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Marking Time: On the Anthropology of the Contemporary PDF

166 Pages·2007·0.75 MB·English
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MARKING TIME (cid:2) This page intentionally left blank MARKING TIME (cid:2) ON THE ANTHROPOLOGY OF THE CONTEMPORARY PAUL RABINOW PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD COPYRIGHT© 2008 BYPRINCETON UNIVERSITYPRESS PUBLISHED BYPRINCETON UNIVERSITYPRESS, 41 WILLIAM STREET, PRINCETON, NEWJERSEY08540 IN THE UNITED KINGDOM: PRINCETON UNIVERSITYPRESS, 3 MARKETPLACE, WOODSTOCK, OXFORDSHIRE OX20 1SY ALLRIGHTS RESERVED LIBRARYOFCONGRESS CATALOGING-IN-PUBLICATION DATA RABINOW, PAUL. MARKING TIME : ON THE ANTHROPOLOGYOFTHE CONTEMPORARY/ PAULRABINOW. P. CM. INCLUDES BIBLIOGRAPHICALREFERENCES AND INDEX. ISBN-13: 978-0-691-13362-1 (HARDCOVER: ALK. PAPER) ISBN-13: 978-0-691-13363-8 (PBK. : ALK. PAPER) 1. ANTHROPOLOGY—PHILOSOPHY. 2. CONTEMPORARY, THE. I. TITLE. GN33.R26 2008 301.01—DC22 2007008388 BRITISH LIBRARYCATALOGING-IN-PUBLICATION DATAIS AVAILABLE THIS BOOKHAS BEEN COMPOSED IN ITC GALLIARD WITH TRAJAN DISPLAY PRINTED ON ACID-FREE PAPER. (cid:2) PRESS.PRINCETON.EDU PRINTED IN THE UNITED STATES OFAMERICA 1 3 5 7 9 10 8 6 4 2 (cid:2) CONTENTS Preface vii Acknowledgments xiii Introduction On the Anthropology of the Contemporary 1 Inquiry 6 Elements 7 The Legitimacy of the Contemporary 2000: Drosophila Lessons 14 The Future of Human Nature 20 Bio-ethics: The Question Concerning Humanism 22 Nature 25 Security, Danger, Risk 26 Contemporary Formations 28 Conclusion 29 Adjacency Timing 35 Situating: Tolerance and Benevolence 36 Telos: AZone of Discomfort 44 Untimely Work 48 Observation Bildung 54 Observing the Future 57 Responsibility to Ignorance 60 Observing Observers Observing 62 Observing First-order Observers 64 Chronicling Observation 66 CONTENTS Original History 67 Writing Things: Deictic Not Epideictic 69 Vehement Contemporaries Rugged Terrain 78 Elements of a Contemporary Moral Landscape 80 Genomics as Ethical Terrain 81 Agonin the Genomic Terrain 84 Thumós: Appropriate Anger 90 Vehement Contemporaries 98 Marking Time: Gerhard Richter Contemporary Modern 101 Biotechnical Forms 103 Richter: Double Negations 106 Art Critics and Others 106 Our Contemporary 108 Nature 109 Photography 112 Marking Time 116 Abstract Images 119 Remediation 122 Objects 124 Remedation 127 Notes 129 Bibliography 141 Index 147 vi (cid:2) PREFACE The phrase “marking time”is a term with several clusters of meaning surrounding it. Among these clusters three in particular are especially pertinent to the mode, tone, and project of this book. (1) The first grouping forms around pauses: a treading between goal-directed actions. This gathering of energy expended in one task and soon to be directed to an- other after a pause is of course itself an activity. And given the function of treading—catching one’s breath, keeping one’s head above water—the modality of this first sense of marking time is frequently a reflective one: where should I go next? And how should I get there? (2) Asecond semantic cluster forms around meanings that are more performative: for example, a keeping of time as a conductor or musician might be expected to do; or an ordering of temporal sequence that a historian might undertake; or the naming of temporal qualities a philosopher might wish to distinguish. Such timely ordering of things is often followed or accompanied by “composing.”(3) Athird, at present largely vir- tual cluster, that of an anthropologist of the contemporary, at- tempts to take elements from the first two, gather them together, while adding an active practice of inquiry of a distinctive sort. Marking Time explores some of the dimensions of what that practice entails. This book continues work already accomplished in Anthropos Today: Reflections on Modern Equipmentdevoted to the formation of concepts useful for an anthropology of the contemporary.1 The book is itself a punctual intervention marked, as it were, by a particular set of circumstances although its ambitions are of a more general kind. Marking Timetook shape during a period P R E FA C E of research and reflection in the years 2003–2006. There were three distinct, if interconnected, substantive areas of research that occupied and preoccupied me as well as those with whom I was working, thinking, and composing at the time. First and foremost was a continuing engagement with the changing ter- rain of biotechnology and “postgenomics.”An initial challenge was presented by an invitation to conduct anthropological re- search at Celera Diagnostics in 2003. It seemed to me that if an- thropology was going to thrive in the twenty-first century, then it needed to modify its methods of inquiry and its modes of pro- duction. The temporality of both, but especially the leisurely, if stressful, duration of the latter, was such that given the pace of change of so many things going on in the contemporary world—from hip hop, to wars, to epidemics, to single nucleo- tide polymorphism mapping—it would inevitably relegate the discipline to a historical one. Hence the challenge, and thus the exercise, was to conduct a solid research project and to write a book within a year. To do so, certain preliminary and atypical conditions had to be met: it was clear that access, technical fa- miliarity, and a certain type of organization at a specific stage of its enterprise were preconditions. It was also clear that if such work was to succeed it would have to become more collabora- tive than was traditionally the case in anthropology. This meant not just the ethical collaboration with one’s informants and ex- V plicit acknowledgment of their contributions, but a di erent mode of collaboration among the anthropological researchers. While the changes of collaboration in research and publication that had taken place in biology over the previous decades showed that such transformation of scholarly disciplines was possible, it was clear that direct imitation of that model would be misleading. What collaboration might look like in the quali- tative human sciences would have to become itself a subject of experimentation. The first exercise designed to meet this chal- viii P R E FA C E lenge, the proof of principle as it were, yielded the book A Ma- chine to Make a Future: Biotech Chronicles, co-authored with Talia Dan-Cohen, then an undergraduate at UC Berkeley.2 The second project involved what turned out to be a reward- ing, multifaceted, and changeable relationship with Roger Brent, director of the Molecular Sciences Institute (MSI), a Na- tional Genome Center of Excellence in Computational Biology located in the city of Berkeley (although independent of the uni- versity). I had originally intended to conduct research on the MSI’s Alpha project, as a timely comparative counterpart and contrast case to that of Celera Diagnostics. Whereas the scien- tists and business people at Celera Diagnostics were confident in 2003 that the sequencing of the human genome (done in part by their parent company Celera Genomics) opened the door to immediate benefits in terms of identifying major markers for pathological conditions, the Alpha project was based on the premise that biology was not yet a full-fledged science since the field was neither quantitative nor predictive. The intellectually voracious and vivacious Brent and I engaged in many discus- sions, from which emerged a common agreement that I would not directly carry out research at MSI. Instead we concurred that our energies would be best spent elsewhere: Roger and I should develop a course together that would bring issues of genomics and citizenship into a common frame (we cotaught for three consecutive years from 2003 to 2005). Our free-wheeling and untrammeled discussions led to yet another unexpected swerve in my research interests. Brent convinced me that there was a real and growing danger of new biological threats, and that no even minimally protective bio-defense system existed in the United States (or elsewhere). His insistence on the pressing importance of the threat, and the connections to those working on the problem that he made available, led, with several more twists and turns, to an ongoing research project on the “Global Bio- ix

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In Marking Time , Paul Rabinow presents his most recent reflections on the anthropology of the contemporary. Drawing richly on the work of Michel Foucault, John Dewey, Niklas Luhmann, and, most interestingly, German painter Gerhard Richter, Rabinow offers a set of conceptual tools for scholars exami
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