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London peculiar and other nonfiction PDF

401 Pages·2012·6.085 MB·English
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MICHAEL MOORCOCK Winner of the Nebula and World Fantasy awards August Derleth Fantasy Award British Fantasy Award Guardian Fiction Award Prix Utopiales Bram Stoker Award John W. Campbell Award SFWA Grand Master Member, Science Fiction and Fantasy Hall of Fame ‘A major novelist of enormous ambition.’ — Washington Post ‘Moorcock’s writing is top-notch.’ — Publishers Weekly ‘He casts a heady, enslaving spell.’ — Daily Telegraph ‘He is . . . [in his nonfi ction] scathing about “the anaemic, phallocentric self-advertisements of Notting Hill colons or East Anglian clones”, but full of aff ectionate enthusiasm for such friends as JG Ballard, Angela Carter, Iain Sinclair, Peter Ackroyd and Andrea Dworkin. He writes movingly and at length about Jack Trevor Story . . . and about Mervyn Peake . . . “who made me realise it was possible to confront real human issues through the medium of fantasy”. He writes wittily and perceptively about such elective literary forefathers as Aldous Huxley, HG Wells, George Meredith and W Pett Ridge, author of Mord Em’ly . . . ‘These days he lives with his American wife in Lost Pines, a liberal enclave of Texas, and deplores the way in which England seems to be shed- ding her virtues as fast as she can, celebrating her vices . . . as class-bound as ever, and in some ways far more repressive than similar Oriental cultures . . . ‘Moorcock is elegant and aggressive (“badly educated people are suspi- cious of ambiguity”), consistently entertaining, and frequently wise and generous. One applauds the louder when he adds: “Our scientifi c advances will be merely obscene unless they help the large part of our world’s popu- lation emerge from miserable uncertainty and debilitating terror”.’ — Spectator ‘Moorcock’s . . . book is an astounding compilation, displaying a panorama of sympathy and engagement over a lifetime’s reading and writing. The Monument Valley which is Moorcock’s mighty imagination here provides us with the background reading to his career. Many of these encounters are not merely intellectual engagements, but personal ones too. In a poign- ant account of the life and times of Jack Trevor Story we learn that on the Christmas night which became the hinge of that troubled writer’s existence, he had been spending the evening with Moorcock before setting off home with his girlfriend. The forces of law and order banged him up, unjustly, and eff ectively drained him of hope for many years to come. In his account of Philip K Dick we learn how Moorcock intervened to try to help that author make more money, though it came to nothing. He then looked on at a slight distance as Dick became famously loopy. Moorcock does not merely befriend Mervyn Peake’s highly distinctive imagination; he befriends the Peake family too. He writes of Iain Sinclair, a writer he admires, who is also a personal friend. And so it goes on. This isn’t name-dropping, because Moorcock is as big a name as any of the ones he mentions . . . One of the most striking things about this prodigiously gifted and productive writer . . . is the unexpectedness of some of his liaisons and alli- ances. Like New Worlds under his editorship, he seems to exist to demolish boundaries. I had the constant sensation of being accompanied through the metropolis of modern culture by the most engaging companion I could hope to meet.’ — Alan Wall, ReadySteadyBook.com ‘Moorcock is a throwback to such outsized 19th-century novelistic talents as Dickens and Tolstoy.’ — Locus ‘No one . . . is doing more to break down the artifi cial divisions that have grown up in novel writing—realism, surrealism, science fi ction, historical fi ction, social satire, the poetic novel—than Michael Moorcock.’ — Angus Wilson ‘He is the master storyteller of our time.’ — Angela Carter, author of Nights at the Circus London Peculiar and Other Nonfi ction London Peculiar and Other Nonfi ction By Michael Moorcock Edited by Michael Moorcock and Allan Kausch With an Introduction by Iain Sinclair For Jean-Luc Fromental and Lili Sztajn London Peculiar and Other Nonfi ction Michael Moorcock © 2012 by Michael Moorcock This edition © 2012 PM Press All rights reserved. No part of this book may be transmitted by any means without permission in writing from the publisher. Bibliography reprinted with the kind permission of Moorcock’s Miscellany (www.multiverse.org) ISBN: 978–1-60486–490–8 Library of Congress Control Number: 2011927964 Cover by John Yates / www.stealworks.com Interior design by briandesign Cover photo by Linda Steele 10 9 8 7 6 5 4 3 2 1 PM Press PO Box 23912 Oakland, CA 94623 www.pmpress.org Printed in the USA on recycled paper, by the Employee Owners of Thomson-Shore in Dexter, Michigan. www.thomsonshore.com Published in the UK by Green Print, an imprint of The Merlin Press Ltd., 6 Crane Street Chambers, Crane Street, Pontypool NP4 6ND, Wales ISBN: 978–1–85425–106–0 Contents THE MAN ON THE STAIRS: INTRODUCTION BY IAIN SINCLAIR xi EDITOR’S FOREWORD BY ALLAN KAUSCH xvii Scratching a Living 1 A Child’s Christmas in the Blitz 5 LONDON Heart and Soul of the City 26 A Place of Perpetual Rehearsal and Audition 30 Building the New Jerusalem 34 City of Wonderful Night 39 London Peculiar 42 Introduction to Gerald Kersh’s Fowlers End 48 A Child of Her Times 52 Mysteries of London 55 Benglish for Beginners 58 Cockney in Translation 60 OTHER PLACES Diary: 13th October 2001 64 Diary: 30th August 2003 67 Diary: 7th January 2006 70 Diary: 26th October 2007 73 Diary: 12th April 2008 76 Diary: 4th October 2008 79 Diary: 28th March 2009 82 Diary: 31st October 2009 85 Diary: 15th May 2010 88 A Review of Another Fool in the Balkans: In the Footsteps of Rebecca West by Tony White 91 A Construction Site of the Mind 93 ABSENT FRIENDS The Patsy 98 Jack’s Unforgettable Christmas 101 When the Political Gets Too Personal 107 Andrea Dworkin: Memorial 111 JG Ballard Introduction 113 Time Made Concrete 115 The Voice 120 The Atrocity Exhibition 123 JG Ballard: In Memoriam 125 Introduction to The Secret of Sinharat by Leigh Brackett 129 James Cawthorn: 1928–2008 134 Fascination with Mortality: The Late Thomas M Disch 136 Tom Disch Tribute 139 A Constant Curiosity 141 Introduction to Expletives Deleted by Angela Carter 147 Ted Carnell 153 A Review of No Laughing Matter by Angus Wilson 155 Mal Dean 158 The Ego Endures 160 MUSIC Adding to the Legend 164 Phil Ochs 166 The Deep Fix 169 Death by Hero Worship 172 Living with Music: A Playlist 176 Signs of the Times 179 Rewriting the Blues 182 POLITICS To Kill a King 186 Before Armageddon 189 A Million Betrayals 202 INTRODUCTIONS AND REVIEWS The Cosmic Satirist 210 Dark Continents, Dying Planets 214 A Fiercer Hen 218 An Introduction to The Babylonian Trilogy by Sébastien Doubinsky 221 Like a Fox 223 Button-Holed by Erudition 226 Cricket by Moonlight 229 Introduction to The Aerodrome by Rex Warner 242 Les Livres Dimanches 248 Echoes of Peake 255 Breaking Free 257 The Time of The Time Machine 260 Ubu C’est Moi? 272 What to Buy for the Grown-Up Boy 276 Yesterday’s Tomorrow 278 A Review of Mythago Wood by Robert Holdstock 281 North Pole Ghetto 284 Wagner and Wodehouse, Together at Last 287 Homage to Cornucopia 289 Forever Dying, Forever Alive 292 Introduction to Lud Heat and Suicide Bridge by Iain Sinclair 295 Norton Goes to the Seaside 298 How to Poach Magpie Eggs 301 The Triumph of Time 310 Conan: American Phenomenon 314 Learning to Be a Jew 322 Introduction to The Hooligan by Rudolf Nassauer 327 When Worlds Collide 333 Kit Carson Rides Again 336 The Undertaker and the Actress 338 The Spaces in Between 340 Bites at the Red Apple 343 The Water Maze 347 Sexton Blake, Detective 349 A Review of The Manual of Detection by Jedediah Berry 359 Paraxis Introduction 361 Frances Bret Harte 364 AFTERWORD BY MICHAEL MOORCOCK 371 BIBLIOGRAPHY 374 ABOUT THE AUTHOR 381

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