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Mary Wollstonecraft and the Accent of the Feminine PDF

174 Pages·2002·0.96 MB·English
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Mary Wollstonecraft and the Accent of the Feminine Ashley Tauchert Mary Wollstonecraft and the Accent of the Feminine Mary Wollstonecraft and the Accent of the Feminine Ashley Tauchert Lecturer in English University of Exeter Q Ashley Tauchert, 2002 Softcover reprint of the hardcover 1st edition 2002 978-0-333-96346-3 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1POLP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin's Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). ISBN 978-1-349-42759-8 ISBN 978-0-230-28735-8 (eBook) DOI 10.1057/9780230287358 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Tauchert, Ashley. Mary Wollstonecraft and the accent of the feminine / Ashley Tauchert. p. cm. Includes bibliographical references (p.) and index. 1. Wollstonecraft, Mary, 1759±1797ÐCriticism and interpretation. 2. Feminism and literatureÐEnglandÐHistoryÐ18th century. 3. Women and literatureÐEnglandÐHistoryÐ18th century. 4. Sex differences (Psychology) in literature. 5. Femininity in literature. 6. Self in literature. I. Title. PR5841.W8 Z798 2001 8280.609Ðdc21 2001036153 10 9 8 7 6 5 4 3 2 1 11 10 09 08 07 06 05 04 03 02 This book is written in celebration of the life and work of Barbara Elizabeth (Whenmouth) Tauchert Contents Acknowledgements ix Introduction: Female Embodiment and Writing 1 The Athenic mode 8 Part I Remembering Elizabeth Dickson and Fanny Blood 17 1 Love between Women ± Wollstonecraft's Early Writings 19 Cherchez la meÁre 23 Thoughts on the Education of Daughters (1787) 26 Original Stories (1788) 29 Mary: A Fiction (1788) 33 Part II Female Embodiment and the Body-Politic 53 2 Female Embodiment, Rape, and the Vindications 55 Vindicating masculine virtue 58 Ten thousand swords 61 Female-embodied reason 63 Leaving out the mother 65 Vindicating women: the problem that is women's writing 68 This tumultuous passion 72 The phantom phallus 78 Part III Matrilineal Writing 81 3 The Pregnant Writer: Historical and Moral View of the French Revolution 83 The body of the people 88 Castrated and potent maternal bodies 90 4 Matrilineal Writing: Letters from Sweden and Wrongs of Woman 97 vii viii Contents The story as of woman 101 Imported into another economy . . . 102 Women are `products' used and exchanged by men . . . 103 The murder of the mother results [in] the burial of the madness of women ± and the burial of women in madness ± 105 Speaking-among-women/speaking (as) woman 107 Feminist sublime where all foundations are called into question 111 Letters from Sweden: my babe 118 The subject of matrilineal writing 126 Conclusion: Female Embodiment and Writing beyond Wollstonecraft 131 Rape and intersubjectivity 134 Fantasies of the feminist in wet skirts 139 Notes 145 Bibliography 153 Index 167 Acknowledgements This book could not have been produced without the support and encouragement (not to mention work) of Peter Swaab, Gill Howie, Regenia Gagnier, Jane Spencer, Raymond Tauchert, Mark Tauchert and Becky Peters, and anyone who has ever looked after my children for me or written a reference for me. And thanks to the two anonymous readers who helped to shape the argument. It is dedicated, as is everything I am and do, to the dream of a better future for Jack, Alice and Georgie, and would not have been possible without their special brand of love and wisdom. And, as ever, written for and with my dearest friend and partner, who makes everything possible . . . Earlier varations on the arguments made in this book have been published in the following journals: Women's Writing, 4.2.1977; QWERTY: Arts, LitteÂratures et Civilisations du Moude Anglophone, 9 (October 1999); Romanticism on the Net (May 2000). ix

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