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Literature, Speech Disorders, and Disability: Talking Normal PDF

193 Pages·2013·1.163 MB·English
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Literature, Speech Disorders, and Disability Examining representations of speech disorders in works of literature, this fi rst collection of its kind founds a new multidisciplinary subfi eld related but not limited to the emerging fi elds of disability studies and medical humanities. The scope is wide-ranging both in terms of national literatures and historical periods considered, engaging with theoretical discussions in poststructuralism, disability studies, cultural studies, new historicism, gender studies, sociolinguistics, trauma studies, and medical humanities. The book’s main focus is on the development of an awareness of speech pathology in the literary imaginary from the late-eighteenth century to the present, studying the novel, drama, epic poetry, lyric poetry, autobiog- raphy and autopathography, and clinical case studies and guidebooks on speech therapy. The volume addresses a growing interest, both in popular culture and the humanities, regarding the portrayal of conditions such as stuttering, aphasia and mutism, along with the status of the self in rela- tion to those conditions. Since speech pathologies are neither illnesses nor outwardly physical disabilities, critical studies of their representation have tended to occupy a liminal position in relation to other discourses such as literary and cultural theory, and even disability studies. One of the primary aims of this collection is to address this marginalization, and to position a cultural criticism of speech pathology within literary studies. Chris Eagle is Research Lecturer in the Writing and Society Research Centre at the University of Western Sydney, Australia. Routledge Interdisciplinary Perspectives on Literature 1 Environmental Criticism for the 9 Wallace Stevens and Pre-Socratic Twenty-First Century Philosophy Edited by Stephanie LeMenager, Metaphysics and the Play of Teresa Shewry, and Ken Hiltner Violence Daniel Tompsett 2 Theoretical Perspectives on Human Rights and Literature 10 Modern Orthodoxies Elizabeth Swanson Goldberg and Judaic Imaginative Journeys of the Alexandra Schultheis Moore Twentieth Century Lisa Mulman 3 Resistance to Science in Contemporary American Poetry 11 Eugenics, Literature, and Bryan Walpert Culture in Post-war Britain Clare Hanson 4 Magic, Science, and Empire in Postcolonial Literatur 12 Postcolonial Readings of Music The Alchemical Literary in World Literature Imagination Turning Empire on Its Ear Kathleen J. Renk Cameron Fae Bushnell 5 The Black Female Body in 13 Stanley Cavell, Literature, American Literature and Art and Film Performing Identity The Idea of America Caroline A. Brown Edited by Andrew Taylor and Áine Kelly 6 Narratives of Migration and Displacement in Dominican 14 William Blake and the Digital Literature Humanities Danny Méndez Collaboration, Participation, and Social Media 7 The Cinema and the Origins of Jason Whittaker and Roger Whitson Literary Modernism Andrew Shail 15 American Studies, Ecocriticism, and Citizenship 8 The Gothic in Contemporary Thinking and Acting in the Local Literature and Popular Culture and Global Commons Pop Goth Edited by Joni Adamson and Edited by Justin D. Edwards and Kimberly N. Ruffi n Agnieszka Soltysik Monnet 16 International Perspectives on Feminist Ecocriticism Edited by Greta Gaard, Simon C. Estok, and Serpil Oppermann 17 Feminist Theory across Disciplines Feminist Community and American Women’s Poetry Shira Wolosky 18 Mobile Narratives Travel, Migration, and Transculturation Edited by Eleftheria Arapoglou, Mónika Fodor, and Jopi Nyman 19 Shipwreck in Art and Literature Images and Interpretations from Antiquity to the Present Day Edited by Carl Thompson 20 Literature, Speech Disorders, and Disability Talking Normal Edited by Chris Eagle This page intentionally left blank Literature, Speech Disorders, and Disability Talking Normal Edited by Chris Eagle NEW YORK LONDON First published 2014 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2014 Taylor & Francis The right of Chris Eagle to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging-in-Publication Data Literature, speech disorders, and disability : talking normal / edited by Christopher Eagle. pages cm. — (Routledge Interdisciplinary Perspectives on Literature ; 20) Includes bibliographical references and index. 1. Speech disorders in literature. 2. European literature—History and criticism. 3. American literature—History and criticism. I. Eagle, Christopher, editor of compilation. PN56.S685L58 2014 809'.933561—dc23 2013017405 ISBN13: 978-0-415-82304-3 (hbk) ISBN13: 978-0-203-79808-9 (ebk) Typeset in Sabon by IBT Global. Contents Introduction: Talking Normal 1 CHRIS EAGLE 1 The Construction of the Disabled Speaker: Locating Stuttering in Disability Studies 9 JOSHUA ST. PIERRE 2 On Prophetic Stammering 24 HERBERT MARKS 3 Samuel Johnson and the Frailties of Speech 44 LAURA DAVIES 4 “Irate, with no grace of style”: Stuttering, Logorrhea, and Disordered Speech among Male Characters in Luís Vaz de Camões’ The Lusiads (1572) 65 VALÉRIA M. SOUZA 5 “Stuttutistics”: On Speech Disorders in Finnegans Wake 82 CHRIS EAGLE 6 Jackson’s Parrot: Samuel Beckett, Aphasic Speech Automatisms, and Psychosomatic Language 100 LAURA SALISBURY AND CHRIS CODE 7 Staging Aphasia: Jean-Claude Van Itallie’s The Traveller and Arthur Kopit’s Wings 124 GENE A. PLUNKA viii Contents 8 The Poetics of Tourette’s Syndrome: Language, Neurobiology, and Poetry 137 RONALD SCHLEIFER 9 The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books 162 JEFFREY JOHNSON Contributors 177 Index 181 Introduction Talking Normal Chris Eagle In a 2005 episode of the television show Curb Your Enthusiasm, there is a scene in which the protagonist Larry David believes he has caught someone abusing disability tags for a parking space. Noticing the man step out of his car and walk away with no signs of physical disability, Larry David says nothing at fi rst, but he stares at the man accusingly enough to elicit a response. “W-w-w-w-what?” asks the man, revealing a severe stutter. “What’s with the walking?” replies Larry David, pointing at the man’s license plate. “F-f-f-f-f-uck you! I have a s-s-s-s-stutter.” “Yeah, but you can walk!” “L-l-l-l-look at my li-license plate. I have p-p-p-p-permission. F-f- fucking p-prick!” With that, the man storms off , leaving David to refl ect on the ethical impli- cations of what has just transpired. As with so many scenes from Curb Your Enthusiasm, Larry David’s semi-fi ctional persona has a point, but one he makes so insensitively that we’re left wondering who is in the right, him or his equally unsympathetic interlocutor. Is it wrong to presume someone is not disabled, simply because there are no visible signs? Is it ever right to ask someone to verify their disability? Finally, is a vocal impairment like stuttering a legitimate disability, or is the stuttering man simply abusing the system? These questions are connected to two other scenes within the episode, both of which stage the many pitfalls surrounding the ethics and etiquette of disability. Before the parking lot scene, David’s character is chided by a man in a wheelchair for using the wheelchair-access toilet in the men’s room. This awkward bathroom encounter is still on David’s mind when he notices the disability tags on the parked car, and it clearly acts as the impetus for David to challenge the stuttering man. Later on, these two moments serve as thesis and antithesis to each other in a farcical climax where David fi nds himself at the end of a long line in another men’s room.

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