manual-of-scales-arpeggios-broken-chords

74 Pages·2005·4.84 MB·English

MANUAL

SCALES
ARPEGGIOS

1) N@) ABN GO) DS)

TOR PIANCFORTE.

‘A revised and enlarged edition
of the scale book compiled jointly by
‘OSCAR BERINGER and THOS, F. DUNHILL
for the Royal Schools of Music.

THE ASSOCIATED BOARD of the ROYAL SCHOOLS OF MUSIC
4 BEDFORD SQUARE, LONDON, WC1B IG,
Bbice's ECobbestion

CONTENTS

DIATONIC SCALES:— Mason ato Minor Pree

Scare oF ©

Scaue oF G *
Scatz oF D - °
SCALE OF A 2
SCALE oF E 6
SCALE OF B (Crharmonic C Tat) 8
ScALE OF F SHARP (Enhacrsoae G fal) a

Scate oF D Lat (Eaharmonic C share)

SCALE OF A FLAT 2
Scate oF E rar a
Scat oF B FLAT 3
Scate OF F ”

‘OCTAVES 2
DOUBLE THIRDS. Mason. Standard Fingering “0
DOUBLE THIRDS. Mawok. Stendard Fingering a
DOUBLE THIRDS. Masor, Two. gap Fingering 48
DOUBLE THIRDS. Minor. Two grovp Fingering ”
CHROMATIC SCALE se

BROKEN CHORDS romeo or TRE Mor ano Miwon Cowmon Cannos 58

ARPEGGIOS
‘Apreceios oF THe MAJOR AND Minor Commo CHORDS a
“ARreacios oF THE CitoRbs OF THE DonINANT SEVENTH fa
“Agenecics oF THE CHORDS OF THE DimIsHeD SeveNTH »
STACCATO SIXTHS Scats of C Matar a
EDITOR'S NOTE
“Stugenta should give oarefel atfenin tthe aferrative ger nga af exrts.n si

ote sealer a of al seal ip double Inia —snateated mire thie singe ole sex
The ttsonce vs nverely nthe poaiion of Rraups, but in the dave 18 rd aeates the
ae ieee goving ie feonded on a principle whi afer Furdamenta:y fram thal of
the standard Eongeriee

Fearne, itnuon is given, as 9 denies snl be based 0 3 island Knowledge
tenn yet tafloreed ia many cases ay the cont nalon uf sie and 1 should
Teale, with a aarma Rend, ro achwve equally sausfactry fests wr ether
DIATONIC SCALES a
sore (BES C MAJOR

SIMILAR MOTION

Separated by an Oetaye

aa

iii: gee . -

annem EE Cc MAJOR

GONTRARY BOTION

Beginning at th closet point
C MINOR (metoaic}

SIMILAR MOTION

Perea nit 7
oy C MINOR (Harmonic)

anPagerse PE
SiWiLAR MOTION

Separated hy an Ostave.

Pipe et apr os

=

|

Ie Thirda or Tenthe

(nip wo € MINOR Giarmonic!

‘us ingen ell
Bardnaiag af the eiosesl point

CONTRARY MOTION Porm roger ak

net pole sy ah

Beginning wath tho Keyrote sn the LH. and the ‘Phord of te Seale wn the £14

Beoig with he beynote ia the gl the, Third of he Sele gp the Et

+ Aleseotve ageing in dei (See Bahar nate Aprot
|e er G MAJOR “snare
toa SIMILAR MOTION Lal eh Pinger on FH
Separdied by an Oclave

Io Thirds o¢ Teuths ;

di sixth

sain Finger on SEM G MAJOR
i Finger on JE EF

CONTRARY MOTION ee En Fagieen

Beginning at the

vt point

come
cru jetcenig G MINOR (Melodic) 7
2

SP Figeevo P Norcetng SIRILAR MOTION

ted by an Oelave
: eee G MINOR (Harmonie)

sun Pager on PET ternative:

SHILA MOTION PF "Sn Finger oa Fb
Separpled by an Octave

Ce eae
ver au 1
loge a 3 and aes a
sty Finger on LEH i ‘c MINOR (Harmonic) ree

Beginning at re ‘efpsest point CONTRARY MOTION Th Binge 00

(te ae Seater er

Bs

Begining wit the Keynote in thg Land the Teed of the, Sale Sate Hdl

é ea 5 it ude petit

rata

of the Seale in the Lh

Begrming Wt se keynote th i. and the
ee D MAJOR
aE SIMILAR MOTION
Separated by aa Octave 3

singer on SE

b Finger on Pa

Hager ang with ee sepnte mn fhe EJP aad the Third of tke Scale in the Bt
aur teteccenins DY MINOR (Melodic)
one sImi.an wovon
Separated by an Octave

. = a ie — bee waa my