Welcome to the Neighborhood Mister Rogers The Magical World of an American Icon FRED ROGERS WITH KING Friday XIII and other puppets from the Neighborhood of Make-Believe,1978. Mister Rogers Mister Rogers EDITORIAL DIRECTOR Kostya Kennedy EDITOR Eileen Daspin DIRECTOR OF PHOTOGRAPHY Christina Lieberman DESIGNER Patty Alvarez WRITER Richard Jerome COPY CHIEF Parlan McGaw COPY EDITOR Joel Van Liew PICTURE EDITOR Rachel Hatch WRITER-REPORTER Gillian Aldrich PHOTO ASSISTANT Steph Durante PRODUCTION DESIGNER Sandra Jurevics PREMEDIA TRAFFICKING SUPERVISOR Paige E. King COLOR QUALITY ANALYST John Santucci MEREDITH SPECIAL INTEREST MEDIA VICE PRESIDENT & GROUP PUBLISHER Scott Mortimer VICE PRESIDENT, GROUP EDITORIAL DIRECTOR Stephen Orr VICE PRESIDENT, MARKETING Jeremy Biloon EXECUTIVE ACCOUNT DIRECTOR Doug Stark DIRECTOR, BRAND MARKETING Jean Kennedy SALES DIRECTOR Christi Crowley ASSOCIATE DIRECTOR, BRAND MARKETING Bryan Christian SENIOR BRAND MANAGER Katherine Barnet EDITORIAL DIRECTOR Kostya Kennedy CREATIVE DIRECTOR Gary Stewart DIRECTOR OF PHOTOGRAPHY Christina Lieberman EDITORIAL OPERATIONS DIRECTOR Jamie Roth Major MANAGER, EDITORIAL OPERATIONS Gina Scauzillo SPECIAL THANKS Brad Beatson, Melissa Frankenberry, Samantha Lebofsky, Kate Roncinske, Laura Villano MEREDITH NATIONAL MEDIA GROUP MEREDITH MAGAZINES PRESIDENT Doug Olson PRESIDENT, CONSUMER PRODUCTS Tom Witschi PRESIDENT, CHIEF DIGITAL OFFICER Catherine Levene CHIEF REVENUE OFFICER Michael Brownstein CHIEF MARKETING & DATA OFFICER Alysia Borsa MARKETING & INTEGRATED COMMUNICATIONS Nancy Weber SENIOR VICE PRESIDENTS CONSUMER REVENUE Andy Wilson CORPORATE SALES Brian Kightlinger DIRECT MEDIA Patti Follo RESEARCH SOLUTIONS Britta Cleveland STRATEGIC SOURCING, NEWSSTAND, PRODUCTION Chuck Howell DIGITAL SALES Marla Newman THE FOUNDRY Matt Petersen PRODUCT & TECHNOLOGY Justin Law VICE PRESIDENTS FINANCE Chris Susil BUSINESS PLANNING & ANALYSIS Rob Silverstone CONSUMER MARKETING Steve Crowe SHOPPER MARKETING Carol Campbell BRAND LICENSING Steve Grune VICE PRESIDENT, GROUP EDITORIAL DIRECTOR Stephen Orr DIRECTOR, EDITORIAL OPERATIONS & FINANCE Greg Kayko MEREDITH CORPORATION PRESIDENT & CHIEF EXECUTIVE OFFICER Tom Harty CHIEF FINANCIAL OFFICER Joseph Ceryanec CHIEF DEVELOPMENT OFFICER John Zieser PRESIDENT, MEREDITH LOCAL MEDIA GROUP Patrick McCreery SENIOR VICE PRESIDENT, HUMAN RESOURCES Dina Nathanson CHAIRMAN Stephen M. Lacy VICE CHAIRMAN Mell Meredith Frazier Copyright © 2019 Meredith Corporation 225 Liberty Street • New York, NY 10281 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. For syndication requests or international licensing requests or reprint and reuse permission, e-mail [email protected]. PRINTED IN THE USA Vol. 19, No. 29 • November 8, 2019 LIFE is a registered trademark, registered in the U.S. and other countries. For information on bulk purchases, please contact Suzanne Albert in the Special Sales During a taping of Mister Department at [email protected]. RogersÕ Neighborhood, in Pittsburgh in 1993. FRONT COVER: Fred Rogers, Mister Rogers’ Neighborhood, circa 1979. 2 LIFE MR. ROGERS 4 INTRODUCTION His Quiet Strength and Simple Words 8 A Man in Pictures 18 Man on a Mission $20 Million Testimony Time for Something Very Different 34 1-4-3 I Love You Freddish—or, Rogers’s Rules of Language The Woman Behind The Neighborhood 48 A Musical Message 62 The Regulars Supporting Characters 76 Iconic Episodes 84 His Legacy 96 Carry On 3 INTRODUCTION Whatever turbulence roiled the world, viewers found love and acceptance tuning in daily to Mister Rogers’ Neighborhood. His Quiet BY Strength and RICHARD JEROME Simple Words E ven for Fred Rogers, it was a tall order. As The host started off with a dry discussion of budgets and fund- the host of the children’s public television ing sources, then in his soothing lilt, Mister Rogers’ Neighborhood show , the turned to the inner lives of his young 40-year-old was used to breaking down viewers—a topic that clearly resonated with Pastore. When Rogers recited the complicated topics: anger, sadness, jealousy. lyrics to “What Do You Do with the But on May 1, 1969, Rogers was scheduled to testify Mad That You Feel?”, a song based on a child’s question, Pastore was visibly in front of Congress on an even more emotional moved. “I think it’s wonderful. I think subject: money. Specifically, his job was to explain to it's wonderful,” he gushed. “Looks like the notoriously prickly Senator John Pastore why he you just earned the 20 million dollars.” With his disarming brand of quiet should earmark $20 million to fund the Corporation for strength, simple language, and unvar- Public Broadcasting, the sponsor of Rogers’s program. nished sincerity, Fred Rogers owned 4 LIFE MR. ROGERS WHEN MISTER ROGERS’ Neighborhood went national in 1968, it was a low-key affair with handmade puppets and a cardboard castle. + MR. ROGERS AND HIS NEIGHBORHOOD 6 LIFE MR. ROGERS the room that day in the Senate, capti- vating legislators with the same magic When Tom Hanks was preparing for A Beautiful that entranced generations of chil- dren during his show’s 31-season run, Day in the Neighborhood, one of the first between 1968 and 2001. Whatever tur- bulence roiled the world or their fami- questions he asked Joanne Rogers was lies, millions of young viewers found security and unconditional love in “Did Fred really talk that slowly?” Mister Rogers’ their daily visits to Neighborhood. At a time when chil- dren’s programming was speeding up, Fred Rogers slowed down, offering puppets who expressed children’s fears, as well as messages of love through music. Instead of presenting his audi- ence a curriculum of ABCs and count- “His core message—I like you just composition—Rogers switched gears ing, he cultivated in his small viewers the way you are—refl ects his belief that and applied for an entry-level position a sense of wonder and self-confi dence. God likes us just the way we are,” says with NBC in New York. Within a few To some present-day commenta- Shea Tuttle, author of the forthcoming years, he would return to Pennsylvania, tors, Rogers is at least partly respon- book Exactly as You Are: The Life and where he would produce and write The sible for the culture of entitlement Faith of Mister Rogers. “Rogers thought Children’s Corner, a new public televi- among millennials, but there are few if people believe they’re loved . . . and sion show for young people. who don’t long for a Rogers-like fi gure that they’re good, then they’re going to The future star’s trajectory was The to redirect children’s fare to the val- be better people. Conversely, if we feel set. For the very first episode of Children’s Corner, ues of Mister Rogers’s beloved neigh- accused or unsure of ourselves, we’ll he introduced borhood. He remains a unique fi gure project that onto others.” a sweet, timid puppet he dubbed in the history of American media, Rogers came to his beliefs through Daniel Striped Tiger, who would be celebrated for his contributions not his experience growing up in Latrobe, his on-air companion and alter ego just to television but to education Pennsylvania, about 40 miles from for decades. Not far behind were and civility as well. Since his death in Pittsburgh. His parents were loving, other characters, such as X the Owl 2003, Rogers has been the subject of but Rogers was bullied by classmates, and King Friday XIII. He also began two biographies, an acclaimed doc- and his only real friends were his to understand the importance of cre- umentary (Morgan Neville’s Won’t music, puppets, books, and his imagi- ating and presenting material in a You Be My Neighbor?), and the 2019 nation. He certainly never forgot, and way that was developmentally appro- Hollywood biopic A Beautiful Day perhaps never shed, those childhood priate for children. By the time Mister in the Neighborhood, starring Tom feelings of being an outsider, and they Rogers’ Neighborhood debuted in 1968, Hanks. At a time when the nation feels shaped his life as an adult. the host’s menagerie, philosophy, and angry and divided, Rogers’s guiding Rogers’s eureka moment arrived pedagogy were established. philosophy of loving tolerance and in 1951, while visiting Latrobe on a “I’ll never forget the sense of whole- acceptance resonates and appeals break during his senior year of col- ness I felt when I fi nally realized what, more than ever. lege. Walking into his parents’ home, in fact. I really was,” Rogers observed Rogers discovered they had bought years later. “Not just a writer or a lan- a television, one of the first ones in guage buff or a student of human TOM HANKS PORTRAYS Fred Rogers in A Beautiful town. The set both fascinated and development or a telecommunica- Day in the Neighborhood, frightened him, as he grasped the tor, but I was someone who could use about the friendship between new medium’s potential for good and every talent that had ever been given Rogers and journalist Tom harm. Instead of pursuing a career in to me in the service of children and Junod, who profi led Rogers in Esquire magazine. music—he had been majoring in music their families.” ● 7 A MAN IN PICTURES Indelible images from a life-changing career.