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Lights, Camera, Capture: Creative Lighting Techniques for Digital Photographers PDF

237 Pages·2005·8.73 MB·English
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DAVIS LIGHTS, CAMERA, BECOME A SEEKER OF LIGHT Photography is all about light: fi nding it, creating it, combining different types of light, working with its various colors. Bob Davis has achieved a unique CAPTURE relationship with light. In this beautifully illustrated volume and DVD, he shares secrets and techniques that will advance your Creative Lighting Techniques for Digital Photographers photographic skills. Master the basics, then step outside your comfort zone and harness the full creative power of light. • U nderstand the relationship between aperture, shutter speed, ISO, and the effects of different lenses • Learn how to deal with direct sunlight and how to take advantage of the “golden hour” • Combine various types of light for different effects • Know what external lighting equipment you need and how to use it • Explore various fl ash modifi ers and the effects you can create with them • Achieve studio-quality lighting outside the studio • Discover what to take when you travel and how to take full advantage of available light sources Bonus DVD includes 60 minutes of video from Bob Davis’s exclusive three-day lighting and photography workshop Visual storyteller and celebrity photojournalist, Bob Davis has over 25 years of experience as a professional photographer. As a Canon Explorer of Light, Bob has been chosen as one of an elite group of 60 photographers representing Canon and united by a passion for photographic excellence. Bob’s work has been featured in publications such as O Magazine, Time, People, OK, Rangefi nder, and a variety of other digital photography resources. His clients include Oprah Winfrey, Selma Hayek, and Eva Longoria Parker. More information on Bob’s distinguished career as well as extensive examples of Bob’s photography can be found at www.bobanddawndavis.com. PHOTOGRAPHY/Techniques/Lighting BOB DAVIS $44.99 US/$53.99 CAN Includes Workshop DVD Visual Storyteller LIGHTS, CAMERA, CAPTURE LIGHTS, CAMERA, CAPTURE 01_549537-ffirs.indd i 3/30/10 2:15 PM Controlling the light LIGHTS, CAMERA, CAPTURE Creative Lighting Techniques for Digital Photographers BOB DAVIS iii 01_549537-ffirs.indd i 3/30/10 2:15 PM Lights, C a mer a , C a pt ur e Lights, Camera, Capture: Creative Lighting Techniques for Digital Photographers Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2010 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN: 978-0-470-54953-7 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifi cally disclaim all warranties, including without limitation warranties of fi tness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Web site is referred to in this work as a citation and/ or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Web site may provide or recommendations it may make. Further, readers should be aware that Internet Web sites listed in this work may have changed or disappeared between when this work was written and when it is read. For general information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. at (877) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Control Number: 2009940876 Trademarks: Wiley and the Wiley Publishing logo are trademarks or registered trademarks of John Wiley and Sons, Inc. and/ or its affi liates. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in this book. iv 01_549537-ffirs.indd iv 3/30/10 2:15 PM Controlling the light About the Author Bob Davis isn’t a newcomer to the photography industry. In fact, he’s been a professional photographer for over 25 years. Bob has always been intrigued by photography and felt from an early age that being a photographer was what he wanted to do with his life. Bob’s passion for photography began back in high school when he became the editor of the school newspaper. As he proceeded on to Columbia College, he was honored with the title of College Photographer of the Year. With this honor came a full time job at a daily newspaper in Chicago. This experience launched Bob on to a career at the Chicago Sun-Times newspaper for 14 years. Bob states, “My cameras have always been like a passport allowing me a front seat to history.” He feels continually honored when doors open and people invite him in to document their life. While at the paper, he covered countless amazing events, such as presidential elections, Michael Jordan’s entire career with the Chicago Bulls, many faiths celebrations and rituals. He’s traveled around the world to places such as El Salvador, Taiwan, Lithuania, Romania, Moldova, Kenya, Italy, Tanzania for human interest stories. Bob has since moved on from the newspaper industry. Today, he has the privilege of photographing the most important events in his client’s lives and he couldn’t be happier to have this honor. Additionally, he has the pleasure of traveling the world photographing weddings. Bob feels fortunate to have photographed the weddings of Eva Longoria and Tony Parker, Eddie Murphy and Tracey Edmonds, and many others. He also photographs events for Oprah Winfrey. Bob is a member of Canon’s Explorers of Light, a recognized Pro by W estcott and a part of Apple’s Aperture Advisory Board. Photography... It’s what he’s passionate about. v 01_549537-ffirs.indd v 3/30/10 2:15 PM Controlling the light Credits Acquisitions Editor Courtney Allen Project Editor Heather Harris Technical Editor Brian McLernon Copy Editor Heather Harris Editorial Director Robyn Siesky Business Manager Amy Knies Senior Marketing Manager Sandy Smith Vice President and Executive Group Publisher Richard Swadley Vice President and Executive Publisher Barry Pruett Media Development Project Manager Laura Moss Media Development Assistant Project Manager Jenny Swisher Media Development Associate Producer Shawn Patrick vii 01_549537-ffirs.indd vi 3/30/10 2:15 PM Controlling the light Acknowledgments First, I want to thank my wife Dawn Davis for supporting me and encouraging me to follow my dreams and to share in my passion for life. She has blessed my life with 18 wonderful years of marriage and now I have the good fortune to be able to sleep with my business partner. We now share a passion for wedding photography, design, teaching and sharing. Dawn says, “We are all blessed with certain gifts and once we know what those gifts are; they are no longer ours to keep, but pay it forward and share those gifts others.” Thank you to our two beautiful children Bobby and Alli, you are the light in my heart. I love my family always and forever, Amen. I would like to dedicate this book to my father, Robert C. Davis, for fostering my love of photography at an early age. He always had some type of camera, movie 8mm or Super8, still cameras such as, Polaroid’s, Kodak Instamatics, Pocket 110 and Disc cameras. It wasn’t until later, in my sophomore year of high school when I got my fi rst 35mm SLR fi lm camera and took my fi rst photography darkroom class, that I realized the love affair I would have with photography. I quickly became hooked on the magic of watching an image appear in the developer. Once I learned I could make a living in photography, I knew photography would be my life’s work. I want to thank John H. White, Pulitzer Prize winning photojournalist of the Chicago Sun-Times who I had the great pleasure to learn from at Columbia College Chicago and later work alongside covering the daily news together as colleagues at the Chicago Sun-Times. John H. White always encouraged me to soar on the wings of eagles. Thank you to all of my friends, family and photo heroes who have helped my reach my goals and fulfi lling my dreams of becoming a professional photographer. Thank you to God for blessing me indeed! ix 01_549537-ffirs.indd ix 3/30/10 2:15 PM Controlling the light To my father, Robert C. Davis, for fostering my love of photography at an early age. xi 01_549537-ffirs.indd xi 3/30/10 2:15 PM Controlling the light Contents Chapter 1: Introduction .......................................................................................3 Become a seeker of light .........................................................................................................6 Reading l ighting diagrams .....................................................................................................8 Quality over Quantity ............................................................................................................ 10 Chapter 2: Understanding Light ...................................................................... 15 Seeing and Knowing Light .................................................................................................... 16 Quality over Quantity ............................................................................................................ 19 C olor temperature ..................................................................................................................22 White balance .........................................................................................................................24 Mixed l ight sources ...............................................................................................................28 Working with n atural light ..................................................................................................29 Manipulating n atural light ....................................................................................................29 The g olden hour ......................................................................................................................34 Chapter 3: Getting the basics right ................................................................39 Exposure and how it works ..................................................................................................40 Shutter speed ...................................................................................................................42 Aperture ...........................................................................................................................43 I SO .....................................................................................................................................45 How to measure light ............................................................................................................ 47 Using histograms to perfect your w hite balance .............................................................50 xiii 02_549537-ftoc.indd xi 3/30/10 2:16 PM Lights, C a mer a , C a pt ur e Aperture and d epth of fi eld ................................................................................................... 51 Shutter Speed and m otion capture ...................................................................................... 51 I SO and digital n oise .............................................................................................................55 File formats ............................................................................................................................56 Chapter 4: Lighting Equipment ....................................................................... 61 On-camera fl ashes .................................................................................................................63 Controlling on-camera fl ashes off the camera ..................................................................63 W ireless radio fl ash triggers .................................................................................................66 R adioPopper ....................................................................................................................66 Quantum Free X-Wire .................................................................................................... 67 P ocket Wizards Mini & Flex .......................................................................................... 67 B atteries, batteries, batteries...............................................................................................69 Studio l ighting ........................................................................................................................ 70 Light modifi ers ....................................................................................................................... 71 Flash D iffusers ................................................................................................................ 71 Other D iffusers ............................................................................................................... 71 Soft boxes ........................................................................................................................72 Snoots, Barn Doors and Honeycombs .........................................................................72 Gels and fi lters ........................................................................................................................73 Basic l ighting starter kit .......................................................................................................73 My kit-bag ................................................................................................................................77 List of gear .......................................................................................................................77 xiv 02_549537-ftoc.indd xiv 4/2/10 3:59 PM

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