HISTORY “A valuable contribution. . . . Labor of Love, Labor of Sorrowexorcises several malignant stereotypes and stubborn myths. . . . [Jones] has turned an arc light on several WINNER of theBANCROFTPRIZE JONES dark and unexplored corners.”—Toni Morrison, New York Times Book Review FINALISTfor thePULITZERPRIZE forHISTORY FULLY REVISED and UPDATED WINNER of the BROWNPUBLICATIONPRIZEoftheASSOCIATIONof BLACKWOMENHISTORIANS L A WINNERof theGUSTAVUSMYERSPRIZE for the BESTBOOKON RACIAL INTOLERANCE B L O ABOR WINNERof theTAFTPRIZEIN AMERICAN LABOR HISTORY R o WINNERof theJULIASPRUILLPRIZEof the ASSOCIATIONof SOUTHERNWOMENHISTORIANS f L L , T he forces that shaped the institution of human bondage in the American South endured, albeit in O V E O of altered form, long after the Thirteenth Amendment was ratified by the states. Whether black women toiled in a sweltering Virginia tobacco factory in the 1890s or in the kitchen of a Chicago V white woman in the 1950s, they felt the oppressive force of racial and gender ideologies, ideas of social E difference that until the mid-1960s carried the weight of law. Throughout American history, black women’s , L of meager wages—and in the case of slavery, lack of any wages at all—stood in stark contrast to their ABOR L strenuous labors in the work force and at home. In their efforts to sustain family ties and preserve a vital group A culture, they shared a common purpose with wives and mothers of all groups. B In her classic account Labor of Love, Labor of Sorrow, now fully revised and updated, acclaimed historian O S R O R RO W Jacqueline Jones describesthe changing role of black women, lending a voice to an unsung struggle from the depths of slavery to the ongoing fight for civil rights. of M d S . D a “Brilliant, bedrock scholarship crucial to our understanding of the crisis of the black lim family in the 1980s.” —Los Angeles Times O # 1 BLACK WOMEN, WORK, and the FAMILY, 0 R 56 3 “A seminal work of scholarship, which has no rival in its subtle explication R from SLAVERY to the PRESENT 02 1 of the complex interface of work, sex, race, and class. All future studies of the black 0 O /3 worker will have to take this book into account.”—HEN RY LOUIS GATES, JR. 0/0 9 W C y JACQUELINE JONES is the Walter Prescott Webb Chair in History and Ideas and the Mastin WINNER an M Gentry White Professor of Southern History at the University of Texas at Austin. The author of Saving Savannah, of the a g American Work,and The Dispossessed,she lives in Austin, Texas. BANCROFT Y e lo PRIZE B la c k $18.95 US / $24.00 CAN M Cover design by Ariana Abud e t .L Cover photograph courtesy of the Library of Congress t J J .C A C Q U E L I N E O N E S o p p e A Member of the Per seus Books Group r www.basicbooks.com 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page i Labor of Love, Labor of Sorrow 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page ii 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page iii Labor Love, of Labor Sorrow of BLACK WOMEN, WORK, and the FAMILY, fromSLAVERY to thePRESENT (cid:2)(cid:3) Jacqueline Jones A MEMBER OF THE PERSEUS BOOKS GROUP New York 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page iv Copyright © 2010 by Jacqueline Jones Published by Basic Books, A Member of the Perseus Books Group All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Basic Books, 387 Park Avenue South, New York, NY 10016– 8810. Books published by Basic Books are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call (800) 810- 4145, ext. 5000, or e-mail [email protected]. Designed by Timm Bryson Library of Congress Cataloging-in-Publication Data Jones, Jacqueline, 1948- Labor of love, labor of sorrow : black women, work and the family, from slavery to the present / Jacqueline Jones. p. cm. Rev. ed. of: Labor of love, labor of sorrow. 1985. Includes bibliographical references and index. ISBN 978-0-465-01881-9 (alk. paper) 1. African American women—Employment—History. 2. African American women—History. 3. African American families—History. I. Title. HD6057.5.U5J66 2009 305.48’896073—dc22 2009031903 10 9 8 7 6 5 4 3 2 1 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page v For Jeffrey 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page vi How I got over, how did I make it over? You know, my soul look back in wonder, How did I make it over? How I made it over, Comin’ on over, all these years. You know, my soul look back in wonder, How did I make it over? Tell me how we got over, Lord; Had a mighty hard time, comin’ on over. You know, my soul look back in wonder, How did we make it over? Tell me how we got over, Lord; I’ve been falling and rising all these years. But you know, my soul look back in wonder, How did I make it over? —from“How I Got Over,”gospel song 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page vii CONTENTS Acknowledgments for the 1985 Edition ix Preface to the New Edition xiii Introduction 1 “My Mother Was Much of a Woman”: one Slavery, 1830–1860 9 Enslaved Women Becoming Freedwomen: two The Civil War and Reconstruction 43 “Bent Backs and Laboring Muscles”: three in the Rural South, 1880–1915 77 Between the Southern Cotton Field four and the Northern Ghetto: The Urban South, 1880–1915 103 “To Get Out of This Land of Sufring”: five Black Women Migrants to the North, 1900–1930 131 six Harder Times: The Great Depression 163 seven The Roots of Two Revolutions, 1940–1955 195 The Struggle Confirmed and Transformed, eight 1955–1980 229 vii 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page viii viii Contents nine Crosscurrents of Past and Present, 1980–2009 267 Appendices 299 Notes 313 Bibliography 371 Index 421 0465018819-Jones_Layout 1 11/3/09 2:45 PM Page ix ACKNOWLEDGMENTS FOR THE 1985 EDITION This project grew out of a course in women’s history that I began teaching at Wellesley College in 1977. At the time, little in the way of published material on the history of black working women was available to undergraduates. Moreover, widely held among my (mostly white, middle-class) students was the conviction that work outside the home al- ways amounted to a “liberating” experience for women regardless of their race, age, or marital status. Over the last few years, several classes of Wellesley students have become more familiar with the history of black working women, a topic of concern in all my courses, whether on reform, the South, women, the Civil War, the family, the Great De- pression, the nineteenth century, or a survey of American history. Without exception my students responded to this story with great interest and enthusiasm; their willingness to reevaluate their own preconceptions related to work and family life has sustained me through several years of research and writing. Each semester I was able to count on a recep- tive audience for my findings long before they were published. Therefore it is appropriate that I first acknowledge the help of my Wellesley students, who provided me with the initial inspiration for this study and who eagerly explored with me the various details and broad themes that ultimately gave the project its shape. The National Endowment for the Humanities funded an initial year of research, and the Wellesley College Center for Research on Women provided a forum in which to present preliminary findings, both through its seminar series and its working papers list. Various grants administered by the center also enabled me to hire student research interns for three summers. The college faculty awards committee and history department made possible ad- ditional support for student assistants, and I was able to draw upon the talents of Carol Corneilse, Sherrie Inness, Carol Mapoma, Lydia Luz, Twinkle Shipes, and Chana Woods for data collection and preparation of numerous drafts of the manuscript (using, of all anti- quated machines, an electric typewriter). Brian Drayton rescued me from a number of sty- listic and organizational gaffes. The reference, circulation, and interlibrary departments at the Wellesley library managed to track down many obscure sources and helped me locate missing ones, including books I had forgotten were checked out to myself. I would also like to express special thanks to Jean C. Proctor (wily in the ways of the Wellesley bureau- cracy), for she is as good a friend as she is skilled as an administrator in the Wellesley his- tory department. ix