Main & Arena programme only - National Arts Festival

186 Pages·2014·11.58 MB·English

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MAIN AT A GLANCE
4 Festival Messages
6 Acknowledgements
8 Index
Dance Theatre Student Theatre
12 Standard Bank Young
Artist Award Winners
16 30 Years of the
Standard Bank Young
Artst Awards
19 Main Programme
60 Student Theatre
171 Fringe Programme
287 Village Green
Pages 19 – 30 Pages 31 – 59 Pages 60 – 64
289 2015 Call for
Proposals
Performance Art Music Jazz
291 Accommodation
296 Travel
297 Map
299 Booking Procedures
Arena Programme
28 Dance
54 Theatre
124 Exhibitions
Pages 66 – 68 Pages 69 – 97 Pages 99 – 112
Eastern Cape Showcase
85 Music
122 Exhibitions Visual Art Think!Fest Film
Solo Season
48 Theatre
Pages 113 – 125 Pages 127 – 139 Pages 143 – 156
2014 Festival
Public Art Family Fare
Programme Update
We will be publishing an update
to our Programme which will
be available in Grahamstown
throughout the Festival, at all of
our Box Offices and Information
Kiosks. This pocket-sized booklet
will contain updated information on
performances and events, changes,
cancellations and additional shows,
a daily diary map, local emergency
services number, etc and is a must- Pages 157 – 164 Pages 165 – 169
have for all Festival-goers.
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FRINGE AT A GLANCE
Dance Physical Theatre Performance Art Poetry & Public Art
Pages 172 – 179 Pages 180 – 181 Pages 182 – 183 Pages 184 – 185
Drama Family Theatre Comedy Cabaret/Music Theatre
Pages 187 – 215 Pages 216 – 221 Pages 224 – 251 Pages 252 – 260
Classical/Recital Contemporary Music Film
Page 261 Pages 262 – 269 Page 270
Disclaimer: The Festival organisers
Visual Art Spiritfest
have made every effort to ensure that
everything printed in this publication
is accurate. However, mistakes and
changes do occur, and we do not accept
any responsibility for them or for any
inaccuracies or misinformation within
advertisements. Artists provide images,
logos and advertisements and we
accept no responsibility for the quality of
reproduction in this publication.
Pages 271 – 284 Pages 284 – 285
Front cover image: Hannah McDonald
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Ayanda Mjekula Ph
o
national artS FeStival Board chairMan to: S
u
z
One of the ways human beings make of the arts, rich in colour, texture and form. y
B
sense of our lives is by imposing a The Festival has become iconic and larger e
r
n
calendar and rhythm onto those things than life. It has evolved into a touchstone s
te
we find important. We constantly seek out for our artists, an incubator of tomorrow’s in
ways to mark the passing of time and we talent and an archive of yesterday’s. Most
especially like round number anniversaries importantly it is a real living snapshot of
because we get a sense of satisfaction from where we are as a nation, and a peek into
them, a feeling of achievement at reaching the many futures that face us.
a milestone.
And so, on behalf of the Festival Board, I
If that’s the case, then this year’s Festival would like to welcome you to this amazing
marks many achievements by the event celebration, this moment in time which
and by the country: the 30th anniversary gives us occasion to reflect on our past and
of Standard Bank sponsoring the Young to imagine our future. Our team has worked
Artist Awards; the 20th anniversary of our hard to present an incredible array of
democracy; and, of course, the 40th year talent on our stages this year; our sponsors
since the establishment of the Festival. have deepened and widened their levels
of friendship and partnership to make it determination, exhilaration, despair,
What began in 1974 as an event to preserve, possible. So all that remains is for you to let happiness and camaraderie. Thank you to
protect and promote the English language, yourself be caught up in the excitement, our artists for reflecting those moments to
has flourished and thrived to a world-class, to find room to pause and reflect, and to us, and to you for sharing them with us, both
multi-lingual and cross cultural celebration share moments of magic, joy, triumph, as Festivalgoers and as fellow South Africans.
Xoliswa Tom
Mec For SportS, recreation, artS & culture oF the eaStern cape
Over the past four years, I’ve enjoyed the With the advent of democracy and the
immense pleasure of witnessing the ending of the world’s cultural boycott of
role that the arts have played in shaping South Africa, many South African artists
and building our democracy. The Eastern have, during the past two decades, been
Cape Department of Sports, Recreation, invited to showcase their work on the
Arts & Culture has always drawn inspiration global stages. Many of these international
from that historic day on 27 April 1994 producers have come to the National Arts
when President Nelson Mandela took to the Festival in Grahamstown which has been
podium and promised the world that South their scouting ground to search for South
Africa will value the dignity and culture of all African artistic excellence.
of South Africa’s people. and diversity of this province. This year’s
During the past four years of my tenure showcase will affirm the Department’s
Over the past two decades, South Africa has as the MEC for Sports, Recreation, Arts & enormous investment in the preservation of
witnessed the return of Sara Baartman from Culture, I have witnessed many international the province’s cultural legacy.
the humiliating glass case in a museum in diplomats, ambassadors, consul generals
France to be returned home to the Eastern and cultural attaches descending on the city I urge visitors to the National Arts Festival to
Cape. It is here at her home where her of Grahamstown to foster the cultural ties support artists from the Eastern Cape. Art
remains are now buried with dignity. It is that connect and weave us together with and culture in this province is intrinsically
from here her spirits can soar amongst the the international community. connected with sustainable lifestyles. A
ancestors. Last year, with our saddened beaded necklace, a ceramic craftwork, a
hearts but enormous appreciation, the International cultural exchange between hand sewn garment are testimonies of
world joined with us as we mourned and South Africa and the rest of the globe is how women in this province use their skills
celebrated the life of Nelson Mandela whose a dynamic indicator of how South Africa, and creativity to earn an income to feed
body is now also buried in the sacred sands which was once a pariah that was shunned, their families and to give their children the
of this province. is now a friend that is sought after and educational opportunities that have become
honoured. I am indebted to the artists of so much more accessible over the last two
The Eastern Cape is a resting place of great our country for being the ambassadors decades.
legends. But, we must never forget that it is who have engaged their creativity, intellect
also the birthplace of many of South Africa’s and passion to advance the ideals of our As long as the sound of the drum beats and
most iconic leaders who have enriched democracy. for as long as the songs echo in the most far-
our lives with song, dance, theatre and fetched regions of our country, South Africa
visual arts. Amongst these great people The Eastern Cape Department of Sports, will be honouring the lives of those have
are living legends like John Kani, Winston, Recreation, Arts & Culture has been a fallen so that we can all enjoy the artistic,
Nomhle Nkonyeni, Athol Fugard and primary sponsor of the National Arts cultural and political freedoms that we
Andrew Buckland. On the visual arts side, Festival. The relationship between the cherish today.
this province can rejoice in the artworks of Department and the Festival has been a
George Pemba, Bill Ainsley and many others mutually dynamic partnership. Each year at Sibambisene masenze iPhondo leMpuma-
whose works are exhibited in galleries across the National Arts Festival, the Department Kapa ibe leliphumelelayo, siqhubela
the globe. has showcased the cultural richness uMzantsi Afrika Phambili.
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Sim Tshabalala and Ben Kruger
chieF executiveS oF the Standard Bank Group
The National Arts Festival, as a rich and for 30 years, although it has taken on a and of the Eastern Cape Province.
representative selection from South slightly different form over the past 11 years
Africa’s cultural output, plays an important since the Eastern Cape Government joined Standard Bank aims to be relevant to the
role in the artistic life of our country. forces with Standard Bank to sponsor the places where we work: whenever we can as a
Festival, followed by several other funding good corporate citizen, and always as a bank
Standard Bank deeply values the institutions and media partners. committed to equitable and sustainable
contribution we can make through the economic development. The Grahamstown
Festival to the continued growth of South Standard Bank has made a firm commitment National Arts Festival enables us to do both.
Africa’s cultural heritage, especially by of continued support. We believe that the
way of the annual Young Artist Awards Festival is one of South Africa’s treasures – a On behalf of everyone at Standard Bank, we
and the Standard Bank Jazz Festival, with working model of what we all want South would like to thank the Festival team, the
its important education component, the Africa to be: vibrantly creative, deeply people of Grahamstown, and the hundreds
National Youth Jazz Festival. African, confidently cosmopolitan. of creative people from all over the country,
the continent and the world, who make this
Our association with this iconic cultural Perhaps just as important, Standard Bank great event happen every year.
event dates back to 1984 when Standard values the opportunity created by the
Bank first became the title sponsor of the Festival to support and stimulate the Enjoy the Festival!
Festival. The partnership has now lasted economy of the greater Grahamstown area
Jay Pather
national artS FeStival artiStic coMMittee chair
Anniversaries are markers for both and scepticism. And within the realms of the
celebration and reflection. Just the blind arts and democracy, so it must be.
celebration of an arts festival or a nation’s
democracy is tempting but negates what lies We also celebrate 30 years of the Standard
beyond the resilience and achievement: the Bank Young Artist Awards. Sponsorship is
struggle to maintain integrity and a robust as unpredictable and temperamental as
core that isn’t compromised. So it is with our markets and as fleeting and mercurial as
20 years of Democracy and 40 years of the aesthetic shifts. That this partnership deftly
Festival. navigated both for so long, points to an
inspired vision worthy of celebration. In a
Founded as an unfettered celebration of a milieu hungry for permanence and cold facts
colonial heritage, the Festival’s development we thank all our sponsors for also taking this
particularly in the last 20 years as a space inspired leap.
of excellence, inclusivity and critical
engagement with a developing democracy 20, 30, 40 – the symmetry is dazzling. As
is quite rightly, constantly up for scrutiny. is the programme developed by Ismail
Mahomed and the Artistic Committee. It is
A commitment to divesting ourselves from rich, strong and in parts critical. As rich and anniversary festivals go, this one in whatever
habitual repetition, to shrugging off the as strong as the country it honours, disrupts, way touches you: heady and celebratory
easy complacency and worn-out measures mirrors, re-invents. or enigmatic and sceptical, justly earns
of excellence and of assessing national its nomenclature as a mark, a deeply set,
and global relevance, all of this colours any As a measure, it is a steady balance of meticulously carved, multi-hued mark of our
anniversary with a healthy mixture of pride what came before and what lies ahead. As time. Trust you will agree. Enjoy!
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The National Arts Festival would like to thank the following sponsors and supporters
Presenting sponsors:
Strategic partners:
Supplier sponsors:
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With thanks to: Swedish Arts Council
African Festival Network Swedish Jazz Federation Board of Directors:
Albany & Bathurst Engineering Swiss Embassy
Association incorporated under
Albany Museum Group Transnet Port Authority
Section 21 Registration No.
Amsterdam Fringe Troubadour
2002/016052/08
Apartheid Museum UJ Arts & Culture
Argentine Ministry of Foregn Affairs & Worship US Embassy
Artscape Vacheron Constantin Ayanda Mjekula (Chairperson)
Arts Council Norway Video Vision Elinor Sisulu (Deputy Chairperson)
Athenaeum Village Green Committee Jay Pather (Chairperson Artistic
Bid Air Cargo World Fringe Alliance Committee)
Brandhouse South Africa Paul Bannister
British Council The Managements, Presenting Companies, Letepe Maisela
Cadar Printers Galleries, Artists and Technical Staff whose Grahame Lindop
Canadian High Commission talent, professionalism and creativity make Albie Sachs
Churches of Grahamstown the Festival a pleasure to produce, and Tony Lankester (CEO)
Cinemark an amazing 11 days for our audiences to Tony Long (Foundation Representative)
Clover Aardklop Festival experience. Geoff Antrobus (Foundation
DALRO Representative)
Department of Arts and Culture (DAC) The Schools and Colleges of Audit Committee:
Embassy of the People’s Republic of China Grahamstown: Thavanesen Padiachy (Chairperson)
Embassy of Switzerland Carinus Arts Centre, Diocesan School for Grahame Lindop
Embassy of France Girls, Graeme College, Kingswood College, Nopasika Lila
Embassy of Spain Nombulelo Secondary School, Khutliso
Eastern Cape Provincial Arts & Culture Council Daniels Secondary School P J Olivier
(ECPACC) Hoërskool, St Andrew’s College, St Andrew’s
National Arts Festival
East Norway Jazz Centre Preparatory, Victoria Girls’ High School,
Artistic Committee 2013:
Emile Stipp Collection Victoria Preparatory School, and Oatlands
European Union Commission Primary School
French Institute in South Africa (IFAS) Jay Pather (Chairperson)
Goethe Institute The Citizens of Grahamstown for their Richard Cock (Music)
Goodman Gallery hospitality, support and encouragement. Mokale Koapeng (Music)
Grahamstown Hospitality Guild Brett Bailey (Theatre)
Italian Embassy in South Africa National Arts Festival Team: Dominic Thorburn (Visual Art)
Italian Institute of Culture Tony Lankester (CEO) Nomusa Makhubu (Visual Art)
High Commission of Canada Ismail Mahomed (Artistic Director) Mandie van der Spuy (Visual Art)
Kizo Art Consultants Kate Axe Davies (Festival Manager) Brenton Maart (Visual Art)
KwaZulu Natal Philharmonic Orchestra Zikhona Nweba (Fringe Manager) Gregory Maqoma (Dance)
Line Out Nicci Spalding (Technical Director) Malcolm Purkey (Theatre)
Magnetic Storm Michelle Lowry (Production Manager) Aubrey Sekhabi (Theatre)
Mandela Bay Development Agency Ryan Bruton (Operations Manager) Phyllis Klotz (Theatre)
Mary Lou Meese Youth Jazz Fund Adrienne Sichel (Dance, Arts
Members of the South African and Dion van Niekerk (Box Office Manager) Development)
International Media Danielle Wessels (Receptionist and Social Trevor Steele Taylor (Film)
Ministry of Education & Culture (Spain) Secretary) Anthea Garman (Think!Fest)
National Film & Video Foundation (NFVF) Carolyn Stevenson-Milln (Travel & Alan Webster (Jazz)
Nu-Metro Accommodation Officer)
PG Bison George Lynette Marais (Project Consultant)
Pick ‘n Pay Walmer Jayne Burden (Fringe Assistant) Sponsors’ Representatives
Pieter Toerien & Theatre on the Bay Selina White (Village Green Director)
Prague Fringe Clarissa Carolus (Village Green Assistant) Pragasen Chetty (Eastern Cape
ProHelvetia Department Of Sports, Recreation, Arts
Red Pepper Pictures Claudie van Deventer (Finance Manager) & Culture)
Royal Netherlands Embassy in South Africa Ettienne Wessels (Finance Assistant) Hazel Chimhandamba (Standard
Royal Norwegian Embassy Gilly Hemphill and Fiona Gordon (The Bank)
SAMRO Endowment for the National Arts Famous Idea Trading Company) (Media and Bongani Tembe (National Arts Council)
SGB – Cape Public Relations)
Splitbeam
South African Music Rights Organisation Festival Programme: National Arts Festival
(SAMRO) Brian Garman – Rhodes University School of
Representatives
South African Police Service Journalism & Media Studies (Art Direction and
South African Post Office Design) Tony Lankester (CEO)
South African National Community Theatre Cavan Barry, Amy Davidson, Amber Davies, Ismail Mahomed (Festival Director)
Association Amy Ebdon, Lucy Holford-Walker, Kiera-Marie Kate Axe Davies (Festival Manager)
Suidoosterfees Loughrey, Hannah McDonald, Nina McFall,
Standard Bank for loan of computers Bronwyn Slater, Madien van der Merwe,
Standard Bank Gallery (Layout team) Media Representative
Stevenson Gallery
Gilly Hemphill
Ster-Kinekor Cadar Printers, Port Elizabeth (Printing)
Swallows Foundation Zane Henry – (Copy Editing)
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INDEX TO THE 2014 NATIONAL ARTS FESTIVAL
#Muffinizm: Coming of Age . . . . . . . . . . . . . . . . . . . . . . .97 Bench . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225 D
allas Buyers Club . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
#omnomnom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .183 Benjamin Fourie: Conflict and Resolution . . . . . . . .75
Dan Patlansky . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .264
#SorryNotSorry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 Benjamin Fourie: Romantic Russian . . . . . . . . . . . . . .75
Dance Spectrum / Sweet Charity Excerpts . . . . . . . . . .172
14/30: Goodman Gallery and the Bertil Strandberg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
Dave Knowles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263
Standard Bank Young Artist . . . . . . . . . . . . . . . . . . . . .114 Best I Got, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .206
David Baudains . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263
15 Fantastic Songs from 2013 That You Best or Nothing, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .206
Dear Breeder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227
Not So Much Probably But Actually Almost Between the Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Declues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .183
Certainly Didn’t Hear . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Big Boys II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Deep Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .273
1976 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187 Big Girls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Democrazy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
20/20 Visions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 Big Hole . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189
Designer Genes XXL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
2014 Standard Bank Young Artist Award-winners . . . . 12 Bismillah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Desire Under The Elms . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
241: Double the Fun . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .216 Bitches Be Crazy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Devadasi - A dancer’s journey from the temple to the
2LATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187 BitterSweet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172
streets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
4:40 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .271 Black and White . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .262
Dialogue of Two Minds . . . . . . . . . . . . . . . . . . . . . . . . . . . .273
40 Stones in the Wall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .271 Black And Blue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Didier Labbe Quatet . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109
40 Years Of Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Blah Ze Blah Music Sessions . . . . . . . . . . . . . . . . . . . . . . . .262
Die Laaste Tango . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
48 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 BlaQ2sday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .262
Die Veraaiers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
95 Mandela Poster Project Travelling Exhibition . . . . .271 Blind Spot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Die Wonderwerker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Blood Stain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190
A Dig . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .184
Date with Destiny . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .270 Boet ‘n Swaer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Digby and the Lullaby . . . . . . . . . . . . . . . . . . . . . . . . . . . . .264
A Karoo Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .271 Bok . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172
Dimos Dimitriadis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
A Time for . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .271 Bongani Sotshononda’s
Dinner with Bantu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
Ababhemu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .271 United Nations of Africa . . . . . . . . . . . . . . . . . . . . . . . . . .103
Dirt Road, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .206
Abadala First . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 Boom Bap versus Swag Rap (BB vs . SR) . . . . . . . . . . . . .262
Dirty Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227
Across the Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187 Born Free . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190
Divalicious . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
Acting Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 Born Free Odyssey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Doep is nie dood nie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252
Adam & Eve: The Musical . . . . . . . . . . . . . . . . . . . . . . . . .60 Bosman’s Patriots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .225
Don’t Fence Me In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .273
Adam Glasser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 Boy - Conversation with Kate Shand............127
Down Station to Jozi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .254
Adjusted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187 Boy Who Walked Into the World, The . . . . . . . . . . . . .63
Dreaming with open eyes . . . . . . . . . . . . . . . . . . . . . . . . .273
Adults Only - Short.Sharp.Stories Launch.......127 Bram Fischer Waltz, The . . . . . . . . . . . . . . . . . . . . . . . . . . . .208
Durban Posion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Afflecktion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .180 Break Thru! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .216
Dutchman, Small Town Girl, Alice Dee . . . . . . . . . . . .142
African Gothic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 Broadway and Movie Favorites . . . . . . . . . . . . . . . . . . . . .263
Agreed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189 Brothers Streep: Stand-Up Musicians, The . . . . . . . . . .249 E
ast, THE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Albert Frost . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .262 Bruising . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Eastern Cape Provincial Handmade Collection . . .122
Albert Frost & Dan Patlansky in Concert . . . . . . . . . .89 Burning The Floor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172
Eastern Cape Visual Arts . . . . . . . . . . . . . . . . . . . . . . . . .123
Aliens in Alberton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 Butlers and Brylcreem . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227
Egazini Expressions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .273
Alphaville . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 Buzani Kubawo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190
Eight o’Clock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
Amagez’ Emveli . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189
C Ek Sien ‘n Man . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
Amateur Hour! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 argo: Precious . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Ella’s Horses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192
American Dream, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .204 Carla Conradie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263
Eloquent Body / Dance with Suitcase ...........127
An Audience with Miss Hobhouse . . . . . . . . . . . . . . . . . .189 Celebrating Diversity in Zimbo Arts & Craft . . . . . . . . .272
Empty Promises . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .180
An Eye for an Eye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .270 Chamber Concert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
Emsini . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193
Analogue eye . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .159 Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190
Endgame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193
Ancient Learning Method of the Future . . . . . . . . . .127 Chasing Laughter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .190
Ensemble Danada . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109
Arena Art Exhibitions of Exhibitions . . . . . . . . . . . . .124 Cheaper than Rose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Epicene Butcher, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .184
and beyond . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172 Cheese & Chivas vs Kulkid Cd Launch . . . . . . . . . . . . . . .263
Epoch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193
Andiyondoda, Not Man Enough . . . . . . . . . . . . . . . . . . .47 Chicago Children’s Choir, The . . . . . . . . . . . . . . . . . . . . .92
Erl King, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .206
Andra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .262 Children’s Art Workshops . . . . . . . . . . . . . . . . . . . . . . . . . .216
Evaton Musical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .254
Angsst, Die Moord, The Dead Trilogy . . . . . . . . . . . . .142 Children’s Arts Festival . . . . . . . . . . . . . . . . . . . . . . . . . . .167
Everse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Anna K . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172 Chris Chameleon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263
Ex Men . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .229
Another Day . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .180 Christopher Duigan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
Exile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194
Antidote, The ..................................63 Circles of Disconncet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Exile Blues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127
Apple Soup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189 City Futures: Confronting Slum
Exlie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Are You Kidding? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .224 Urbanism in South Africa . . . . . . . . . . . . . . . . . . . . . . . . .127
Exodus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194
Arno Carsten & Francois van Coke: City Illuminated: looking for extraordinary light in
Ezekiel Dhlamini Musical . . . . . . . . . . . . . . . . . . . . . . . . . . .254
20 years of rock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91 ordinary places . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .272
Art @ The Highlander . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .272 Civil Parting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227 F
*ck my Hair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194
Art Walkabouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125 Cold Case - Revisiting Dulcie September . . . . . . . . . . .190
Fabricate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
Arts and Crafts by Vukile Teyise . . . . . . . . . . . . . . . . . . . . .272 Cole Porter & Friends . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74
Facebrick . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .270
As I Lay Dying . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142 Colour: Burn-out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
Fanie Fourie’s Lobola . . . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Ask Miss B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Colours of the Rainbow with Princess and Frog . . . . .216
Far Close . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .270
Authors in Conversation . . . . . . . . . . . . . . . . . . . . . . . . .127 Coming Home . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .191
Featured Artist: Sylvaine Strike . . . . . . . . . . . . . . . . . . .44
Awakening to Animate Earth . . . . . . . . . . . . . . . . . . . . . . .272 Coming Soon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Feya Faku . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107
Consenting Silence: Shanti Manjur . . . . . . . . . . . . . . . . .252
B Fiddler In The Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79
abalwa Mentjies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102 Consequences Of Love, The . . . . . . . . . . . . . . . . . . . . . .142
Final Programme, The . . . . . . . . . . . . . . . . . . . . . . . . . . .142
Back to our roots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 Consumers, Clients, Activists or Loiterers:
Fingo Festival . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .218
Bald Prima Donna, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . .181 Citizenship in Post-apartheid South Africa . . . . . . .127
Fingo Revolution: Hip Hop, Black
Ballad of Dirk de Bruin, The . . . . . . . . . . . . . . . . . . . . . . . .206 Contemporary Camera to Canvas - Essence of Africa 272
Consciousness & A Festival on the Square . . . . . . .127
Banz Oester and the Rainmarker . . . . . . . . . . . . . . . .110 Contemporary Ceramics Exhibition . . . . . . . . . . . . . . . .273
Firestorm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .172
Baobab, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .184 Cooking with Elisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Fishers of Hope . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Barbe Bleue: A story about Madness . . . . . . . . . . . . . .64 Corner Madiba and Nelson Mandela . . . . . . . . . . . . . . .227
Fishy Flippers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .216
Bargain Bin Gold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Crash, The Crashed Cars Show . . . . . . . . . . . . . . . . . . . .142
Flesh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Barongwa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67 Crave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .191
Flesh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .180
Bash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .189 Crazy in Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .191
For Generations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194
BBC Forum Debates . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Creative Practice as a Tool for Living............127
Forgiveness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Bearable Broadway . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 Crisis In Africa and Beyond:
Forgiveness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194
Beatboxing Brilliant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Responding to Refugee Realities . . . . . . . . . . . . . . . . .127
Fort England Art Exhibition . . . . . . . . . . . . . . . . . . . . . . . .274
Beautiful Tianjin Art Troupe . . . . . . . . . . . . . . . . . . . . . .166 Crowd, A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .187
Forty See More/Fortissimo . . . . . . . . . . . . . . . . . . . . . . .163
Being Norm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .216 Curious Things: A Sleightly Different Display
Fourthwall Books . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127
Belgian, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .249 of Magic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .227