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Laughter, Jestbooks and Society in the Spanish Netherlands PDF

224 Pages·1999·22.078 MB·English
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LAUGHTER, JESTBOOKS AND SOCIETY IN THE SPANISH NETHERLANDS EARLY MODERN HISTORY: Society and Culture General Editors: Rab Houston, Professor of Early Modern History, University of St Andrews, Scotland, Edward Muir, Professor of History, Northwestern University, Illinois, and Bob Scribner, sometime Professor for the History of Western Christianity, Harvard Divinity School, Cambridge, Massachusetts. This series encompasses all aspects of early modern history from 1400 to c. 1800. Broadly conceived to emphasize innovative work in social and cultural history, it includes not only the traditional venues of British and European history but also the Americas and other cultures around the globe. The editors seek fresh and adventurous monographs, especially those with a comparative and theoretical approach, from both new and established scholars. Titles include: Samantha A. Meigs THE REFORMATIONS IN IRELAND: Tradition and Confessionalism, 1400-1690 Craig Muldrew THE ECONOMY OF OBLIGATION: The Culture of Credit and Social Relations in Early Modern England Niall 6 Ciosain PRINT AND POPULAR CULTURE IN IRELAND, 1750-1850 lohan Verberckmoes LAUGHTER, JESTBOOKS AND SOCIETY IN THE SPANISH NETHERLANDS Early Modern History: Society and Culture Series Standing Order ISBN 978-0-333-71194-1 (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the seIies and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd Houndmills, Basingstoke, Hampshire RG21 6XS, England J Laughter, estbooks and Society in the Spanish Netherlands J ohan Verberckmoes Lecturer History Department Catholic University of Leuven Belgium First published in Great Britain 1999 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-1-349-27178-8 ISBN 978-1-349-27176-4 (eBook) DOI 10.1007/978-1-349-27176-4 First published in the United States of America 1999 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-21609-2 Library of Congress Cataloging-in-Publication Data Verberckmoes, Johan. Laughter, jestbooks and society in the Spanish Netherlands I Johan Verberckmoes. p. em. -(Early modem history) Includes bibliographical references and index. ISBN 978-0-312-21609-2 (cloth) 1. Dutch literature-1500-1800---History and criticism. 2. Dutch wit and humor-History and criticism. 3. Popular literature -Netherlands-History and criticism. 4. Dutch wit and humor, Pictorial. 5. Netherlands-History-Wars oflndependence, 1556-1648. 6. Laughter-Social aspects-Netherlands. 7. Literature and society-Netherlands. I. Title. II. Series. PT5145.W58V47 1998 839.3'1709-dc21 98-17687 CIP © Johan Verberckmoes 1999 Softcover reprint of the hardcover 7th edition 1999 978-0-333-66524-4 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 I 08 07 06 05 04 03 02 01 ()() 99 For Ann Contents Preface ix 1 Introduction: Historical Laughter 1 Land of Cockaigne 8 A Laughing Emperor 10 Ulenspieghel 12 Fooling by Numbers 18 Guessing and Laughing 23 Printed Jests 26 The Social Circulation of Laughter 31 2 Laughter Embodied 38 Physiognomy and the Decorum of the Body 38 Smiling 42 Shaking 45 True and False Laughter 49 The Whims of the Laughing Body 53 3 A Cure for the Civilized 59 Chasing Melancholy 60 The Seriousness of Monkeys 63 Civilized Joking 67 Learning to Laugh 72 4 The Politics of Joking 83 The White God 85 1566 and All That 92 Vive les Gueux 96 Communities of Laughter 100 5 Entremets: Turning Bakhtin upside down 109 Bakhtin and the History of Laughter 109 Does Laughter have a History at All ? 114 viii Contents 6 Censoring Lies 122 Against Laughter 123 Against Comic Books 128 Against Bared Bottoms 132 7 Jestbooks in the Spanish Netherlands 139 Editions and Readers 139 Under Pressure 145 8 Counter Reformation Humour 154 Festivals and Households 155 Adulteresses and Cuckolds 159 Inns and Churches 163 Princes and Dwarfs 167 The Discipline of Laughter 172 Postscript: Hispanic Flemish Hotchpotch 181 Bibliography 186 Index 209 Preface If laughter seems a proper subject for historical writing today, when I fIrst started doing research on it in the middle of the 1980s few people were concerned with it. Yet the times were ready for it then, and even more today, as the history of mentalities has turned into historical anthropology. What is crucial in this branch of cultural history is the focus on the individual and his body as the intermediary and perpetrator of cultural and social change in society. A thoughtless and ordinary activity, or rather bodily action, as laughter is, is historical to the extent that it unravels the secret ways in which such abstract notions as culture, power, social distinction, education, civility, christian refonn and so on appear and function in a society. In that sense I consider this book to belong to a form of cultural history which is very conscious of the social origins and orientations of cultural practices and ideas. The fIrst, Dutch version of this book was presented as a doctoral dissertation in the History Department of Leuven University, in the fall of 1993. Papers I read since then at conferences in Amsterdam, Prato, London, Brussel and Leuven and the response I got from the respective audiences, convinced me even more than in the original version that a unifying approach starting from a certain defInition of comic and laughter more distorted the historical laughter I retrieved from the sources than actually giving it its rightful place in the history book. That is why the different perspectives in this book are not all focussing on the same question, rather to the contrary. Only by using a large variety of sources and respecting the divergent questions they raise something can be told about how in the Southern Netherlands under the Spanish Habsburgs (more or less the territory of today's Belgium) and, more generally speaking in early modem Europe, laughter was a part of culture and society. I do not intend to inflate trivial laughter to a phenomenon of fIrst importance in early modem Europe, although retrieving one's subject from oblivion and grandizing it to a key feature is a much preferred rhetorical tric among historians. Laughter, however, is already by nature omnipresent in society, today no less than in the middle ages, as I see it. What makes it stand apart between 1500 and 1700 (what makes it historical) are the many situations in which laughter was apparently appropriate or simply taking place, some of which occasions are not in any way provoking laughter today, let alone create humour. x Preface This last point may be illustrated by referring to one of the practical jokes by my grandfather, which were definitely an important autobiographical reason why I started studying laughter in the first place. Once, on a hot summer day in the pre-computer era, my grandfather spouted all his colleagues in the office wet with a fire-hose. Since then he was nicknamed the squirt ("de spruit" in my native "Waasland" tongue). In spurting anecdotes and explanations in this book I am only vaguely mimicking his gesture of refreshing other people's minds and heads. From the moment I started doing research on this topic under his supervision until this book was fmished Professor Eddy Stols encouraged me with advice, criticism and inspiration. His Brazilian flair made him recognize historical laughter as part of the wonderful creativity of the past. Many thanks to Eddy and his wife, Haydee Hokumura, for their loyalty and warm friendship. The research for this book and the actual writing was done in excellent conditions at Leuven University. Many friends, colleagues and students shared their enthusiasm and knowledge with me and I thank them all. I have benefitted greatly from the advice and assistance of Professors Emiel Lamberts, Karel Porteman, Michel Cloet, Reginald de Schryver, Hugo Soly, Herman Van der Wee and Jan Roegiers. For the purpose of this book I rewrote in English the original Dutch text, which was published in February 1998 as Schertsen, schimpen en schateren. Geschiedenis van het lachen in de Zuidelijke Nederlanden, zestiende en zeventiende eeuw (Nijmegen, SUN). For this English edition chapters were rearranged, arguments refined and some conclusions added, which makes that I consider this English version to be the most complete. I am particularly grateful to the editors of this series for giving me their confidence. Margaret Mary Malone was so courageous and kind to correct my English where necessary; I thank her for that. lowe special thanks to Herman Roodenburg and Rudolf Dekker, who had discovered the potential of laughter for historical research before me. They proved to be true friends and honest critics. Patricia Beersaerts assisted me kindly and joyfully as ever in fmishing the book technically. For everything they have done over the years lowe my parents loving gratitude. My greatest source of inspiration has been and remains Ann. She shared my pleasure in fmding old laughter and cheered me up when I got tired of the jokes. I dedicate this book to Ann with all my heart.

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