1 Half-Title Page make space 2 Copyright Page Disclaimer from the Street, Hoboken, NJ 07030, 201 748-6011, Library of Congress legal department fax 201 748-6008, or online at www.wiley.com/ Cataloging-in-Publication Data go/permissions. Doorley, Scott.; Witthoft,Scott. Limit of Liability/Disclaimer of Warranty: While Make space : How to Set the Stage for Creative the publisher and the author have used their Collaboration / Scott Doorley & Scott Witthoft ; best efforts in preparing this book, they make foreword by David Kelley. no representations or warranties with respect to p. cm. the accuracy or completeness of the contents of Includes index. this book and specifically disclaim any implied ISBN 978-1-118-14372-8 (cloth : alk. paper); warranties of merchantability or fitness for ISBN 978-1-118-17251-3 (ebk); ISBN 978-1- a particular purpose. No warranty may be 118-17252-0 (ebk); ISBN 978-1-118-17253-7 created or extended by sales representatives or (ebk); ISBN 978-1-118-19731-8 (ebk); ISBN John Wiley & Sons, Inc. written sales materials. The advice and strategies 978-1-118-19732-5 (ebk) This book is printed on acid-free paper. contained herein may not be suitable for your 1. Architectural design. 2. Architecture- situation. You should consult with a professional -Psychological aspects. 3. Work Copyright © 2012 where appropriate. Neither the publisher nor environment--Psychological aspects. I. Witthoft, by Scott Doorley and Scott Witthoft. the author shall be liable for any loss of profit or Scott. II. Title. III. Title: How to set the stage for any other commercial damages, including but not creative collaboration. 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Some content that appears in One of these the Publisher, or authorization through payment print may not be available in electronic books. For numbers is removed of the appropriate per-copy fee to the Copyright more information about Wiley products, visit our with each edition CD6.sDci4looaee6nnmpa var-s.8aeh rRntr6oemsc0u,qe eMl0u dCn,e Atbeos,ne tr J0s t ooa e1thdnro9n, dt 22t hrWh3e2ee,s2 i w 9slPe eR7ueydo8bb & st l7aoei sSt5w ht owh0eonerw-os 8 fP,dwo 4Ie nDr.r0 ccpmr0o.ei,i,vp 1rs feyms1a,ir xo1iisg n 9R-hs7i tv8e r wHcttohaee nirsbre eg msp’eistrat eho tp odeaetrwu riwcam yelw.oi swus i.ownil ey.com. psfih1Wt1arriiespltnl th dpat e eoee “ddndn1i.si’t,t t ”Sii iok foot nnthn ih.ofi? sW ew t irhs.ehe a’asr eta ’ns There are no art credits on this page. make space 3 Title Page How to Set the Stage for Creative Collaboration Scott Doorley & Scott Witthoft with a foreword by David Kelley 4 Space matters. We read our physical environment like we read a human face. make space 5 Foreword_by David Kelley Consciously or not, we feel and Collaboration and creation aren’t bound there’s not just one ideal design for a internalize what the space tells us about to designated areas; they evolve collaborative space. The people using it how to work. When you walk into throughout a space, absorbing different should be able to transform it them- most offices, the space tells you that it’s people, places, and perspectives. selves, move things around, and create meant for a group of people to work Space and its impact on behavior what they need for the work they’re alone. Closed-off desks sprout off of have been important to me from those doing at the moment. lonely hallways, and in a few obligatory earliest days, through IDEO and my Our students have responded to conference rooms a huge table ensures long association with Steelcase. At the this in ways that have surpassed our that people are safely separated from d.school, it’s been a critical element in biggest hopes. They come from very dif- one another. Most work spaces were creating a different kind of educational ferent backgrounds and very different designed according to an industrial environment, one that nourishes cre- places on campus and experience their labor model, from a time when our ative confidence in our students. One deepest collaborations here. When our work was tethered to big machines and of our first challenges was to equalize alumni—from school administrators our status was rooted in the size of our the respective status of students and to entrepreneurs—start their own office space. faculty. When you walk into one of organizations, they build their spaces When I started IDEO with friends our classes, it’s almost impossible to around these same values. in 1978, I knew we had to work differ- tell who’s teaching and who’s learning. Regardless of whether it’s a ently. We were engineers and still wore Innovation thrives on this kind of equal- classroom or the offices of a billion- ties, but we sat in a circle on the floor ity. With a boss or a professor standing dollar company, space is something to for meetings. It made everyone feel at the head of the room, it feels like a think of as an instrument for innovation equal and allowed us a certain kind of “sage on stage”—people are reluctant and collaboration. It’s not an initial, openness with each other. Since then, at to share their ideas (“What if the boss given condition, something that should IDEO and the d.school, space has been doesn’t like it?”). Reconfiguring the be accepted as is. Space is a valuable a foundation for the expression of our physical relationship is a powerful signal tool that can help you create deep and cultural values. We value innovation that participation is truly welcome. The meaningful collaborations in your work as a team sport; it needs “we” spaces result is that you get better ideas out and life. more than conventional “I” spaces. in the open, where they can grow. But make space 6 When we started the d.school, we were stuck with a double-wide trailer no one else wanted, the team leading our space design efforts had little prior expertise in the field, and we were told we would have to move every 12 months for years before our first official space would be available. make space 7 Preface_by George Kembel come to the d.school to learn how to conference tables. We want leadership be better innovators, and with their to move around to the person who has teachers and project partners, too. the relevant expertise at the time, not At first, we used space to support just to the person in charge, so we create the activities of our teams, as a signal huddle rooms without explicit status that the d.school was a different kind associated. There’s no head of the table of place, and as a way to embody our or front of the classroom. values. We put team spaces and couches We want our students and teams in classrooms to facilitate project work to be mindful of space and to take and allow for moments of debriefing. responsibility for setting up the environ- We removed carpet to expose concrete ments that will amplify their work. So These apparently unfortunate initial floors to make it clear that the d.school we set the expectation that each person conditions are not obvious when you is a work space, not an office space. And is a steward of the space, that they need walk into our newly renovated building we put desks near the entrance so that to care for it. At the same time, if it’s not at the heart of the Stanford campus. In people are the first thing you see when working, they change it or, better yet, hindsight, the path we were forced to you walk in, reinforcing that one of our hack it. take appears close to inspired. principal values is human-centeredness. This book is an attempt to capture The yearly moves turned out to be a Along the way, we learned that what the d.school adventure has taught profound forcing function for learning, we have to prototype our way into any us along the way and is a tool to help not just about space, but for prototyp- new space; to continuously iterate, you to use space to develop your unique ing and evolving our entire organization. adapt, and evolve our spaces after we culture. I hope our story is an encour- And having a team lead the way that move in; and to think of space primarily agement to you, suggesting that big seemingly had no business designing as a way to change behavior, not as a things often have small beginnings, that spaces set the stage for unexpected ap- facilities project or a showpiece for radical change usually starts with brave proaches to emerge. We weren’t looking our brand. We want our teams to act but little steps, and that when people for a groovy office. We were looking in more empathetic ways, so we make feel safe to try something new, spec- to create learning experiences for our our spaces more human, with more tacular things can happen. Good luck as students, make it safe for them to fail, places to debrief, reflect, and connect. you make space in your life, your teams, and provoke an ecosystem as complex We want our teams to work collabora- and your organization to innovate! as Stanford to change. The members tively instead of individually, so we have of our team had experience that was generous collaboration spaces and “bare perfectly suited to this challenge. essential” individual spaces. We want We have had the opportunity to be our teams to get up and try stuff, not a bit more radical than others might feel sit around and talk in long meetings, so is safe in their workplace. And we have we make seating uncomfortable and been able to test our rapidly evolving the tables too small. Supplies, tools, ideas with real people every day—with and workbenches are more apparently the thousands of students who have available than conference phones and make space 8 Instructions instructions 28 Tools_Periodic Table 29 Tools_Periodic Table pt(mtdmrdm(sdtmwareotiiioaaammmpeampitttlektel eeeeeeohslerannnrrr i vbt siiinsssshaaaiaapiiignrlllooobs:::a oeg tnnne111lcolueesss11 e1 g 1::b-(--/ h32so5pp2obi" 61umll"dx yys " tae1 q ose33wt/ ltur// rs2at44o)i"taomd"" : xrdr p2bbeae io3)n 6ii g(t rro1xa2"uccel r tiw2hh61b ses/4 )"eppe)i2 da "clls1yytee/tto 2oww bix"oca oo1tnksaoo0elddl " highd x 15" deeipclhcaaemsatvienyra-stdeu stuyr face square top eeafoxcdrcpg ecoesasssbe pldeo sprlty wood sketches: Scott Witthoft mTrtmcppTsdb tsaftTwaucea dtAtth“Tdooihhauubaena aaseeihhe.uo“aotomhsbaargaeiresabssd iblkieent3co bdgifotltny elgdrne lbPuri dueeehadeshP9deh r td r GTh rrsea lenecsftairo hi aeoefet "cspeni ehffe snerePrcnsrs s ntoreesoeufifftacoig eaioei o uicaieod koiadgrcdolt ocmpeoit n r:hcunmpb erm” lsrn fdh—ee tn nnm aldit e e po.prdopp tltco tlltiw osmfioaaini yhe ca rrinso” aioocb,ntaca .tscg e t copebiTdwnh i noussrere TtT klsdssuta c raliethkiteeffinrar atdheqeth.ipoac re tbai aats ti ei bg nsetaateutertomrucaphiatht lia huoigdtll tei eaae—acnclbg vascsesibaaaeonruey e rhtolt ai il l&iytaa oit l meetsaeatenebnsirTsneilre itre ns frnotsbmi dr eai tdsdiro,tad ncg opaa geoo acdn smchoo u ai tu. eo4srsx :u hbpmpna sabosennn rapH anriirtlp0,lppne,er nc ol tseogce, eeaidserdilioe t"alu i kmbon cuncewnntea.agtla waa t cs 2rasoeucT or re -scnbte“vreaey ecaue c9 p.femli ohLmosa dguytlsooaaarfT ne re”" huee uawldam-n ctatx,n, e h opncr s aao dtrirentw. tP th csnth ihseetl anhtef r tusnyg htiet iItgao .apahihgot odehaot t-etzr.etrpu rpeaioyo ui e lo ade’l a nbo dtld seel s s aba n la edese l c catlol seil-ea cew.s,l r hsbstTHSp cTC9Rs2IS3I4D6Tnnaaithhhe4ooioeeeetr437bet0sssfeeo.5etiio u etiircls( geuin7ePcggeer2eklniaahteese7sgrhh 2mr atg sBnsr_a;4tnittt t0icp c uoo Ce0ttssoH l0ehTiooridn__8lsa v sCdSoenCi sEDsce7shaotinSman attrgTi7dxeeIreneagen aMd 8ppl 5 fnsfrfb 7peM-o1roloisa,l8dnaog re0 Mpnrsid 2mtisSnin uen5eel n 3twodo f 6rIwog_U1Rdar.neens9g;.cpPdeac rni wagt-Tethtulwru8ne,eh ewhoocs r3 SxH tor iotepMMawnr0,pnrli in g s3leabra.sle he ue,alL;tr(n o cCCrcwd1aettlussxtte6i aAatcwiceiie snedr8atp st9tsdiwdiesde9eelao:5tsrde r0c. PePlio0ain gs &c brtC,lo3c n wiaiyCf hoW7nts.r cccSAiu; ton3 veoothur a" mim.csecc rtnoheoaie) r el.mn 5s )"... hwhwsS(cMopoeeeuiiiitttaabetgghhkgfi bhht oabeethttluo::e tte2 t23x hhr t b4 Q99soeeoe2""tgmmxuc )e tsi ifcwtseoohktcniart etC inihordo dn tsemaiqnabupsgl aeo ohrsnnee oe ihtgnnooh tptw thTs (ae at3b ocn9l hdeq"es )uc a Tiaacponsk.tod leyl r s. tools Make the useful things that fill up a make space is a tool for using space make space has five different types space—furniture, storage options, to shape the culture and habits of a of content: Tools, Situations, Design materials, etc. creative community. Building a space is Template, Space Studies, and tough, but shaping culture is an absurd Insights. Individual entries from each Tools range from DIY “hacks” that may act of daring. It’s like assembling a are shuffled throughout the book take a matter of hours, to examples of 10,000 piece puzzle. On a grass field. and are described in more detail over CNC milled furniture you’ll likely need During a hurricane. And the puzzle itself there. We designed this book so that assistance in building. If you are a maker is a photo of a grass field. At 1:1 scale. you would put it down—so that you can at heart or just can’t wait to try out Address this conundrum with action. and will experiment. some stuff, these will get you going. The Begin to deliberately alter your environ- Read it long enough to get inspired, rolling whiteboard Z-Rack (page 16) is a ment and you will reveal what enhances then put it aside and get to work. Pick it popular project that is not too difficult collaboration and what doesn’t, what up when you need another boost, then to construct. Each Tool spread features boosts creativity and what doesn’t. put it down again and get back to work. build instructions, tips, and sourcing Reconfiguring, prototyping, and Each entry and the sum of their information. building are the equivalent of starting collisions can help you quickly fine-tune a puzzle with the corners: a simple every decision you make—from the 16 Z-Rack approach that illuminates a structure to shape & scale of the furniture you use 18 Foam Cubes attach more complex issues. The most to the music you play in the space—to 26 HACK: Showerboard Dry-Erase difficult part of any of these actions is inspire new ways of working and Surface simply getting started, this book is filled interacting. 28 Periodic Table with ways to start transforming your 58 Whiteboard Sliders space. Many can be accomplished in 60 HACK: Casters in Unexpected Places hours, some in minutes. 68 Flip Stool 70 Prototyping Tables 82 Local Fabrication Shop 84 Hanging Screen 92 Signs That POP make space
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