My partner Kate awes me on a daily basis with her dedication to social justice. Her love and grace give me strength. Her personal commitments give me courage. Without her, this book would not exist. My mother Melissa first revealed to me what empathy looks like. She showed me what it looks like to stand up for noble causes. Her kindness and generosity greatly influence the pages that follow. My daughter Emerson moves me to pursue a better future. She fills me with profound hopefulness. I love you, baby girl. A number of thoughtful readers commented upon chapter drafts. Patricia Ventura helped me to organize and to set firm foundations; Mary Beth Pringle reminded me to seek clarity; Tony Magistrale pushed me to appreciate the trees before dwelling on the forest; Scott Michaelsen forced me to find focus when I wandered; and David Stowe guided me into higher degrees of nuance. In addition, I am extremely grateful for the professionalism of the peer reviewers and editorial staff at Palgrave Macmillan. During the process of writing this book, I was humbled by the acu- men of individuals that make up my various communities. While serving as a chair for the regular panel “Neoliberalism in Literature and Media Studies” at the annual conference of the Southern Atlantic Modern Literature Association, I learned much from insightful panelists. While vii viii ACKNOWLEDGEMENTS serving as a guest editor for the special issue of The Journal of Popular Culture entitled “Neoliberalism and Popular Culture” (April 2018), I broadened my knowledge on the subject thanks to the opportunity to reflect upon brilliant critical work by a diverse range of authors. My col- leagues in the Humanities at Milligan College motivate me with their tireless effort. They hold me up with their unwavering support. Finally, I am grateful for my students. They never cease to surprise me with their open-mindedness, their engagement, as well as their longing to change the world. They prompt me to speak more clearly and cul- tivate a more inclusive vision. To students, past and present: I remain indebted to you. c ontents 1 Introduction: Popular Paperbacks and the Transformation of American Liberalism 1 Part I The Neoliberal Turn 2 The Reading, Writing, and Arithmetic of Mass-Market Fiction 37 3 Danielle Steel and New Home Economics 75 4 Michael Crichton and the Heritage of Invention 113 Part II Conjunctures 5 Tom Clancy and the Liberal Family Tree 147 6 John Grisham and the New Economy Thriller 177 7 Dean Koontz and the Problem with Power 211 Index 245 ix CHAPTER 1 Introduction: Popular Paperbacks and the Transformation of American Liberalism The crisis of American liberalism has reached a fever pitch. The term “liberal” that I use here is not synonymous with “progressive.” Broadly speaking, liberals support individual autonomy and limited state inter- vention. For ardent supporters of liberalism, the inauguration of Donald Trump in 2017 signals a society in disarray. For its vociferous critics, the election serves as a prime opportunity to engage in radical reform. These reports of the death of liberalism may prove to be hyperbolic. Yet the relative consensus of the post-World War II era does lie in tatters. Angry voices cry out for dramatic overhaul. Has the long, strange journey of American liberalism reached its terminal point? Over the course of the twentieth century, liberalism in the United States is relentlessly Balkanized—neoconservatism, neoliberalism, New Democrats, the Tea Party, and so forth. As of 2017, what does liberal- ism mean? Where do traditional tenets remain and where are they trans- formed? Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017 explores crucial concerns of a liberalism in crisis: the idea of love and the rise of the financial sector (Danielle Steel); science and the role of centralized planning (Michael Crichton); entangled political alliances in the aftermath of the 1960s (Tom Clancy); the anxiety and promise of corporate re-structuring (John Grisham); the line between government and personal empowerment (Dean Koontz). At a global level, this book explores how mass-market fiction informs—and is © The Author(s) 2018 1 M. J. Blouin, Mass-Market Fiction and the Crisis of American Liberalism, 1972–2017, https://doi.org/10.1007/978-3-319-89387-7_1 2 M. J. BLOUIN informed by—the re-shaping as well as dismantlement of liberal institu- tions. At a local level, this book examines the ways in which these large- scale metamorphoses manifest in private spheres. With an unofficial tally of over 1.2 billion copies sold and counting, the works considered herein consistently perch atop all-time bestselling lists. One might reasonably assume that readers choose these specific texts due to their clarity, accessibility, and coherence. These traits remain useful indices of cultural intelligibility. The novels that I analyze serve as ideal sites for tracking the readability (or incongruity) of political senti- ments in the contemporary United States. The sustained popularity of the authors in question over the last fifty years parallels what literary critics Mitchell Huehls and Rachel Greenwald Smith designate as the four phases of recent liberal development. The success of these authors generally begins in the economic phase of the 1970s—at the end of the gold standard and the eruption of speculative finance. It endures through the second stage of the 1980s, in which eco- nomic changes extend in a granular fashion into nonmarket domains. These authors remain highly relevant into the third stage of the 1990s in which literature is infiltrated by market rationality (a perspective that conceives of every encounter through the lens of economic exchange while upholding the premise that an unregulated marketplace is always both rational and beneficial). Finally, the celebrity of these figures lin- gers into the latest stage, in which literature increasingly correlates with “a mode of existence defined by individual self-responsibility, entrepre- neurial action, and the maximization of human capital” (Huehls and Smith, 6–10). To analyze the respective canons of these popular writers is to glimpse how an enormous number of readers are encouraged to make sense of a new-look liberalism. In one sense, the form as well as the content of these popular novels retain shadows of homogeneity from mid-century American life. Mass- production elicits memories of mighty technocracies that churn out hegemonic wares. Many critics of these novels subsequently slide into a critical mold established by the Frankfurt School. While this mode of interpretation continues to yield valuable insights, it risks missing the fact that capital is no longer restrained by mid-century regulations. The first half of the book addresses this turn. The contradictory character of mass-market fiction reflects a reforma- tion. Cheap paperbacks are sold alongside sundry baubles in the check- out aisle. Their increased volatility (based upon weekly bestseller lists and online metrics, a book must survive or be usurped by competitors) as well

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