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Marrying Jesus in Medieval and Early Modern Northern Europe: Popular Culture and Religious Reform PDF

280 Pages·2016·7.749 MB·English
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Drawing upon a voluminous reading in secondary literature and a broad knowledge of rare books and manuscripts from many premodern European regions, Gregory’s study challenges the often anachronistically sexualized notions of contemporary feminist scholarship concerning the bride of Christ and the bridegroom. Her work instead examines the trope of “marrying Jesus” in fresh ways, pointing up the complexity and fecundity of interpretations this fundamental theme generated in late medieval religion. —Philip M. Soergel, University of Maryland, College Park, USA Marrying Jesus in M E a The first full-length study of the notion of marriage to Jesus in late medieval a and early modern popular culture, this book treats the transmission and rlyrry Medieval and Early Modern transformation of ideas about this concept as a case study in the formation of Min religious belief and popular culture. Marrying Jesus in Medieval and Early g Modern Northern Europeprovides a history of the dispersion of theology about od J Northern Europe the bride of Christ in the period between the twelfth and seventeenth centuries ee s and explains how this metaphor, initially devised for a religious elite, became rnu s integral to the laity’s pursuit of salvation. N in Popular Culture and Religious Reform o Unlike recent publications on the bride of Christ, which explore the gendering r M t h of sanctity or the poetics of religious eroticism, this is a study of popular e e d religion told through devotional media and other technologies of salvation. r ni RABIA GREGORY Marrying Jesusargues against the heteronormative interpretation that brides ev E of Christ should be female by reconstructing the cultural production of a u l brides of Christ in late medieval Europe. A central assertion of this book is r oa that by the fourteenth century, worldly, sexually active brides of Christ, both pn male and female, were no longer aberrations. ed Analyzing understudied vernacular sources from the late medieval period— including sermons, early printed books, spiritual diaries, letters, songs, and R hagiographies—Rabia Gregory shows how marrying Jesus was central to late A medieval lay piety, and how the “chaste” bride of Christ developed out of B I sixteenth-century religious disputes. A G R E Rabia Gregory is Associate Professor of Religious Studies and Women’s and G Gender Studies at the University of Missouri-Columbia, USA. O R Y Cover illustration: Woodcut (cropped from opening, permission granted), Eternal Embrace of Christ and the Loving Soul, Von der ynnigen selen wy sy gott casteyet vnnd im beheglich mach. Erfurt: Wolfgang Schenck, 1499. Biblioteka Uniwersytecka we Wroclawiu, XV.Q.329 d iv r. www.routledge.com Marrying Jesus in Medieval and early Modern northern europe In loving memory of Mariana Issa Geha 1910–2005 & Dorothy Pauline Huston 1927–2009 Marrying Jesus in Medieval and early Modern northern europe popular Culture and religious reform rabia gregory University of Missouri-Columbia, USA First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business © rabia gregory 2016 all rights reserved. no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. rabia gregory has asserted her right under the Copyright, designs and patents act, 1988, to be identified as the author of this work. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library The Library of Congress has cataloged the printed edition as follows: gregory, rabia. Marrying Jesus in medieval and early modern northern europe: popular culture and religious reform / by rabia gregory. pages cm includes bibliographical references and index. ISBN 978-1-4724-2266-8 (hardcover) — ISBN 978-1-4724-2267-5 (ebook) — isbn 978-1-4724-2268-2 (epub) 1. Marriage—religious aspects—Christianity—history of doctrines. 2. Mystical union— history of doctrines. 3. Jesus Christ—Mystical body—history of doctrines. 4. europe— Church history. 5. spirituality—Christianity—history of doctrines. i. title. bt706.g74 2016 274’.05—dc23 2015029927 ISBN: 9781472422668 (hbk) Contents List of Figures and Tables vii Preface and Acknowledgements xi 1 portraits of the bride of Christ 1 2 any body’s bridegroom 31 3 transmedia stories of Jesus and the loving soul 67 4 Created to be a bride 117 5 Taking Jesus as a Second Husband 145 6 sisters and brides of Christ 169 7 Confessions of “true” brides of Christ 191 8 brides of Christ, Contemporary Christianity, and american popular Culture 215 Bibliography 227 Index 255 Page Intentionally Left Blank list of Figures and tables Figures 2.1 Sponsa et Sponsus, Exposition on the Song of Songs. bayerische Staatsbibliothek München, CLM. 18125, 1v., c. 1200. 38 2.2 Sponsa et Sponsus, Exposition on the Song of Songs. Bayerische Staatsbibliothek München, CLM. 4550, third quarter of the twelfth century. 39 2.3 Sponsa et Sponsus, Exposition on the Song of Songs. Bayerische Staatsbibliothek München, CLM. 30172, 1403. 40 2.4 Christ in Majesty, Speculum Virginum, book 10. The Walters Art Museum, baltimore, Ms W 72, fol. 98 r. 42 2.5 Jesus Attracting the Faithful to Heart, 1480/1490. Courtesy of national gallery of art, Washington, rosenwald Collection, 1943.3.853. 43 2.6 Dirck Volckertsz Coornhert, Mensheid wordt door de duivel geketend, 1550, after a design by Maarten van Heemskerck. Rijksmuseum, Amsterdam, RP-P-BI-6540X. 46 2.7 Dirck Volckertsz Coornhert, Zaligheid wordt bereikt door een te worden met Christus, 1550, after a design by Maarten van Heemskerck. Rijksmuseum, Amsterdam, RP-P-BI-6553x. 47 2.8 Unknown artist, Eternal Embrace and Closing Prayer, Von der ynnigen selen wy sy gott casteyet vnnd im beheglich mach. Erfurt: Wolfgang Schenck, 1499. Biblioteka Uniwersytecka we Wrocławiu, XV.Q.329 d iii v–d iv r. 58 3.1 God sends his messengers, Buch der Kunst, dadurch der weltlich Mensch mag geistlich werden. augsburg: Johann bämler, 1477, a 4 r rb 85766. reproduced by permission of the huntington library, san Marino, California. 80 3.2 The Soul at the altar with Christ as Man of Sorrows, Buch der Kunst, dadurch der weltlich Mensch mag geistlich werden. augsburg: Johann bämler, 1477, c 8 v rb 85766. reproduced by permission of the huntington library, san Marino, California. 82 viii Marrying Jesus in Medieval and Early Modern Northern Europe 3.3 title page, Den gheesteliken minnenbrief die Jesus Christus sendet tot synre bruyt. leiden: govert van ghemen, c. 1495, a i r. Cambridge university library inc.6.e.102[3117]. 84 3.4 Christ wakes the Soul, Von der ynnigen selen wy sy gott casteyet vnnd im beheglich mach. Erfurt: Wolfgang Schenck, 1499, a iii r. Biblioteka Uniwersytecka we Wrocławiu, XV.Q.329. 86 3.5 Christ undresses the Soul/Christ hangs the Soul, Christus und die minnende Seele. Albertina, Vienna, DG1930/198/6–7. 88 3.6 The Soul enthroned with her Attendants and Wounding Jesus, Buch der Kunst, dadurch der weltlich Mensch mag geistlich werden. augsburg: Johann bämler, 1477, m 8 r, rb 85766. reproduced by permission of the huntington library, san Marino, California. 90 3.7 title page, Mauburnus’s Rosetum exercitiorum spiritualium et sacrarum meditationum. Zwolle: peter os, 1494, rb 104186. reproduced by permission of the huntington library, san Marino, California. 95 3.8 Coronation of the Virgin with profession statements, Biblia Pauperum. Nuremburg: Hans Sporer, 1471–75, 36. Courtesy of scheide library, princeton, nJ. 97 3.9 “er hat mich gezieret mitt der cronen als der gemahel” [He has adorned me with a crown as the bride], Biblia Pauperum. Nuremburg: Hans Sporer, 1471–75, 40. Courtesy of Scheide library, princeton, nJ. 99 3.10 The Descent from the Cross (front), c. 1420. panel, 62 × 30 cm. Inv. Nr. 268.a. Museo Thyssen-Bornemisza, Madrid, Spain. photo credit: scala / art resource, ny. 102 3.11 Christ bearing the Cross (reverse), c. 1420. panel, 62 × 30 cm. Inv. Nr. 268.b. Museo Thyssen-Bornemisza, Madrid, Spain. photo credit: scala / art resource, ny. 103 3.12 Iconographic finger ring from Godstow Abbey, early fifteenth century. depth: 11.3 millimeters, diameter: 19.6 millimeters, weight: 15.448 grams. british Museum, inv. nr. an287704001. Copyright of the trustees of the british Museum. 105

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