ebook img

Listening in the Afterlife of Data: Aesthetics, Pragmatics, and Incommunication PDF

185 Pages·2022·1.887 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Listening in the Afterlife of Data: Aesthetics, Pragmatics, and Incommunication

Listening in the Afterlife of Data i m u s s a M n a i r B d n a g n i n n a M n i r E Ty Cb A d Ee Ht Ti d Ne I s Te Hi Gr Ue Os H TA Listening in the Afterlife of Data i m u s s a M n A ESTHETICS, PRAGMATICS, a i r B AND INCOMMUNICATION d n a g n i n n a M David Cecchetto n i r E Ty Cb A d Ee Ht Ti d Ne I s Te Hi Gr Ue Os THA Duke University Press Durham and London 2022 © 2022 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Cover designed by A. Mattson Gallagher Text designed by Drew Sisk Typeset in Portrait Text, Canela Text, and IBM Plex Mono by Copperline Book Services Library of Congress Cataloging- in- Publication Data Names: Cecchetto, David, author. Title: Listening in the afterlife of data : aesthetics, pragmatics, and incommunication / David Cecchetto. Other titles: Thought in the act. Description: Durham : Duke University Press, 2022. | Series: Thought in the act | Includes bibliographical references and index. Identifiers: lccn 2021020891 (print) lccn 2021020892 (ebook) isbn 9781478015291 (hardcover) isbn 9781478017912 (paperback) isbn 9781478022534 (ebook) Subjects: lcsh: Technology—Philosophy. | Communication and technology—Philosophy. | Communication and technology— Social aspects. | Sound (Philosophy) | Communication and the arts—Philosophy. | bisac: social science / Media Studies | philosophy / General Classification: lcc p96.t42 c433 2022 (print) | lcc p96.t42 (ebook) | ddc 303.48/33—dc23 lc record available at https://lccn.loc.gov/2021020891 lc ebook record available at https://lccn.loc.gov/2021020892 Cover art: (Front) Fathead audio delay. (Back) Fathead Doppler effect. Illustrations by Luke Painter. With love, for: Marshall, lunatic artist and lovable idiot; Phannie, curmudgeon scientist and empathic savant; Katherine, more- than and otherwise beyond compare. •. •- .•. •I "• "i..·. • •• ...o-l. . •. •It :". i " I .y" I ·._ ...... .. •- ._•. ... •. •.. • . .-...~--I~· .-.":-I :-~.. • = :• I• • ~-. •I . -•; ;:J_ '• •I -•• "•• •. .• -•.-.} ~ · \ o.• -l-:-."J .••" • •I• •• ." I• • • .• -•I rI{• . I•"I i•-.I•. •~I " r/--.•. .•1• • .•••• .1 - ( .(.. ..•.-•_ - "~Z ~ ir. ~..f.?...:l::: . .. ......_ -(: r ;~r:• .J " "• 1 I. .-. ...\-..:.1....I - .•. I".•I"::I- Ir(•.. !"r_I -'_;rf- .l.:I;" . 1 ••- •.. •.r •• •• .•I. _.•._ .. -r•:r ,.IJ I ,}lo• "•" ••" ;I• • .I•- .• -.J.1. :. "• • .." . •.r• ·;JJ. ;ro:-lr" ~ .._. .~r ..I . .... .. ~ ,J. .• .•. ..".l.o • . ~~. .. I •• •. :.-.;. :. .. • . • •r : •: . . . . ;,.. . ._-r • • :-1 • I • ... .. •• •• .. • •• •I: .I .,. ..... . ~ •. . ... -~... . ~-=- t ! . .:". , -:-•• . . ,......... :.. :-. t.." I • ~ I I ~· .. : • :• 0( 1~ -(.~. r{g ' "I • ... I • I ".1... . (;• . .I 1 • ... I 1M • tI: •i ...I . .. • ..·•. ;\. ") • I I I .... (.... ~I oil~ • I I :-._• • ... J .... ~ • lo •. ...." ·-.". .. ol. • • ·.• .... ,. ··~== ~·=.r=...~·.u. ~ ~:L.-\ ~~\ ~ •. :.l... ...~ ? ~- ~~: ~~ .! L .... • • •I • • • L .... "i-. _. -.L J. • • r ..,. • ~ • •. .. • • . -· • ..•. · r• . .I .. • :::1·•·= •·1. r- .:_:. 1.t~ ~ • --: i• " . J..o..;.- . ...I. ... : ..• - . ... I . I •1 , • • ·•·· .• "-.I I •• :- •. : ...._....--.\r . •• • ~ I ...•. • f~-...... . .•.- .. ....... r .. • -~ I ...- ............... :. I 1..1- I• tI . . .~= - I;o" )•~ , ..~"-: .:...:. .•...r-. • ..1" I~ •1:./ ' -".. ;•~ • •-: -... 1..-.. .. :L..~... "\ _1 . _.l..._• • ,I=.:. :I •:1.1-1~..• ~~ ) ".~.I. .._ •~. . .~ " I •• Y". _:r . _.•. ~ .lo.l .•..•.• • I "I I •·. . t I " • ·.- • ., : •.. • • I •• :;J I r ,::r.. ... ~. . : ..... : . I ~ J ~ ~ I • • t:. -= ... •. • ..... •• r • • ... •.r •..;- 1 ·". •"•1.1 r· I 1•" :" r1• I· _1-1• "" - [,..:.- ;_ ..=I I ••" 1I I I • ••I I~I. .- .• :0·= -- IL I.. . ..;..•. l -::-. - '. . -:i "' • .. ,. L - .. • • • • i-..t rI =•- 1- ·~1 ._r- "r• t1 •(.. /.. . ~ • ._ ( .:_ • .11•1· ..I. ~,_s "I/P) •) .."... I1~ ;f·l. I • J•. ~. ~.•· : .1 ~ 1 ~1 .. ~ • ;r ... ~ 11:'!I1 • I•_l . • -.•. 1I "I I ?..Jt 1 . I. ..... ..... . • ""1 .... I ... ... 1\ •• "I ·. ...• . 1•: I~. . .. .. .. .:. .. •._.1 .11_. ~_I .....K .. I. ". . ~•L .1. •._.- .: ,_:.. ":• 1 •I • 1• • •" ::I. •~ . I•r •.. . . ... ••1 I I: •.•.•- . -= ... 1• .I .. 1~ .." •I! • ~•:•. .• • .. ;_;.- . • : • •1 r . • . .:: .I • ; . } ... ~r : .- I .... I= ·•·•• t:-= .-.· .. . I.. .... • • "•.. "•l:i!'J.:i ... ._ .. I I • .. ... -: "IIi- ~ I"."; ) ._1 • ... ~ •: •;. lol ~ ~,.. • ... • r I: •"•).-. • L •• ~ ... • J "• ·\:-•. i~~ ..... ·~ 1_.. • .. ,• :•.•• .. ·...•..•. ... Ill ....1. ..l o II ..I.' ·. J..l'.. .• ·: ..1 "! II_ I • : I I "t..•_ .:. ._:: ~·-; I"• I .•~,JJ : •:• •.• .. ....... .I. .• ~ ..-._- I:• 1:: :.1. 1 ..~ . -rII .- I -..r1"" .1.. . I 1I~ · ~ 1..'.;.... ~"):- :=. .• I• • •.I I• I . •• • •-• • ..• ..•. .. LI. . •• .••. .•. ~• 1 i•• • •• •..:_ ...... : •. ..._. .I. • ....• - =.~_ -....I - • .I •~ 1• .. I I • ... • I I ""} • • ....... I I ~· ~ •i f·-.: "~.~I • : •••• --=-..I. . .....~ I ... IN • • • .....f t: • • I .:-.. ... .. • ... .... I:~ . I I :1 ... .1:- t •" :. • • •. " •:1• ( : 1_1 • L ). J.~ •") • /" L- I • • _. •-l.;. • ( • "I J ... :. -; :.~~ • ~~ •. • II- • •: .,.- -: ._ 1 I• • r. 1 ~ .II 1 1 " 1o 1 ~ • • • - _. It: •\ 1 : "• •\ i _. :. ~.I ) .... • • 1 • "c. I I \ ~ • 1,. •• 1 I I 1"1 ~j).-.=i" .- I,. "}. ~ .~ .\.I.. . . ... !.• ..I..._•.I. . ...• ..•. •• t ..• .•.. . . .I. .,I . ..:.. ·• .I· ... •_I• .• " L•/ .'l o • •j••I ~•. r~. ~.. .. I .~. .:. =•f-:: .. I1 I • • • ••. ". .I..""• • • •I •\ • I• •1.- J ~~.·:. ". r• i..._.. I••~ _ .\ ••I: • • • " • •il. .~ "-11I 1 o.• :•. . ... ". . •• .I. . .. t.":. :-: ..:.- .. :L ••• -.._: • : =~ ••. ...' . •. _ i. .·.r:. .'?r··.~. . ~ . ·. . .:.. !:1 •.-; L.. :.. .·~ lfi i •. I "I .\1 " ~ -1 ... • r. 1l =---e ~ 1"1 r J' ." "."I t .-(; ... · ~ \ ~ : l :. ~ ~ : ~ ...... ·~. ~· i I .! .._ r ._. .. · •: •· •.". ~..... . :--1. r 1 ~ ~ ~~: ~ ~~ ~ ~· ~\{~· : ; t. ..... ;-.;- •.• . '.)..·· .,. -.... .-... ... .. )•. J.- ..... •.j;. '• •• • i.l~·. ~ ~s· ~ ~ ~·. =.=~._·.- ~ ~ ~.. ~ ~ ~'., .~ .... . --= -t-. .... .. .. . ·. L:. :·.: • ; ...... =· • =.. .. . / ...: I .: Nn.. • .• • ...._ • I • I ·] .. • 11;1 I.1.::"1. • 11 ..... ., ... - ·I ~• •I (..• ... 1..·.1· .. I • IJ :• ... J I :1. J~ :. ·. ".- J• • ••• • 1I . :. r.J '$. i"..l _o. . o -l: . • .•. .· ·• ..•. 1.I II". . J .. ~-1- ~. J:III ·\•" ~ .• ...\" •= . . ·) \.. .... ;~~I- -.. ~~I ---~l."- .~..-· .. 1·:• .~'• 1-.-. <. ... I• ........ ..r.." .;.. .: I ... -L I • "I ~. • • I I I .:. .... I ... I:.~ ..... tI ••" " ........." J li{ ·, ... · ~\•" .I~".l }_.•.... •.ll ~I ... ~ . .. '- ~ ~ 1I J 1 ........ ~ 1 : ( ILl r 1~.··lor.: 11.1 ...... ~ ~.. ::-= . " =I; " ~ ~ I 1.- • ... •• • - ..-. -. •• • 'I, -. CONTENTS Acknowledgments ix Introduction Incommunication 1 1 Networking Sound and Medium Specificity 21 2 Listening and Technicity 44 3 Incomputable and Integral Incommunications 62 4 Algorithms, Art, and Sonicity 84 5 Listening and Technicity (Once and for All, Again and Again) 105 Postscript Epidemiological Afterlives 124 Appendix Aural Incommunications Seminar Prompt 131 Notes 135 Bibliography 155 Index 163 This page intentionally left blank ACKNOWLEDGMENTS Many colleagues, institutions, and friends have contributed to what has become this book. Special thanks to my Occulture comrades Marc Couroux, Ted Hiebert, Eldritch Priest, and Rebekah Sheldon, and more broadly to the robust community of Tuning Speculation folks who inspire me to think well and weirdly. This book is peppered with sentences, phrases, and sometimes para- graphs that I’ve presented at Tuning Speculation confer- ences or posted at The Occulture (http://www.theocculture .net), and is animated by that community’s care and intelligence. I was very generously hosted by University of New South Wales Art and Design and am grateful for having had the opportunity to work there with the feedback of brilliant faculty and graduate students. I was astounded by the collegial community at unsw and am thankful to Ca- leb Kelly and Anna Munster in particular for their work arranging my visit and for welcoming me so capaciously. The Society for Literature, Science, and the Arts has been a fecund setting for developing this work, through papers and panels but even more through the informal conversations that texture life and ideas alike. I often re- flect on the many scholars — too many to name, both ju- nior and senior — who made me feel welcome there when I was a graduate student and have continued to do so. I wish I could name everyone I’ve learned from at slsa, but the

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.