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274 Pages·2015·1.02 MB·English
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LANGUAGE FOR DEVELOPMENT THROUGH DRAMA AND THEATRE IN ZIMBABWE: AN AFRICAN PERSPECTIVE by VIMBAI MOREBLESSING MATIZA Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject of AFRICAN LANGUAGES at the UNIVERSITY OF SOUTH AFRICA PROMOTER: PROF D.E. MUTASA JOINT PROMOTER: PROF S. MATJILA AUGUST 2014 i DECLARATION Student No. 5084-0-185 I, Vimbai Moreblessing Matiza, declare that Language for Development through drama and theatre in Zimbabwe: An African Perspective is my work and that the sources I have used or quoted have been indicated and acknowledged by means of complete references. November 2014 .................................................. .................................................. Signature Date ii ABSTRACT This study discusses the African perspective of the role of language in explaining development issues through the medium of drama and theatre in Zimbabwe. The problem of the study is centred on the idea that development was hardly measured through art. The researcher argues that language used in drama and theatre as a form of art can also contribute to development in Zimbabwe. This development can be witnessed through people’s changing lifestyles, acknowledging the importance of their mother tongue in communication and restoring hope in situations characterised by hopelessness and despair. Descriptive research design was used in the study because it allowed the researcher to dig much deeper into the subject. Data from respondents was gathered through the use of questionnaires, interviews and content/textual analysis of some scripts. In interrogating the issues of development through language in drama and theatre, the research was guided by the African Renaissance theory, Theatre for development and Hymes’ SPEAKING model. As a result, the study observes that language, a people’s indigenous language should be placed at the centre of a performance if that message being conveyed is to change or develop them. The key respondents to the study bring out the idea that there is no language which is superior to the other and the choice of language to be used in a work of art should be determined by the circumstances that prevail. Even the language which is used by the smallest population of people should be given space to flourish and be used by its people. Another major finding of the research is that language itself cannot change people but people change themselves through the use of a language that they understand. This calls for the initiative by the indigenous people and the powers that be to make sure that they use their language at different levels so that all facets of development can be witnessed within their lives. In the final analysis, the researcher recommends that policies that allow the total usage of all declared official languages in Zimbabwe. iii KEY WORDS Drama, theatre, language, development, indigenous languages, official languages, African renaissance, theatre for development, African perspective iv ACKNOWLEDGEMENTS This study was made possible through the financial support generously extended to me by the UNISA Financial Aid Bureau. I am greatly indebted to them for the assistance. I am also very grateful to my supervisor, Prof D.E. Mutasa and the joint promoter Prof S. Matjila for their inspiration and intellectual mentorship. . Many thanks go to my family members for the support they gave me during the course of this study. I wish to express my thanks to my parents Baba waGiri and Mai waGiri, my brother SekaNdo, thank you for the constant reminder. I would also like to thank Taku for taking care of the boys whilst I was away. To my three sons Anotidaishe, Isheanopa and Kuzivakwashe your love and sweet remembrance kept me going. You braved my period of absence from home when I was carrying out research and working on my research findings to come up with this thesis. I wish to express my deepest appreciation to the Research and Postgraduate Studies Department of Midlands State University for affording me the needed financial resources to carry out research in the country. I also wish to express my deep and humble appreciation to colleagues from other institutions who helped in the distribution of my questionnaires. I also wish to thank Mrs Kandawasvika (University of Zimbabwe), Prof J. Mapara (Chinhoyi University of Technology), Ms B. Lantern (Great Zimbabwe University) and Mrs T.F. Muringaniza (Midlands State University). The support and cooperation of colleagues in the Department of African Languages and Culture at Midlands State University, Zimbabwe namely Dr C. Tembo, Prof W.L. Chigidi, Dr P. Mpofu and Mr R. Nhongo is greatly appreciated. To Takudzwa Matiza who typed some chapters of the thesis and Mrs Mugomba who proofread some of my chapters, I sincerely appreciate the sacrifice, accuracy and commitment you exerted to give my thesis the technical quality it carries. To my brother Mr Wellington Nyamatendedza and Lucy you made my regular visits and stay in Pretoria enjoyable. Finally, I would like to thank all those who provided views through interviews and questionnaires. God bless you all. Above all, I thank the Lord Almighty for without you, it would not be possible to complete this programme. . v DEDICATION To my loving husband Rtd Lt Col Niya Mtombeni, for without an accommodative, supportive and understanding spouse my success would have never been. vi LIST OF ACRONYMS ACALAN African Academy of Languages ALC African Languages and Culture ALL African Languages and Literature EC English and Communication FTA Film and Theatre Arts GDP Gross Domestic Product GNP Gross National Product GZU Great Zimbabwe University HIV/AIDS Human Immune Virus / Acquired Immune Deficiency Syndrome MSU Midlands State University MPs Members of Parliament NGOs Non - Governmental Organisations NTO National Theatre Organisation TfD Theatre for Development TIE Theatre in Education ZACT Zimbabwe Association of Community Theatre ZANU PF Zimbabwe National African Union Patriotic Front ZBC Zimbabwe Broadcasting Corperation ZTV Zimbabwean Television vii LIST OF TABLES Table 5.1.1: Distribution of the student questionnaires by gender........................ .... 96 Table 5.1.2: Distribution of the student questionnaires by institution...................... 96 Table 5.1.3: Distribution of the student questionnaire by department .................. ... 97 Table 5.1.6: Shows the student responses on whether they agree or disagree on the relationship between language and development......................... 101 Table 5.1.6.1 Broad views and actual views of the student responses on the kind of relationship that exist between language and development.......... ...... 102 Table 5.1.7 Shows student responses on whether they agree or disagree if language is an important factor for development................................................... 105 Table 5.1.7.1 Broad views and actual views of the student responses on how language is an important factor for development................................................... 105 Table 5.1.8 Shows student responses on language used in performances in Zimbabwe. 107 Table 5.1.9 Shows student responses on whether artists in general communicate any form of development with the language they use in their performances..... 109 Table 5.1.9.1 Student responses on the facets of development which are brought out by artists in their performances.......................................................................... 109 Table 5.1.10.1 Student responses on whether music played by urban grooves communicates development or not.............................................................. 112 Table 5.2.1 Distribution of the lecturers’ questionnaire by gender.................................. 115 Table 5.2.2 Distribution of the lecturers’ questionnaire by areas of research and modules taught............................................................................................. 116 Table 5.2.4 Broad views and actual views of the lecturers’ responses on the language for development through drama and theatre of the pre-colonial period........ 119 Table 5.2.5 Shows lecturers’ responses on the relationship that exists between language and development.................................................................. 121 viii Table 5.2.6 Lecturers’ responses on whether they agree or disagree that language is an important factor for development.................................................................. 124 Table 5.2.7 Lecturers’ responses on the language which is supposed to be used in drama and theatre in Zimbabwe. ................................................................ 127 Table 5.2.8 Shows lecturers’ responses on the possibility of the integration of language, drama theatre in development................................................................... 129 Table 5.2.9 Views by academics/ lecturers on the language used by urban grooves in their performances.................................................................................................. 132 ix TABLE OF CONTENTS Declaration.................................................................................................................. i Abstract....................................................................................................................... ii Key Terms................................................................................................................... iii Acknowledgements.................................................................................................... iv Dedication.................................................................................................................. v List of Acronyms... ..................................................................................................... vi List of Tables............................................................................................................... vii CHAPTER 1: INTRODUCTION............................................................................ 1 1.1 Area of Investigation........................................................................................ 1 1.2 Statement of the Problem.................................................................................. 6 1.3 Aim of the Study.............................................................................................. 6 1.3.1 Research Objectives.......................................................................................... 6 1.3.2 Research Questions........................................................................................... 6 1.4 Justification of the Study................................................................................... 7 1.5 Literature Review............................................................................................... 10 1.6 Research Methodology...................................................................................... 12 1.6.1 Research Design................................................................................................. 12 1.6.2 Research Participants.......................................................................................... 13 1.6.3 Research Tools.................................................................................................... 14 1.6.3.1 Questionnaires..................................................................................................... 14 1.6.3.2 Interviews............................................................................................................ 14 1.6.4 Content Analysis.................................................................................................. 15 1.7 Theoretical Framework........................................................................................ 17 1.7.1 Hymes’ SPEAKING Model................................................................................ 17 x

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Drama, theatre, language, development, indigenous languages, official languages, African renaissance songs. Achebe (1988) discourages the idea of art for art's sake as deodorized dog- shit thus Africa's Workshop 70 and of theatre work in the United Kingdom and Ethiopia. He promoted.
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