"Le Mortifiement de Vaine Plaisance" of René d’Anjou: Text, Translation and Commentary (France) PDF
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University Microfilms International 300 N.Zeeb Road Ann Arbor, Ml 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8327173 Amino, Eriko "LE MORTIFIEMENT DE VAiNE PLAISANCE" OF RENE D’ANJOU: TEXT, TRANSLATION AND COMMENTARY Columbia University Ph.D. 1981 University Microfilms International 300 N. Zeeb Road, Ann Arbor, Ml 48106 Copyright 1981 by Amino, Eriko All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V . 1. Glossy photographs or pages ^ 2. 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Further reproduction prohibited without permission. LE MORTIFIEMENT DE VAINE PLAISANCE OF RENE D‘ANJOU TEXT, TRANSLATION AND COMMENTARY Eriko Amino Submitted in partial fulfillment af the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 1981 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT LE MORTIFIEMENT DE VAINE PLAISANCE OF RENE D*ANJOU TEXT, TRANSLATION AND COMMENTARY Eriko Amino This study of Rend d*Anjou’s Le Mortifiement de Vaine Plaisance (c. 1453) comprises a diplomatic edition of MS. Morgan 705, with emendations from MS. Royal Library of Brussels 10300; an English translation; a line-by-line commentary; and an introduction which examines the author, his corpus, the manuscripts of the Mortifiement. and the miniatures of MS. Morgan 705, and which provides a critical and historical anal ysis of the work. The Mortifiement is an allegorical religious piece of 2666 lines, in prose, except for occasional verse insets. It commences with the Soul lamenting the tendency of her heart to fall victim to the vain pleasures of this world. The Soul is approached by two ladies, Fear of Sod and Contrition, who, in a dialogue, encourage the Soul to entrust her heart to them. The interaction of these figures is described by the Acteur, who is also present in the allegory, though chiefly as an observer and commentator. Fear and Contrition accomplish their task by instructing the Soul, mainly through presenting and interpreting three protracted exemola. The Soul then Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. voluntarily commits her heart to the two ladies, who sub sequently take it to a paradisaical garden where four addi tional ladies— Faith, Hope, Love and Divine Grace— nail it to a cross, in imitation of Christ, to purge it of its sin. Following this sacrificial bloodletting, Fear and Contrition return the purified heart to the Soul, who is moved to joyful and ecstatic expression of her love for God. The nortifiement synthesizes several central medieval literary traditions. The intent to instruct marks the piece as part of the homiletic tradition which became widespread after the rise of the mendicant orders in the fourteenth cen tury. Tent’s allegorical style draws on standard late antique and medieval models, such as Prudentius, Boethius, and the P.oman de la Hose. His deployment of characters, action and dialogue reflects qualities present in the drama, and his exegetical impulse reflects the importance of sermons and exemola in later medieval religious literature. Additionally, Bend draws upon the mystical tradition and evinces a personal religious devotion reminiscent of St. Bernard and 5t. Anselm. As a nobleman and patron of arts and letters whose work en compasses ail these traditions, Heni provides an accomplished example of lay piety in the later fliddle Ages. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. For Nancy G. Siraisi, friend and teacher Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
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