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Lucian's The Ass PDF

252 Pages·2012·5.59 MB·English
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Lucian’s The Ass An Intermediate Greek Reader Greek text with running vocabulary and commentary Evan Hayes and Stephen Nimis Lucian’s Lucius, or The Ass: An Intermediate Greek Reader Greek text with Running Vocabulary and Commentary First Edition © 2012 by Evan Hayes and Stephen Nimis Revised October 2012 All rights reserved. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, in any form (beyond copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. The authors have made a version of this work available (via email) under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. The terms of the license can be accessed at creativecommons.org. Accordingly, you are free to copy, alter and distribute this work under the following conditions: 1. You must attribute the work to the author (but not in a way that suggests that the author endorses your alterations to the work). 2. You may not use this work for commercial purposes. 3. If you alter, transform or build up this work, you may distribute the resulting work only under the same or similar license as this one. The Greek text is based on the edition of C. Jacobitz, published by Teubner in 1907. ISBN-13: 978-0-9832228-2-8 ISBN-10: 0983222827 Published by Faenum Publishing, Ltd. Cover Design: Evan Hayes Fonts: Gentium (Open Font License) GFS Porson (Open Font License) [email protected] [email protected] Table of Contents Introduction ……………………………………………………………………………………….…………..ix-xi Abbreviations …………….………………………………………………………………..…………………….xii Text and Commentary …………………………………………………………………………………. 1-147 Grammatical topics: The different meanings of the word αὐτὸς……………………………………………………..5 The Conjugation of ἔρχομαι……………………………………………………..…………………….7 Defective Verbs………………………………………………………………………………………………..9 Future Conditions …..……………………………………………………………………………………..16 General Conditions and Temporal Clauses…………………………………………………….19 Indirect Statement: accusative + infinitive……………………………………………………30 Indirect Statement: ὅτι or ὡς + the indicative………………………………………………36 Indirect Statement: accusative + participle…………………………………………………..41 Potential ἂν.…………………………………………………………………………………………………..70 Indirect Statement in Secondary Sequence…………………………………………………..85 Apuleius’ Metamorphoses: Selected Passages……………………………………………...151-194 List of verbs ………………………………………………………………………………………………..199-207 Glossary ………………………………………………………………………………………….………….211-230 Acknowledgments The idea for this project grew out of work that we, the authors, did with support from Miami University’s Undergraduate Summer Scholars Program, for which we thank Martha Weber and the Office of Advanced Research and Scholarship. The Miami University College of Arts and Science’s Dean’s Scholar Program allowed us to continue work on the project and for this we are grateful to the Office of the Dean, particularly to Phyllis Callahan and Nancy Arthur for their continued interest and words of encouragement. Work on the series, of which this volume is a part, was generously funded by the Joanna Jackson Goldman Memorial Prize through the Honors Program at Miami University. We owe a great deal to Carolyn Haynes, and the 2010 Honors & Scholars Program Advisory Committee for their interest and confidence in the project. The technical aspects of the project were made possible through the invaluable advice and support of Bill Hayes, Christopher Kuo, and Daniel Meyers. The equipment and staff of Miami University’s Interactive Language Resource Center were a great help along the way. We are also indebted to the Perseus Project, especially Gregory Crane and Bridget Almas, for their technical help and resources. We owe special thanks to Carolyn DeWitt and Kristie Fernberg, whose administrative support, patience, and good humor were essential for the completion of this manuscript. We also profited greatly from advice and help on the POD process from Geoffrey Steadman. We are grateful to Joel Relihan for a number of corrections that appear in this revised version. All responsibility for errors, however, rests with the authors themselves. v φιλτάτῳ καὶ εξοχώτατῳ Alex Robbins Introduction The aim of this book is to make Pseudo-Lucian’s Lucius, or The Ass accessible to intermediate students of Greek. The running vocabulary and commentary are meant to provide everything necessary to read each page. The commentary is primarily grammatical, explaining subordinate clauses, conditions etc., and parsing unusual verb forms. The page by page vocabularies gloss all but the most common words. We have endeavored to make these glossaries as useful as possible without becoming fulsome. A glossary of all words occurring three or more times in the text can be found as an appendix in the back, but it is our hope that most readers will not need to use this appendix often. There is also a list of verbs occurring in the text that have unusual forms in the back of the book. Brief explanations of allusions and proper names are given, but this is not primarily a literary commentary. The Ass is a great intermediate Greek text. The narrative is fast-paced and funny, and the language is fairly simple and easy to follow. The reputation of the story has suffered at the hands of critics due in part to an unfavorable comparison to its more famous Latin relative, Apuleius’ The Golden Ass. These two narratives share some similarities too close to be accidental, and their complex relationship will be discussed below. But irrespective of that comparison, The Ass is an unpretentious satirical text that tells a funny story in a casual and light-hearted manner. There is little moralizing or didacticism in the story, although modern audiences will no doubt find the mistreatment of animals and other fellow humans by many characters in the story appalling. The story is told entirely from the perspective of the main character, Lucius, who is turned into an ass by magic. Unlike the Lucius of Apuleius’s version of the story, also narrated in the first person , this Lucius does not seem to achieve any religious or philosophical illumination from his adventures. The final episode is a funny twist of events completely in tune with the tenor of the rest of the novel. There is a hilarious love-making episode with lots of double- entendre, and other episodes that portray the doings of various low-life characters who are rarely present in ancient literature at all. Thieves, religious charlatans, witches, millers, servants, soldiers and bakers all find a place in this strange story of chance and magic. As mentioned above, The Ass and Apuleius’ The Golden Ass have numerous striking similarities in plot and expression. There appears to have been another longer Greek version of the story known as the Metamorphoses, ix

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In our text, we have provided samples of parallels from Apuleius' Latin text in an An excellent and balanced survey of the question of sources can be.
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