Logos of Phenomenology and Phenomenology of the Logos. Book Five: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics

397 Pages·2006·2.96 MB·English

by  Anna-Teresa Tymieniecka

LOGOS OF PHENOMENOLOGYAND PHENOMENOLOGY
OF THE LOGOS. BOOK FIVE
ANALECTA HUSSERLIANA
THE YEARBOOK OF PHENOMENOLOGICAL RESEARCH
VOLUME LXXXXII
Founder and Editor-in-Chief:
ANNA-TERESA TYMIENIECKA
The World Institute for Advanced Phenomenological Research and Learning
Hanover, New Hampshire
For sequel volumes see the end of this volume.
LOGOS OF PHENOMENOLOGY
AND PHENOMENOLOGY
OF THE LOGOS. BOOK FIVE
The Creative Logos.
Aesthetic Ciphering in Fine Arts,
Literature and Aesthetics
Edited by
ANNA-TERESA TYMIENIECKA
The World Phenomenology Institute, Hanover, NH, U.S.A.
Published under the auspices of
The World Institute for Advanced Phenomenological Research and Learning
A-T. Tymieniecka, President
Library of Congress Cataloging-in-Publication Data is available
ISBN-10 1-4020-3743-0 (HB)
ISBN-13 978-1-4020-3743-6 (HB)
ISBN-10 1-4020-3744-9 (e-book)
ISBN-13 978-1-4020-3744-3 (e-book)
Published by Springer,
P.O. Box 17, 3300 AADordrecht, The Netherlands.
www.springeronline.com
Printed on acid-free paper
All Rights Reserved
© 2006 Springer
No part of this work may be reproduced, stored in a retrieval system, or transmitted
in any form or by any means, electronic, mechanical, photocopying, microfilming,
recording or otherwise, without written permission from the Publisher, with the
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Printed in the Netherlands.
TABLE OF CONTENTS
ACKNOWLEDGEMENTS vii
THEMATIC INTRODUCTION
ANNA-TERESA TYMIENIECKA / The Metamorphosis of the
Logos of Life in Creative Experience: Treatise in a Nutshell xi
SECTION I
THE BRAINSTORM OF CREATIVE EXPERIENCE
PATRICIA TRUTTY-COOHILL / The Ontopoiesis of Leonardo
da Vinci’s Brainstorm Drawings 3
PIERO TRUPIA / Phenomenology of the Countenance:
Portraying the Soul, Staging a Lived Experience 13
ANTONIO DOMI´NGUEZ REY / Principios de Objetividad
Poe´tica 29
J. C. COUCEIRO-BUENO / Essential ‘‘Poiesis’’ 49
ELLEN J. BURNS / Musical Progeny: The Case of Music and
Phenomenology 57
BRIAN GRASSOM / Art, Alterity and Logos: In the Spaces of
Separation 67
JAMES P. WERNER / Logos, Rationale and Desire in
Convergent Art Practices 79
SECTION II
THE WORK OF ART AND ITS EXPERIENTIAL RADIUS
ELGA FREIBERGA / Phenomenological Interpretation of the
Work of Art: R. Ingarden, M. Dufrenne, P. Ricoeur 93
DAVID BRUBAKER / Painting from the Heart: Beauty, Moore
and Merleau-Ponty’s Wholes of Visibility 103
v
vi TABLE OF CONTENTS
MOLODKINA LJUDMILA / On Phenomenology of Memory
and Memorial (In Terms of Architectural and Landscaping
Creations) 113
MA˘DA˘LINA DIACONU / Patina – Atmosphere – Aroma:
Towards an Aesthetics of Fine Differences 131
MAO CHEN / The Persistence of Phenomenological Time:
Reflections on Three Recent Chinese Films 149
LAWRENCE KIMMEL / Notes on the Art of Memory 157
ALEKSANDRA PAWLISZYN / The Truth of Suffering (Levinas)
and the Truth Crystallized in the Work of Art 179
SECTION III
VARIOUS AESTHETIC RAYS IN LITERATURE
JENNIFER ANNA GOSETTI-FERENCEI / Articulate
Spontaneity and the Aesthetic Imagination 199
CALLEY A. HORNBUCKLE / Exploring Aesthetic Perception
of the Real in Iris Murdoch’s The Black Prince 221
REBECCA M. PAINTER / Fiction and the Growth of Moral
Consciousness: Attention and Evil 235
JADWIGA SMITH / Phenomenology of Emotions: Aurel
Kolnai’s On Disgust and Jacobean Drama 259
OSVALDO ROSSI / Light/Shadow: Lines for an Aesthetic
Reflection 275
RAYMOND J. WILSON III / A Phenomenological Theory of
Literary Creativity: Ricoeur and Joyce 295
MICHEL DION / Basic Conditionings of the Inner and
Corporeal Life: Representations from Two Major Novelists
of the 19th and 20th Century Literature (Dostoyevsky,
Proust) 313
CHIEDOZIE OKORO / Phenomenology for World
Reconstruction 331
INDEX OF NAMES 357
APPENDIX / The Program of the Oxford Third World
Congress 361
ACKNOWLEDGEMENTS
Presentingtothescholarlypublicthiscollection,thefifthandlastvolume
gathering the work from the Third World Congress of Phenomenology,
‘‘Phenomenology World-Wide: Phenomenology of the Logos and the
LogosofPhenomenology,’’heldinOxford,August15–21,2004,Iexpress
my warm thanks to all those who helped to prepare and to carry out
this marvelous Conference. First of all it is the initiative of William J.
Smith who brought us to Oxford, who with his wife Jadwiga and Gary
Backhaushavealsoperformedwithexpertisethetaskofthelocalarrange-
ments that merits our appreciation. Professor Grahame Lock of Queen’s
College and Matt Landrus from Wolfson College must be thanked for
their valuable contribution to the local organization. Tadeusz Czarnik,
my personal helper, cannot be forgotten.
I wish to express special thanks to Jeff Hurlburt, our secretary, for his
assiduousanddedicatedworkinpreparingthisgathering.Weareparticu-
larly pleased to see among the authors artists – bringing to this book a
special flavor. The enthusiasm and expertise of the authors who joined
usfromtheentireworld–fortycountries–madethisCongressanepoch-
making phenomenology event.
A-T.T.
vii
AgroupofparticipantsinfrontofWadhamCollege
THEMATIC INTRODUCTION