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Making Artist's Tools PDF

152 Pages·1979·22.59 MB·English
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^ance Studley ft S15.95 cTWAKING ARTIST'S TOOLS ^anceStualey Have you ever wanted to make a watercolor brush, carve a lettering quill from a swan feather, or grind your own ink? Have you found an artist's tool priced higher than the highest amount you were willing to pay? If you haven't, then close this book and pass upavery readable and lavishly illustrated manual on the methods and procedures of making an assort- ment oftools—tools used by all artists, whether the medium is painting, printmaking, water- color, papermaking, or drawing. If, however, you love to make things with your hands and are drawn to the natural properties of bamboo, brass, oak, and natural fibers, then learn how to assemble a pocket sketch pen made entirely of bamboo, how to make your own pastels that are far superior to their commercial counterparts, how to mix and shape bright and colorful crayons, how to make paper from an assortment of plants from your own yard. Convert a beach backrest into an adjustable, portable drafting and lighttable. Proportional dividers and circle templates are even simpler to make. The hundreds of tools, brushes, quills, and drawing pens that the author has made and crammed into breathtakingly inadequatequar- ters are simply the working tools of his trade in which he takes special delight. He even uses them— daily. A VAN NOSTRAND REINHOLD BOOK BOSTON PUBLIC LIBRARY cTVlAKING c^RTIST'S TOOLS cTWAKING TOOLS ARTIST'S ^ance Stualey VAN NOSTRAND REINHOLD COMPANY SHE NEW YORK CINCINNATI TORONTO LONDON MELBOURNE For Walter Durian and Henry Lion Acknowledgments would like to express my appreciation to the follow- I ing individuals who assisted me in the preparation of this book. They have given not only their time but something of themselves, and their contributions are greatly appreciated: Norton Simon and the Norton Simon Museum Staff, Andrea Clark, Toshi Sekiyama of Yasutomo & Co., Hans Christian Krake, Sue Moss- man, Al Fiori, Lee Wexler, Robert Fiedler, WalterAskin, Garabed Mardirossian, Frances Kinman, and my wife, Margo Studley. Copyright 6 1979 by Litton Educational Publishing, Inc. Van Nostrand Reinhold Australia Pty. Limited Library of Congress Catalog Card Number 78-18233 17 Queen Street, Mitcham, Victoria 3132, Australia ISBN 0-442-27905-5 Van Nostrand Reinhold Company Limited All rights reserved. No part of this work covered by the copyright Molly Millars Lane, Wokingham, Berkshire, England hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 photocopying, recording, taping, or information storage and retrieval systems—without written permission of the publisher. Library of Congress Cataloging in Publication Data Printed in the United States of America Studley, Vance. Designed by Loudan Enterprises Making artist's tools. Published in 1979 by Van Nostrand Reinhold Company Bibliography: p. A division of Litton Educational Publishing, Inc. Includes index. 135 West 50th Street, New York, N.Y. 10020, U.S.A. 1. Artists' tools—Handbooks, manuals, etc. I. Title Van Nostrand Reinhold Limited N8543.S88 702'.8 78-18233 1410 Birchmount Road, Scarborough, Ontario M1P 2E7, Canada ISBN 0-442-27903-5 Contents Foreword by Walter Askin 6 7. Measuring Devices 94 Introduction 8 T-squares 95 1. Historical Precedents 10 Templates 96 The Role of the Designer 10 Ship's Curves and French Curves 97 Early Contributions 15 Modified Carpenter's Scribe 97 Artist and Environment 15 Proportional Dividers 98 2. Tools and their Characteristics 17 8. Printmaking Tools and Materials 99 Tools, Equipment, and Materials 17 The Etching Needle 104 Assessing Your Needs 21 The Linoleum Block 106 3. Tools for Drawing 23 The Linoleum and Woodblock Frame 106 History 23 Plastic Plates 107 Artist and Medium 24 Brayers and Rollers 107 Charcoal 26 Brayer Storage Rack 110 Sticks, Twigs, and Dried Plants 29 Woodblock and Linoleum Press 111 Bamboo Pens 30 C-clamp Press 114 Pastel, Charcoal, and Lead Holders 32 Bookbinder's Press 115 Silverpoint 33 Hydraulic Press 115 Aluminum Cigar Container 33 Solvent Containers 116 Pigments 34 Ink Applicators 116 4. Tools for Painting 38 Two Useful Resists 119 Types of Brushes 38 9. Papermaking 120 Making Your Own Brushes 41 Background 120 Spray Devices 52 Materials for Making Paper 121 Knives 53 Forming the Paper 128 Palettes 54 10. Miscellaneous Tools 133 Pigment Containers 54 Artist's Toolbox 133 5. Tools for Lettering and Calligraphy 55 A Simple Worktable 134 The Reed or Cane Pen 56 Weights 134 The Quill Pen 61 Humidor 135 Bamboo Pens 68 Rubber-cement Lift 135 Fountain Lettering Pens 73 Lead Sharpener 136 Tongue-depressor Pen 76 Bookbinder's Bone 136 Felt-tip Markers 77 Agate Burnisher 136 Hacke Brushes 78 Marker Holders 137 Drinking-straw Pen 79 Sharpening Stone 137 Plastic-tube Pen 79 Wood Mallet 137 Lettering Guide 80 Portable Drawing Board with Paper 138 Tool Stands 81 Portable Drafting Table 139 Scroll Pens 82 Brush and Solvent Container 139 6. Crayons and Pastels 84 Bibliography 140 Crayons 84 Sources of Supply 141 Pastels 85 Index 142 Making Wax Crayons 86 Making Pastels 90 Tbreword G ^kin by Waiter for many artists the weeds between the fields . . . of the media have become more nourishing than all the tame potatoes within the boundaries. — Fred Martin If the only tool you have is a hammer, you tend to see every problem as a nail.—Abraham Maslow On a large scale, and in work determinable by . . . line and rule, it is indeed possible and necessary that the thoughts of one man should be carried out by the labour of others But on a smaller scale, . . . and if a design cannot be mathematically defined, one man's thoughts can never be expressed by another: and the difference between the spirit of touch of the man who is inventing, and to the man who is obeying directions, is often all the difference between a great and a common work of art. — John Ruskin

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