LET the MEATBALLS REST and Other Stories About Food and Culture Arts and Traditions of the Table ARTS AND TRADITIONS OF THE TABLE PERSPECTIVES ON CULINARY HISTORY ALBERT SONNENFELD, SERIES EDITOR Salt: Grain of Life, Pierre Laszlo, translated by Mary Beth Mader Culture of the Fork, Giovanni Rebora, translated by Albert Sonnenfeld French Gastronomy: The History and Geography of a Passion, Jean-Robert Pitte, translated by Jody Gladding Pasta: The Story of a Universal Food, Silvano Serventi and Françoise Sabban, translated by Antony Shugar Slow Food: The Case for Taste, Carlo Petrini, translated by William McCuaig Italian Cuisine: A Cultural History, Alberto Capatti and Massimo Montanari, translated by Áine O’Healy British Food: An Extraordinary Thousand Years of History, Colin Spencer A Revolution in Eating: How the Quest for Food Shaped America, James E. McWilliams Sacred Cow, Mad Cow: A History of Food Fears, Madeleine Ferrières, translated by Jody Gladding Molecular Gastronomy: Exploring the Science of Flavor, Hervé This, translated by M. B. DeBevoise Food Is Culture, Massimo Montanari, translated by Albert Sonnenfeld Kitchen Mysteries: Revealing the Science of Cooking, Hervé This, translated by Jody Gladding Hog and Hominy: Soul Food from Africa to America, Frederick Douglass Opie Gastropolis: Food and New York City, edited by Annie Hauck-Lawson and Jonathan Deutsch Building a Meal: From Molecular Gastronomy to Culinary Constructivism, Hervé This, translated by M. B. DeBevoise Eating History: Thirty Turning Points in the Making of American Cuisine, Andrew F. Smith The Science of the Oven, Hervé This, translated by Jody Gladding Pomodoro! A History of the Tomato in Italy, David Gentilcore Cheese, Pears, and History in a Proverb, Massimo Montanari, translated by Beth Archer Brombert Food and Faith in Christian Culture, edited by Ken Albals and Trudy Eden The Kitchen as Laboratory: Reflections on the Science of Food and Cooking, edited by César Vega, Job Ubbink, and Erik van der Linden TRANSLATED BY BETH ARCHER BROMBERT COLUMBIA UNIVERSITY PRESS NEW YORK Columbia University Press Publishers Since 1893 New York Chichester, West Sussex cup.columbia.edu Copyright © 2009 Gius. Laterza & Figli. Published by agreement with Marco Vigevani Agenzia Letteraria. Translation copyright © 2012 Columbia University Press All rights reserved E-ISBN 978-0-231- 52788-0 The translation of the work has been funded by SEPS Segretariato Europeo per le Pubblicazioni Scientifiche Via Val d'Aposa 7 40123 Bologna, Italy [email protected]—www.seps.it Library of Congress Cataloging-in-Publication Data Montanari, Massimo, 1949– [Riposo della polpetta e altre storie intorno al cibo. English] Let the meatballs rest, and other stories about food and culture / Massimo Montanari; translated by Beth Archer Brombert pages cm Includes index. ISBN 978-0-231-15732-2 (cloth : alk. paper) ISBN 978-0-231-52788-0 (ebook) 1. Cooking— History. 2. Cooking—Philosophy. 3. Food habits—History. 4. Food habits—Philosophy. I. Title. TX645.M6613 2012 641.5—dc23 2012021330 A Columbia University Press E-book. CUP would be pleased to hear about your reading experience with this e-book at cup- [email protected]. References to Internet Web sites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. CONTENTS Introduction 1. Things and Ideas Being and eating / The invention of bread / Our daily bread / Festive bread / Bread unites or divides? / Divide meat, share soup / Form and substance (discussion around a plate of pasta) 2. The Status of Foods Esau’s lentils, or how farmers defeated hunters / Flour from spelt / “Inferior” grains? / Liquid bread: from ale to beer / The stench of garlic / The king’s peas (and the peasant’s too) / The potato, from emergency food to culinary specialty / The eggplant, food of plebeians or Jews / The bread tree / The peaches of Messer Lippo / Five hundred pears / To die for a melon / Strawberries in November / Watermelons and cucumbers / Sweet as a fig 3. Adventures in Cooking From raw to cooked (and back) / The prefect recipe / Cappelletti and tortellini: the retro-taste of history / Macaroni, or is it gnocchi? / The patient took some broth / The invention of fried potatoes / Among the thousand ways to prepare eggs / Fritters / Don’t flip the frittata / Sausages / Pink pigs, black pigs / Liberating vegetarian cooking / Dressing a salad / The blender and the mortar / Mediterranean “fusion” / Home cooking: when variation is the rule / Cooking is home 4. The Gastronomy of Hunger Nameless plants / Field herbs / Forgotten fruits, or rediscovered? / The struggle against time / Diversity as a resource / Bread of earth / The right to pleasure / Rivers of milk and giant tomatoes 5. Flavors Flavor and knowledge / How many flavors are there? / A longing for sweet / Sweet and/or salty / Bitter to the taste / When sour was fashionable / The taste for spices (and hot pepper) / The taste of smoke / How chocolate became sweet / The taste of canned foods 6. Pleasure and Health “What tastes good is good for you” / The law of opposites, between kitchen and pharmacy / Watermelon, salt and pepper / Monthly diets / The language of the navel / Fat, meaning meat / “Indigestion does not bother peasants” / The lightness of the monk / When pleasure frightens / Monastic gastronomy / Philosophizing gluttony 7. The Beautiful and the Good The making of colors / White or red? / Carrot red / Culinary artifices / Compositions and compotes / Confetti (sugarcoated almonds, spices, etc.) / Beauty is not a superfluous benefit 8. Convivial Rituals The call of the wild (around the barbecue) / A masculine ritual / Rucola in the White House / Christmas dinner / A hundred cappelletti / Carnival and Lent / Lenten diet, gastronomic discoveries / Easter eggs / Breakfast / When snacking kills the snack / Silence, we’re eating / Eating on the highway / Fast food and conviviality 9. Table Practices and Manners The fork and the hands / The missing cutlery / The pot on the table / First or second? / The wheel of food / To pour, to mix: when wine was made by the imbider / The ancient art of pairing wine with food / How to taste wine (without making an ass of oneself) / Cold drinks 10. “Identity” Declined in the Plural Spaghetti with tomato sauce, or the other in us / Pasta and the Italians: a single and multiple identity / Macaroni-eaters / Four pies / One product, one city: Bologna and mortadella / Pellegrino Artusi: Italian identity in the world / Polenta and couscous (with an unexpected variant) / Is McDonald’s compatible with local identities? Index INTRODUCTION We were making meatballs in the kitchen one evening: boiled beef, cooked cardoons, parmesan, bread crumbs, two eggs, salt, pepper. Once the mixture was done, we shaped the meatballs and arranged them neatly on a plate. At that point, Marina advised: “Now, before cooking them, let us leave them to rest for a few hours. That way they firm up and get thoroughly blended.” It occurred to me that letting meatballs rest is much like what happens in our minds when we work out an idea. Ideas are the result of experiences, encounters, reflections, suggestions: many “ingredients” that come together and then turn into a new thought. Before that can happen, it is useful to let those ingredients rest, to give them time to settle, to become blended, to firm up. The resting of meatballs is like the resting of thoughts: After a while, they turn out better. The kitchen is not just the place where survival and pleasure are planned. It is also an ideal place for training the mind. To observe the processes of cooking, the transformation of raw materials subjected to the heat of the stove, the incontrovertible rules of suitability (some things go well together, others do not), the order and sequence of actions (done in a particular order and a particular rhythm can produce excellent results, done differently can cause disasters, as when a mayonnaise curdles), can allow us to contemplate the rules that govern daily life, the things that happen around us each day, our relationship with the world, with others, with ourselves. Cooking is not an inferior activity; it stimulates the intelligence. This view is also held by a famous lady of the seventeenth century, Sister Juana Inès de la Cruz, the major poet of the Mexican Baroque. In her proud affirmation of the role of women (which caused her no small amount of derision in the macho society of the time), she defended the intellectual dimension of preparing food, comparing it to philosophical reflection and even declaring its superiority. “What can I tell you,” wrote Sister Juana, “about the secrets of nature that I discovered while I was cooking? I see an egg that solidifies as it fries in butter or oil, and on the contrary separates in syrup; I see that for sugar to remain free-flowing it is enough to add a tiny amount of water in which a quince or some other acidy fruit has been placed; I see that the yolk and the white of the same egg are such contrary entities that with sugar they can be whipped but never together.” These observations are far more profound than they would seem at first glance, so that, Sister Juana concludes provocatively, “One can easily philosophize while preparing dinner. I maintain that Aristotle would have written much more had he cooked.” In the following pages I have collected a hundred short pieces that appeared during the past few years in Consumatori, the monthly magazine of the Coop Adriatica, and in the Sunday pages of the newspaper La Repubblica. I thank the directors of both publications for allowing me to reprint these articles, to which I have added a few small pieces that were published elsewhere. Small, but I hope not without interest, because I have always held the conviction that important topics can also be treated lightly, starting from “simple” reflections on facts, things, words, that cross our path and that, despite their seeming banality, contain meaningful fragments about our history and express important aspects of our culture. An idea of which I am particularly fond, which inspires my scholarly work and which I try to communicate even in the most nonacademic circles, is that the practices of cooking (in its broadest sense, everything that has to do with food: modes of preparation, techniques of transformation, modalities of consumption, rituals of conviviality) not only constitute a sizable segment of the cultural patrimony of a society, but in many cases reveal fundamental mechanisms of our material and intellectual behavior. Cooking can thus be regarded as a metaphor for life —unless we recognize that life itself is a metaphor for cooking.
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